Philippa Gregory - Meridon

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Meridon: краткое содержание, описание и аннотация

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This is the third volume in the bestselling Wideacre Trilogy of novels. Set in the eighteenth century, they launched the career of Philippa Gregory , the author of The Other Boleyn Girl and The Virgin's Lover. Meridon, a desolate Romany girl, is determined to escape the hard poverty of her childhood. Riding bareback in a travelling show, while her sister Dandy risks her life on the trapeze, Meridon dedicates herself to freeing them both from danger and want. But Dandy, beautiful, impatient, thieving Dandy, grabs too much, too quickly. And Meridon finds herself alone, riding in bitter grief through the rich Sussex farmlands towards a house called Wideacre -- which awaits the return of the last of the Laceys. Sweeping, passionate, unique: 'Meridon' completes Philippa Gregory's bestselling trilogy which began with 'Wideacre' and continued with 'The Favoured Child'.
From Publishers Weekly
With this elaborate tapestry of a young woman's life, the Lacey family trilogy ( Wideacre and The Favored Child ) comes to a satisfying conclusion. Meridon is the lost child whose legacy is the estate of Wideacre. She and her very different sister, Dandy, were abandoned as infants and raised in a gypsy encampment, learning horsetrading and other tricks of survival. They are indentured to a circus master whose traveling show is made successful by Meridon's equestrian flair and Dandy's seductive beauty on the trapeze. Meridon's escape from this world is fueled by pregnant Dandy's murder and her own obsessive dream of her ancestral home. After claiming Wideacre, Meridon succumbs for a while to the temptation of the "quality" social scene, but eventually she comes to her senses, and, in a tricky card game near the end of the saga, triumphs fully. The hard-won homecoming in this historical novel is richly developed and impassioned.

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‘Yes,’ I said. ‘I am quite better. But that woman took my clothes.’

‘That’s Becky Miles,’ he said. ‘She took them and washed them and ironed them. They’ll be in the chest in your bedroom. I’ll send her up to you.’

He turned his horse and rode past the front door round to the back of the house to the stables. I shut the window and opened the chest for my clothes.

There was warm water in a jug with a bowl beside it in exquisite cream china with little flowers painted on the outside, and a posy at the bottom of the jug. I splashed a little water on my face and dried myself reluctantly on a linen towel. It was so fine I didn’t like to dirty it.

I dressed and felt the luxury of ironed linen and clean breeches. There was a minute darn on the collar of Jack’s old shirt where I had torn it weeks ago. I shrugged on the old jacket as well – not that I would need the warmth, but because I felt awkward and vulnerable in this rich and beautiful house in my shirtsleeves. My breasts showed very clear against the thin cotton of the shirt; I pulled the jacket over to hide them.

There was a comb, a silver-backed hairbrush, a small bottle of perfume and some ribbons laid out before a mirror of the purest glass I had ever seen on the dressing-table and I stopped in front of it to brush my hair. It was full of tangles as always, and the riot of copper curls sprang out from the ribbon bow I tried to tie around them. I gave up the struggle after the third time and just swept it back from my face and left it loose. The man who hated gin traps did not look as if he were a connoisseur of female fashions. He looked like a simple working man, and one who could be trusted to deal with a person fairly, however they looked. But the house, this rich and lovely house, made me feel awkward in my boy’s clothes with my red hair all tumbled down my back. It was a fine house, I somehow wanted to be fine to suit it. I didn’t look right there, in darned linen and someone else’s boots.

There was a tap at my door and I went to open it. The woman he called Becky Miles stood outside. She smiled at me. She was taller than me, a large-built woman running to plumpness, her fair hair starting to turn grey at the temples, a little sober cap on her head, a dark dress and a white apron.

‘Hello,’ she said kindly. ‘Good to see you up. Will sent me up to bring you down to the parlour when you’re ready.’

‘I’m ready,’ I said.

She walked ahead of me, talking over her shoulder as she went towards the shallow curving staircase and down the stairs to the hall.

‘I’m Becky Miles,’ she said. ‘Mr Fortescue put us in here, me and Sam, to work as housekeeper and caretaker. If there’s anything you want, you just ring the bell and I’ll come.’

