Konrath, J.A. - DRACULAS (A Novel of Terror)

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A DYING MAN'S GREATEST TREASURE...
Mortimer Moorecook, retired Wall Street raider, avid collector, is losing his fight against cancer. With weeks to live, a package arrives at the door of his hillside mansion-an artifact he paid millions for...a hominoid skull with elongated teeth, discovered in a farmer's field in the Romanian countryside. With Shanna, his beautiful research assistant looking on, he sinks the skull's razor sharp fangs into his neck, and immediately goes into convulsions.
OPENS THE DOOR TO AN ANCIENT EVIL...
A rural hospital. A slow night in the ER. Until Moorecook arrives strapped to a gurney, where he promptly codes and dies.
WHERE DEATH IS JUST THE BEGINNING.
Four well-known horror authors pool their penchants for scares and thrills, and tackle one of the greatest of all legends, with each writer creating a unique character and following them through a vampire outbreak in a secluded hospital.
The goal was simple: write the most intense novel they possibly could.
Which they did.
A Word of Warning: Within these pages, you will find no black capes, no satin-lined coffins, no brooding heartthrobs who want to talk about your feelings. Forget sunlight and stakes. Throw out your garlic and your crosses. This is the Anti-TWILIGHT.

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Blake

August 19, 2010

As I’m writing I find I need basic info — like where we are and last names. (unless I missed something.)

Where IS Blessed Crucifixion?

I gave Jenny “Bolton” as a placeholder surname. I’d guess Randall’s is the same.

Kurt Lanz

Clay Theel

Mortimer Moorecook

Nurse Winslow

what about Shanna?

Paul

• • •

Sorry…that went out prematurely. I spotted Durango in chapter 1 (long time since I read it). But people often refer to each other by last names, so…

Paul

• • •

Paul, effin’ loved your scene. Black humor, great characters, A few quick suggestions.

1. Can the paramedic also say, “I need a tetnus shot. And rabies. And antiserum. You see that goddamn guy? Fucking give me every shot you’ve got.”

2. Jenny tells him “I’m waiting for my ex-husband.” Randall is coming back with a chainsaw, to escort Jenny to the pediatrics ward to protect the kids. That is going to be Randy and Jen’s story arc—barricading themselves in the children’s wing—and I think Jen should think of it almost immediately. Maybe she should insist to Lanz to evacuate the hospital, and he says something like, “Evacuate where? We’re in the middle of Bumblefuck, Hickville. I’m supposed to march 234 patients out into the woods?”

That gives us a patient number, reinforces that they can’t get away, and tells Lanz where Jenny will be when he becomes a dracula and decided to eject her himself.

Joe

• • •

And just to clarify:

No one writes or edits or corrects anyone else’s section without specific permission from the writer. We’ll all do a final edit when we put this together. But for the first few drafts, let’s all make suggestions, but no rewriting.

And when you do a second draft, save it numerically. Paul 1.0, Paul 1.1, Paul 1.2, etc. Get used to doing a new draft every time you make a change or an addition. We’ll all be reading each other, and may need to go back to earlier drafts and lift stuff from them. Keeping the drafts separate will make it easier.

Joe

• • •

I should be able to fling my first chapter into the dropbox sometime tomorrow, with another one by Sunday. Thus far, I’ve had a lot of fun justifying the preposterous idea that Randall is actually going to limp out of the hospital to get a chainsaw from his truck. He acts impulsively, realizes quickly that he’s acting impulsively, but refuses to back down from a task once he’s started, even as he thinks “Y’know, the hospital security probably isn’t going to want to let me back inside with a chainsaw in my hands.” This is a large part of why he and Jenny are no longer married.

Jeff

• • •

Nice! Looking forward.

Blake

• • •

Chap 4 is pretty much done. It ends with Oasis and the EMT becoming draculas and killing the LPN while Lanz runs and hides in the supply room. Where those two go from there I don’t know.

