Tim Severin - Corsair

With that remark, Maimaran shifted the responsibility back to Hector and brought the interview to an end.

LUIS DIAZ was waiting in Sean Allen’s office when Hector got back there, and the grin on the Spaniard’s face contrasted with the gun founder’s tone of exasperation. ‘One moment the Emperor wants a castle smasher,’ Allen was saying, ‘and the next instant he sends word that there’s to be a fantasia. That means we’ll have to waste some of our small stock of pistol powder so there will be even less for bomb experiments.’

Hector was startled. ‘Is the Emperor going to have someone blown from the mouth of a cannon?’

Diaz laughed aloud. ‘Whatever makes you think that?’

‘In the bagnio of Algiers our Turkish guards accused us of a fantasia if we did or said something insolent or disobedient.’

‘This is a different sort of fantasia, thank god,’ the gun founder reassured him. ‘One which delights our horse-mad friend here. It involves a lot of over-excited cavalrymen charging around on their horses and firing guns in the air. It’s spectacular and very profligate as it uses up a great deal of gunpowder. It is aptly known as Laab al-Barud or Powder Play.’

Luis Diaz’s grin only broadened. ‘Sean, don’t be so grumpy. Our young friend deserves a day out from this smoky hellhole. I’ll take him and his companions along to see the show. In the meantime you might be so good as to issue me with half a keg of good pistol powder so I can bring it to the royal stables without further delay. The fantasia is scheduled for today, after the evening prayer. There’s no time to waste in gossiping.’

Diaz’s good humour continued as he left the Arsenal with Hector and his companions, closely followed by a servant leading a mule loaded with the precious powder. ‘A fantasia is really something special. You’ll never have seen anything like it before. Two or three hundred first-class riders mounted on some of the very best horseflesh in the world.’

They came to the causeway where it crossed over the prison cells, and Diaz advised them to wait there: ‘This is the best place to see the show. It’ll take at least a couple of hours for the riders to get ready, so you can spend the time catching up with your former shipmates from the galley. As it’s Sunday, they’ll be having the day off. But leave someone up here to keep yourself a good spot as it’ll soon get crowded.’

Leaving Dan to hold their place, Hector went down into the shallow gully with Karp and Bourdon and headed towards the arch where the crew of St Gerassimus were lodged. He was intent on cross-examining Piecourt, but as they reached the Frenchman’s cell, a surly-looking inmate told him that the comite was absent, and so too was the rowing master. Nor would anyone tell him where they had gone. Hector was left with the impression that the crew members of the St Gerassimus had been told to be as unresponsive and obstructive as possible if he returned with any questions. Only when Bourdon met up with some of his countrymen who failed to recognise him was the pickpocket able to learn that the comite and the rowing master were at mass. ‘Apparently there’s a clandestine chapel in the last archway. It’s been set up secretly by two Franciscan priests who came to Meknes to negotiate some prisoner releases. Moulay has been keeping the priests waiting for months, quibbling about the size of the ransom. In the meantime they conduct secret masses for the faithful. The comite and a couple of the other men from the galley are there now.’

‘Karp, would you mind coming with me into the chapel and having a look round?’ Hector asked. ‘I have a feeling that it might be dangerous for me to go in there by myself. Jacques, perhaps you can stay outside and keep watch. Warn us if you think that we might get ourselves trapped inside.’

The three men made their way to the furthest archway. It was much smaller than the others, and had been closed off with a wooden doorway. Quietly Hector pushed the door open and slipped inside with Karp at his heels.

It took a moment for their eyes to adjust to the almost total dark. A service was in progress. The chapel was tiny, so cramped that it could hold no more than a score of worshippers. All of them were crushed together and on their knees as they faced a portable altar set up against the far wall. In front of the altar a priest was also kneeling, his hands clasped in prayer. There was no window to the tiny room, and the only light came from a single candle placed on the altar which illuminated a cross made from woven straw pinned against the far wall. In the dense gloom Hector could not identify the individual figures of the worshippers. They all appeared to be dressed in slaves’ clothing though he thought he recognised the broad shoulders of the rowing master. Deep in their prayers, none of the congregation turned their heads as they murmured their responses to their priest’s invocation.

As unobtrusively as possible, Hector sank down to his knees. Beside him he felt Karp do the same. The chapel was so crowded that he found it difficult to avoid the bare feet of the man directly ahead of him. Hector kept his head bent forward, wondering at the intense devotion of the worshippers. The chapel was airless and the smell of the close-packed bodies filled his nostrils. He admired the courage of the priest who would risk holding such a mass, and the ardent devotion of his flock.

Slowly he became aware that Karp beside him was beginning to shake. At first it was a slight quivering, but then it became a pronounced movement, an uncontrollable tremor that shook the man’s body. For a moment Hector wondered if Karp was about to have a fit. When he glanced sideways he saw that the Bulgar’s eyes were wide open. He was staring in horror at the ground in front of him, as if witnessing something terrible. Hector tried to make out what was frightening his companion. In the half-light all he could see were the feet of the man kneeling directly in front of Karp. Looking closely he saw that on the sole of each foot was a brand. Someone had burned the sign of the cross deep into the flesh, leaving a hard scar.

Fearful that Karp would draw attention to their presence, Hector reached out and grasped the Bulgar’s arm reassuringly. Karp turned his anguished face towards him, and Hector gestured that they should leave. Quietly rising to his feet and still keeping his hold on Karp, Hector eased open the chapel door and the two men stepped outside into the daylight. Looking into Karp’s face, Hector saw that the Bulgar had tears in his eyes. He was still shaking.

‘What is it, Karp? What’s the matter?’ Hector asked gently. The Bulgar was making incoherent strangled sounds, though whether they were from terror or rage it was difficult to say. Something warned Hector that it would be wiser if he and the Bulgar were not seen near the chapel.

‘We had better move away,’ Hector went on. ‘It’s safer.’

Bourdon joined them and the Bulgar began to calm down, but his chest was still heaving and he was making unhappy guttural sounds. Suddenly he leaned down and pulled off the sandal he was wearing. Holding up his foot, he sketched the sign of the cross on the sole, then pointed into his ruined mouth and made a fierce gurgling sound. ‘The man with the branded foot is something to do with your tongue being torn out, is that it?’ Hector asked. Karp nodded vehemently. Squatting down he drew in the dust the outline of a ship, a galley. Next he marked a flag with a cross and, pointing down towards the ground, uttered a deep anguished roar. ‘He’s from the galley? From our galley?’ Karp nodded. ‘Karp, we’ll sit down quietly when we get back to the foundry. There Dan can help us with pen and paper and you can tell us precisely what it is that you want us to know.’