I nodded. There was too much to take in. I wanted to ask why they should wait on me, and who was Mr Fortescue but she led me across the shadowy hall, her heels clicking on the polished wooden floor, silent on the bright rugs, and opened a door at the front of the house and gestured that I was to go in.

‘I’ll bring you some coffee,’ she said, and shut the door behind her.

The room was a parlour, the walls lined with a silk so pale as to be almost cream, but pink in the darker corners. The window-seat, scattered with cushions of a deep rose colour, ran around the inside of the tower at the corner of the room and overlooked the terrace, the rose garden and the drive in its circular sweep. The carpet, set square on the polished floorboards in the main part of the room, was cream with a pattern of pink roses at the border. The half-circular turret part of the room had its own circular rug in deep cherry. There was a harpsichord on the wall beside the fireplace, and a number of occasional tables standing beside comfortable rose-cushioned chairs. In the middle of all this pinkness was the man who hated gin traps, with his brown cap clutched in his big hands.

We smiled at each other in mutual understanding of each other’s discomfort.

‘It’s a lady’s room really,’ he said. ‘It’s the parlour.’

‘A bit pink,’ I said.

‘Aye,’ he said. ‘It’ud suit some.’

He paused and looked at me, as awkward as himself in my hand-me-down boots and my plain riding breeches and my too-big jacket.

‘We could go into the dining room,’ he suggested.

I nodded and he led the way across the hall and through handsome double doors into a dining room dominated by a massive mahogany table which would seat, I thought, sixteen people. On one side was a huge sideboard gleaming with silver, on another a table set with chafing dishes. The man who hated gin traps pulled out a chair for me at the head of the table and sat by my side.

‘Now,’ he said. ‘We’ll wait the main business until Mr Fortescue comes and I’m pledged to tell you nothing till he arrives. He’s the trustee for this estate. He came down from his London offices when I sent word that you had come here. He’ll be in to take coffee with us in a moment.’

‘Who is he?’ I asked. I was nervous, but the man who hated gin traps gestured to me to sit in one of the high-backed chairs and I gained confidence from his ease.

‘He’s the trustee of the estate,’ he said. ‘The executor of the will. He’s a straight man. You can trust him.’

I nodded. I thought, ‘I can trust you too,’ but I sat down in silence, and put my hands together on the polished table as if we were about to start some business.

The door opened and Miss Miles came in carrying a tray with a silver coffee pot, some biscuits and three cups. Behind her came a tall man dressed like Quality, but he held the door for her. He made much of helping her with the tray and setting the biscuits on the table and the cups before the three of us but I knew that he had taken in my appearance in his first quick glance as he came into the room, and that he was scanning me under his dark eyelashes still.

He was about the age of Robert Gower, with clothes cut so soberly and so well that I had never seen their like. He had an air of such authority that I thought he must have been born wealthy. His face was lined and severe, as if he were sad. I thought that he was being polite to Becky Miles to cover his searching survey of me but also because he was always polite to her, to all servants.

He set the things to his satisfaction and then he gave an assumed and unconvincing little start of surprise. ‘I’m not introducing myself,’ he said to me. ‘I am James Fortescue.’

He held out his hand and looked at me inquiringly. The man who hated gin traps said nothing, so into the little silence I volunteered my own introduction.

‘I’m Sarah,’ I said.

The hand that clasped mine tightened a little, and his sharp gaze narrowed. ‘Have you used that name all your life?’ he asked me.

I hesitated for a moment. I thought, with my quick tinker’s brain, about stringing some lie together; but nothing came.

‘No,’ I said. ‘I had a dream, like a belief that it was my real name. But the people I lived with called me by something else.’

He nodded, let my hand go and gestured for me to sit down. In the silence that followed the man who hated gin traps pulled the tray towards himself and carefully poured three cups of coffee. When he handed one to James Fortescue I could see that the gentleman’s hands were trembling.

He took a sip of coffee and then looked at me over the rim of the cup. ‘I think I would have known her anywhere,’ he said softly, almost to himself.

‘You need to be sure,’ the man who hated gin traps said in a level voice. ‘For your own sake, for all our sakes.’

I turned and looked at him. ‘What are you talking about?’ I asked. There was an edge of irritation in my voice and the man heard it. He gave me a slow reassuring smile.

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