I don’t have a sense for what Shanna is doing in all this.

As requested, I added some Lanz to Blake’s Chap. 7. He’s still in the supply room. Here is where he thinks he can beat it but fails miserably — he breaks out and starts chomping. I think Randall has to come through the ER while Lanz has locked himself away.

Paul

• • •

Paul - can’t wait to read your new stuff. Love that Lanz runs and hides again.

Re: Shanna, I would say it’s totally up to you since Clayton Theel is going to come into the hospital looking for her, which I suppose is his first motivation - find Shanna. Perhaps she needs a short chapter where she has lingered in the ambulance, trying to pull herself together, then walks into the ER when all hell has broken loose. Maybe Moorecook chases her out into another part of the hospital? I guess it really depends on what you’re going to do with Shanna and Clayton for the core of your story. Do they have a phone conversation in the ambulance while he’s on his way where she pretty much breaks up with him? Pushing him to search for her even harder?

Joe and Jeff have figured out how their characters are going to interact, mine are probably going to be in a vacuum until the very end, a pregnant couple fighting for their life in the maternity ward. What are you thinking of for Clayton’s journey through hell? Maybe we can find a way to have him intersect with my characters?

Blake

• • •

I think we need a scene where the draculas tell everybody in the hospital that they’ve won the lottery, and as the people walk one-by-one into a private room to collect their winnings, the draculas kill them!

Jeff

• • •

BRILLIANT!

Paul

• • •

I think Shanna outside the hospital doors (cell reception is better there) calling Clay is a good start. She can call off the trip to the gun show. Their relationship is not working…etc. Besides she’s too upset about Mortimer’s collapse.

I think we should have all sorts of character meet-ups. Randall and Lanz have certainly got issues.

I see Clay as like the Terminator when it comes to killing draculas…until his ammo runs out.

Paul

August 20, 2010

Agreed, with the caveat that we can fix typos without consultation. I read Paul’s chapter 4 last night and added a period to one sentence and closed out a quote that needed to be.

Blake

• • •

Joe thinks I’m just crazy and anal (which I’m not refuting) but I don’t think it’s a terrible idea to have a working hospital map that we can refer to to track character movement.

http://www.iredellmemorial.org/guide.aspx?id=922

This is the hospital from the town where I grew up in North Carolina . Services the same community size as Durango (45 thousand in the surrounding counties) but I like the floor plan much better (more stories). I’m not saying we have to stick to this religiously, but I think it may be good to consult. I have to have an idea of the space my characters inhabit, it also prods my creativity, and when I’m not familiar with an environment like this (thank God) I need a little help. Obviously, my characters will be based in the maternity ward. Joe’s will be in pediatrics. Jeff’s is trying to get the power going or something so he can communicate with Jenny. Not sure what Clayton and Shanna are doing yet but my sense is Clayton’s like a kid in a candy shop, a real-life video game where he gets to play with all his toys and he’s going to be fucking blasting through the place until the ammo runs out.

If everyone likes this, I’ll throw it in the dropbox.

Blake

• • •

That hospital is too big, methinks. I was thinking two hundred patients, tops.

Almost done with the morgue scene, then I’ll work on Jenny’s scene.

Joe

• • •

It’s only a 247-bed hospital, so if there are 100-150 patients during the outbreak, doesn’t that seem about right?

Blake

• • •

We can always lop off the 5th floor, too. I think four stories is about right.

Blake

• • •

Also, to make putting this together easier, we need to break up our own individual sections and chapters.

So when I write the first Jenny scene, it will be JOE 1.0, JOE 1.1, etc.

When I write a new scene, it will be JOE 2.0, JOE 2.1. JOE 2.2.

Blake, I’m still working on the morgue scene. But I’ll split up the Lanz section at the end and make that BLAKE 2.0.

That way, we can work on different sections, and it will be easier to piece this into a linear narrative.

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