Joe Lansdale - A Fine Dark Line

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It is the summer of 1958 in Dewmont, Texas, a town the great American postwar boom passed by. The kids listen idly to rockabilly on the radio and waste their weekends at the Dairy Queen. And an undetected menace simmers under the heat that clings to the skin like molasses... For thirteen-year-old Stanley Mitchell, the end of innocence comes with his discovery of the mysterious long-ago demise of two very different young women. In his quest to unravel the truth about their tragic fates, Stanley finds a protector in Buster Lighthorse Smith, a black, retired Indian-reservation cop and a sage on the finer points of Sherlock Holmes, the blues, and life's faded dreams. But not every buried thing stays dead. And on one terrifying night of rushing creek water and thundering rain, an arcane, murderous force will rise from the past to threaten the boy in a harrowing rite of passage... Vintage Lansdale, A Fine Dark Line brims with exquisite suspense, powerful characterizations, and the vibrant evocation of a lost time.
From Publishers Weekly
The atmosphere is as thick as an East Texas summer day in Edgar-winner Lansdale's (The Bottoms) engaging, multilayered regional mystery, which harks back to 1958. Thirteen-year-old Stanley Mitchel, Jr., has enough on his hands just growing up in Dewmont, Tex., when he literally stumbles on a buried cache of love letters. Stanley pursues the identity of the two lovers with help from the projectionist at his family's drive-in, an aged black man who quotes Sherlock Holmes and doesn't mince words about the world's injustices. As the truth of a gruesome 20-year-old double murder comes to light in the sleepy town, so do the facts of life, death, men, women and race for young Stanley. Unfortunately, this wealth of experience sometimes strains credulity. For instance, Stanley, his sister, Callie, and friend Richard witness a secret burial, see a local phantom, are chased by a murderer and barely miss being hit by a train-all in one night. As the older and wiser Stanley says of the past, "More had happened to my family in one summer than had happened in my entire life." The "down-home" dialect is occasionally overdone, too, with more ripe sayings than Ross Perot on caffeine. But Lansdale clearly knows and loves his subject and enlivens his haunting coming-of-age tale with touches of folklore and humor.
From Booklist
Lansdale makes a rich stew of memory and mystery in the voice of Stanley Mitchel Jr., who is 13 in 1958 and is writing down, in midlife, what he recalls. His parents own the drive-in in Dewmont, Texas; his dad calls his mom "Gal"; his sister, Callie, is turn-your-head pretty and feisty besides. Stanley finds in the burnt ruins behind the drive-in a cache of love letters. Stanley--innocent enough at the beginning of the story to still believe in Santa Claus--is fascinated by the letters and soon learns that the fire marked the deaths of two young women, long ago. Those deaths ripple through the pages, as Stanley struggles with knowledge of good and evil: his friend Richard's abusive dad; the black cook's stalker boyfriend; the drive-in projectionist who faces twin demons of age and alcohol. Stanley's mother, father, and sister are vivid, glowing personages. Stanley doesn't unravel everything, but race and power, and what people do to each other in the name of desire and religion, coalesce to a mighty climax. 

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When we got to the top of the hill, it curved slightly. I pushed my bike around the turn, and there, dead center, as Drew had described it, stood the Stilwind house. A FOR SALE sign with a real estate agent’s name on it poked up in the front yard.

From a distance, it was not too unlike the other houses in the area, but as I grew closer I could see it was in great need of paint and the windows were specked with surprised bugs and water spots and the front door was swollen like a drunkard’s belly. The hedges grew too high, losing design, and the cement walk along front, side, and back of the house was hairline-cracked in many places. The oak trees near the house were moving in the wind and waving their boughs against the roof with a sound like cats scratching in a litterbox. You could see where the wind-pushed limbs had torn loose shingles and tossed them in the yard like an old man peeling dead skin from his feet.

Still, the house was so magnificent on its wooded acreage I actually gasped. I got off my bike and kicked the kick stand out to support it, stood looking at the house.

Nub sat in the street and looked at the house with me, turning his head from side to side.

“What do you think, boy?”

Nub didn’t seem to have an opinion.

I walked up the drive, climbed the steps, and knocked on the bulging door, certain, of course, no one would answer. Nub sat on his haunches, watching me, trying to determine in his little dog brain exactly what I was doing.

No one answered.

Me and Nub walked around the back of the house, saw a massive heart-shaped swimming pool with a tall diving board. As I neared it, there was a burst of crows, like pieces of night exploding from the ground. They beat up to the sky, stalled, spread out and fled in all directions. They came together in the distance as if it had all been planned, and dissolved into the trees.

A dead armadillo was lying on the bottom of the empty pool. It was almost flat, the crows having helped themselves to the better morsels, picking at it along with weather and time.

Shrubs lined the remains of the tennis court, which had cracked and given way to yellow weeds and grass burrs. Beyond all this was a small pecan orchard and a great expanse of woods.

