Tim Severin - Corsair

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1677, on a late summer’s evening two ships lurk off the coast of southwest Ireland. They are Barbary corsairs from North Africa, slave catchers. As soon as it is dark, their landing parties row ashore to raid a small fishing village - on the hunt for fresh prey . . . In the village, seventeen-year-old Hector Lynch wakes to the sound of a pistol shot. Moments later he and his sister Elizabeth are taken prisoner. From then on Hector’s life plunges into a turbulent and lawless world that is full of surprises. Separated from Elizabeth, he is sold to the slave market of Algiers, where he survives with the help of his newfound friend Dan, a Miskito Indian from the Caribbean. The two men convert to Islam to escape the horrors of the slave pens, only to become victims of the deadly warfare of the Mediterranean. Serving aboard a Turkish corsair ship, their vessel is sunk at sea and they find themselves condemned to the oar as galley slaves for France. Driven by his quest to find his sister, Hector finally stumbles on the chilling truth of her fate when he and Dan are shipwrecked on the coast of Morocco . . .

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At this point there was a shout. It was Dan leaning over the edge of the causeway and beckoning to them. ‘Come on up,’ he called, ‘the fantasia is about to start. Hurry!’ Hector, Bourdon and Karp made their way up to the crest of the causeway to find that a crowd of spectators had assembled. Most were courtiers from Moulay’s entourage, but there were also a number of foreigners, including the three Spanish cavalrymen they had last seen at Diaz’s billet. Everyone was jostling together and looking towards the royal stables. Hector placed himself near the edge of the crowd where he could look down and also watch the entrance to the secret chapel. Soon he saw figures appear. The Mass must have finished, and the celebrants were leaving. They emerged in twos and threes, and hurried away quietly. Hector guessed that the priest must have instructed them to remain as inconspicuous as possible. He saw the rowing master, his squat figure unmistakable even though he was in the deep shadow cast by the setting sun. Close behind the rowing master came Piecourt. Once again he was accompanied by the same tall figure of the man he had been with when Hector had visited the cell. Then, finally, he saw the figure of the priest holding to his chest a box which must be the folding altar.

Behind him there was an excited murmur and Hector turned to see that the crowd was now gazing intently down the broad road which led towards the royal stables. In the distance was movement, a low cloud of dust. He strained his eyes and the dust cloud resolved itself into a line of horsemen advancing across a broad front towards the causeway at a slow walk. As the riders drew closer, he began to distinguish that they were all dressed in white robes which flowed and billowed around them. Soon he heard the low rumble of many hooves, hundreds of them, and he realised that there were many more horsemen behind the first squadron. Rank after rank of riders were coming forward. Suddenly, as if on a single command, the front troop of horses passed straight from a walk into a full gallop. They were heading directly towards the spectators as if determined to ride them down. Their riders began to whoop and yell, standing in their stirrups and waving muskets. Some were throwing their weapons up in the air and catching them as they continued their headlong rush. Hector felt his heart pounding as the ground trembled under the hooves of their charge. The horsemen were much closer now. He could see the magnificent accoutrements of their mounts – deep saddles covered with brocade, bridles and reins of tooled leather stamped with gold, velvet saddle blankets edged with silver and gold fringes and tassels, broad breast bands worked with filigree. He heard the cries of the riders urging their animals to gallop even faster. Involuntarily he flinched back expecting the onrushing horsemen to crash into the crowd. Suddenly one of the riders, an older man riding to one side, gave a signal. As one, the front rank of the horsemen swung their muskets forward, holding them two-handed across their bodies so the muzzles pointed over their horses’ ears and fired their guns. There was a single, ear-splitting salvo, and the air was filled with puffs of smoke torn through by the arcing sparks of the burning wads. In the same instant, the front rank of riders had reined their horses to a halt, so that the horses heaved back on their haunches only yards from the onlookers. A touch on the reins, and the animals spun on the same spot and went tearing away, with the robes of the riders flapping out behind them and their exultant cries ringing in the ears of the crowd.