I walked to the back of the house and touched the back door. It slid open slightly and jammed where it had swollen at the bottom. I pushed harder and made enough room to go inside.

It was dark with patches of dirty light shining through the dusty windows. The place smelled. Beneath it all was that biting stench of rat’s nests and mildew.

I slipped inside and Nub followed, staying close to my leg. My eyes became adjusted to the darkness, but the smell was almost overwhelming.

I noticed there were footprints in the dust. Some of the prints were from animals, like squirrels, maybe a coon, but there were human footprints as well. Little feet in narrow shoes. As we came to a wide staircase, I saw the prints went upstairs.

We stopped at its base and I looked up and considered, but decided against it. The upper floor was crowded with shadows, as if something had squeezed them all into one spot, fastened them there with a wrap of invisible chain.

I had the uneasy feeling that something lay at the top of the stairs, just where the steps curved to the upper landing.

Nub looked up the stairs. I saw the hair on his back stand up like porcupine quills, then he growled. I strained to see if anything was there, but saw nothing, heard nothing.

Then a shadow, shaped like a crone in a Halloween carnival, fled along the wall and went away.

That was enough for me.

Softly calling Nub, we went away from there very fast. Outside the air was cool and sharp with rain. It flushed the stench of mildew, rat’s nest, and discomfort out of my head. I dismissed the shadow as nothing more than a trick of the light.

I mounted my bike. Beneath that dark cloud, the aroma of rain in my nostrils, I started pedaling down, Nub was running along beside me, his tongue hanging out like a small pink sock.

I zoomed along with the wind in my hair, raindrops striking my face. As I came to the bottom of the hill, my speed picked up, and before I knew it, the highway loomed before me.

I stepped back on the pedal with everything I had, putting the brakes on hard, but that big J.C. Higgins bike wasn’t having any of that. The tires glided over the slightly damp cement and the Higgins turned sideways, fell over, then dropped my leg hard against the concrete.

I skidded right out into the middle of the highway. There was a blaring sound so loud my hair stood on end. I saw the grillework of a Big As Doom Mack Truck bearing down on me, knew right then there was a good chance I was going to miss that planned showing of Vertigo with the family, and most anything else that would come up a second later.

In that instant I felt neither fear or regret, just resignation.

As I continued to slide, I glimpsed Nub out of the corner of my eye, running between me and the truck. The horn blared again and something smacked me.

PART TWO

Buster Abbot

Lighthorse Smith

6

YOU WERE LUCKY,” Richard said.

It was three days after the accident. Richard Chapman was sitting in a chair by my bed writing his name on the cast on my left leg with a pencil stub he kept wetting by poking it into his mouth. His writing was slow and deliberate, so damp it was smeary.

“That probably won’t be there long,” I said.

“I’ll write it again,” he said. “Next time I’ll use ink.”

As he wrote, he leaned forward so his long brown hair hung almost to his chin. As it dipped toward my leg, Nub, who was lying beside me, sniffed the tips of it with a wrinkled nose. Considering Nub would lick his ass hour on end, yet seemed offended by the smell of Richard’s hair, I assumed my friend’s locks were fairly ripe.

“I was really lucky, I wouldn’t have got hit at all,” I said. “I wouldn’t have a broken leg. My bike wouldn’t be a bunch of bent-up metal. I wouldn’t be spending most of what’s left of the summer in a cast. I’m just glad Nub wasn’t hurt.”

“You could’a been smashed like a possum, truck that big.”

“Driver saw me, slammed on his brakes. Nub ran past me and another car went right over him. Mrs. Johnson was standing in her yard and she saw it all, told Mom and Mom told me.”

“Who is she?”

“She lives down from the drive-in a bit. Mom knows her some. She’s the one came and got me and my bike out of the highway. Her and the truck driver. It wasn’t his fault. I slid right out in front of him.”

“Did you think it was all over, you seen that truck?”

“I didn’t think much of anything. Not until the hospital anyway, and they were putting the cast on me.”

“You really don’t remember the in-betweens? Don’t remember the truck running over your leg?”

“Nope. Truck didn’t break my leg. I did it sliding on the road, that’s what Mrs. Johnson says. I got a real bad case of concrete rash, that’s for sure. My head got banged too. If I had been sitting up the truck would have knocked my head off. I just sort of slid under it and it passed over me, way that car did Nub.”

“I got an arrow run right through my side oncet. I made it myself, sharpened it with my pocketknife, and I fell on it runnin’. It went right through the meat on my side. Hurt like the dickens, but I didn’t get nothing but a hole in my side and some blood. I got over it quick. I had to. Daddy put me in the fields cutting down dead corn stalks with a scythe. He don’t cotton much to foolish injury.”

“I wish I’d got an arrow through my side. It beats this.”

Richard finished writing his name, flipped his oily hair back in place, and tossed the pencil onto my nightstand, atop a stack of comic books.

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