Again and again, troop after troop, the riders charged down in the fantasia, fired their guns, wheeled around, and raced away only to regroup and charge down again. As Hector got over his surprise, he began to recognise the pattern in their movements. There were ten squadrons of riders, each performing their manoeuvres at the full gallop, perhaps a thousand horses in total. Each squadron was distinguished by its own particular feature – the colour of the bridles, the size and colour of their horses. One squadron in particular was more magnificent than all the rest. It was composed mostly of horses that were the palest cream in colour. Their tails and manes had been allowed to grow almost to the ground so that they streamed out spectacularly as they galloped, and their discipline was perfect. In that pale squadron three horses stood out. Two were jet black and the third was a handsome pale grey covered with black spots. Each time this squadron charged forward, these three horses were always a few paces ahead of the rest, and they were controlled by a single horseman. The animals were superbly schooled for they stayed close together at a full gallop and allowed their rider to leap from saddle to saddle, occasionally throwing up his musket and catching it again. And it was always this same rider who, as he came careering up to the crowd in advance of his squadron, was the one who gave the command to fire the guns. On the third occasion that this squadron, now like ghostly riders in the near-darkness, completed the fantasia, their leader came to a halt so close to Hector that flecks of foam from his horse’s mouth – it was the speckled grey – flew out and landed on his face. At that moment Hector recognised the rider was Moulay Ismail.

EIGHTEEN

картинка 56

JOSEPH MAIMARAN’S hooded eyes regarded Hector with the same caution shown on the young man’s previous visit to his house only twenty-four hours earlier.

‘I am sorry to disturb you again,’ Hector began awkwardly, still standing at the half-open door, ‘but there have been important developments since we last spoke. They concern the French prisoners.’

Maimaran could see that his visitor was agitated. Hector had arrived alone in the Mellah and his manner was hesitant, yet eager. Without a word he led the young man along a narrow corridor to the plainly furnished back room where he normally discussed business with his commercial clients. Waving Hector towards a chair, he sat down at a small table, folded his hands and asked, ‘Have you been able to learn more about that great gun?’

‘No. Sean Allen thinks that it will be very difficult, if not impossible, to satisfy the Emperor’s request.’

‘That is disappointing. His Majesty, as you must be aware, expects a prompt and successful response to all his demands. If you fail to supply him with a great gun, then perhaps you should make sure that Moulay receives a considerable sum for the ransom of the prisoners. It could save you and your friends from the unpleasant consequences which often result from Moulay’s displeasure.’

‘That’s why I came to talk to you again.’ Hector’s careful tone put Maimaran on his guard. He waited for Hector to continue. ‘It’s about the prisoners themselves. Do you know very much about them?’

‘Only what my assistant reported. He interviewed them this morning. He tells me that they are of the middle or lower rank, and none of them are likely to have rich families who would pay large sums for their release. So we will have to apply to their master, the Galley Corps of France, for their redemption. My assessment is that the French will offer a prisoner exchange – captive Muslim oarsmen for the Frenchmen – rather than any cash. Unfortunately, in the past the French have bartered one Muslim oarsman for every four of their nationals in these circumstances. They say that our rowers are three or four times more durable than their own nationals.’

Hector took a deep breath before stating, ‘One of the prisoners is a fraud. I believe that Moulay Ismail can obtain a very great ransom for him.’

Maimaran felt a sense of disappointment. He had been curious about the Irishman’s suppressed excitement. Now he feared he was about to hear an all too familiar story. Maimaran had been arranging prisoner ransoms for many years and was thoroughly experienced in the twists and turns of the process. Of course the captives lied. They had good reason to fake their identities and pretend that they were not who they seemed to be. Those who came from poor backgrounds tried to get better treatment from their captors by claiming they had wealthy families who could pay for their release. Others who came from rich families pleaded poverty so that their ransoms would be set cheaply. Very occasionally a master even changed places with a loyal servant. The master was then allowed to return home in the role of a negotiator to arrange a ransom for his ‘master’. But on getting to his own land, he revealed the deception knowing that the captors would release the servant as being of little value. But these ruses were so well known to men like Maimaran that they seldom worked any longer.

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