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Louise Penny: Brutal Telling

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Louise Penny Brutal Telling

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Chaos is coming, old son. With those words the peace of Three Pines is shattered. As families prepare to head back to the city and children say goodbye to summer, a stranger is found murdered in the village bistro and antiques store. Once again, Chief Inspector Gamache and his team are called in to strip back layers of lies, exposing both treasures and rancid secrets buried in the wilderness. No one admits to knowing the murdered man, but as secrets are revealed, chaos begins to close in on the beloved bistro owner, Olivier. How did he make such a spectacular success of his business? What past did he leave behind and why has he buried himself in this tiny village? And why does every lead in the investigation find its way back to him? As Olivier grows more frantic, a trail of clues and treasures— from first editions of and to a spider web with the word “WOE” woven in it—lead the Chief Inspector deep into the woods and across the continent in search of the truth, and finally back to Three Pines as the little village braces for the truth and the final, brutal telling.

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Gabri turned his back on the Chief Inspector and walked onto the green, to the very center of the village, and sat on the bench.

“What a magnificent man,” said Gamache, as he and Myrna resumed their walk.

“He is that. He’ll wait forever, you know. For Olivier to come back.”

Gamache said nothing and the two strolled in silence. “I ran into Vincent Gilbert,” he finally said. “He says Marc and Dominique are settling in.”

“Yes. Turns out when he’s not moving bodies around the village Marc’s quite nice.”

“Too bad about Marc the horse.”

“Still, he’s probably happier.”

This surprised Gamache and he turned to look at Myrna. “Dead?”

“Dead? Vincent Gilbert had him sent to LaPorte.”

Gamache snorted and shook his head. The asshole saint indeed.

As they passed the bistro he thought about the canvas bag. The thing that had, more than anything else, condemned Olivier when found hidden behind the fireplace.

Ruth’s door opened and the old poet, wrapped in her worn cloth coat, hobbled out, followed by Rosa. But today the duck was without clothing. Just feathers.

Gamache had grown so used to seeing Rosa in her outfits it seemed almost unnatural that she should be without one now. The two walked across the road to the green where Ruth opened a small paper bag and tossed bread for Rosa, who waddled after the crumbs, flapping her wings. A quacking could be heard overhead, getting closer. Gamache and Myrna turned to the sound. But Ruth’s eyes remained fixed, on Rosa. Overhead, ducks approached in V formation flying south for the winter.

And then, with a cry that sounded almost human Rosa rose up and flew into the air. She circled and for an instant everyone thought she would return. Ruth raised her hand, offering bread crumbs from her palm. Or a wave. Good-bye.

And Rosa was gone.

“Oh, my God,” breathed Myrna.

Ruth stared, her back to them, her face and hand to the sky. Bread crumbs tumbling to the grass.

Myrna took out the crumpled paper from her pocket and gave it to Gamache.

She rose up into the air and the jilted earth let out a sigh.

She rose up past telephone poles and rooftops of houses where the earthbound hid.

She rose up sleeker than the sparrows that swirled around her like a jubilant cyclone

She rose up, past satellites and every cell phone down on earth rang at once.

“Rosa,” whispered Myrna. “Ruth.”

Gamache watched the old poet. He knew what was looming behind the Mountain. What crushed all before it. The thing the Hermit most feared. The Mountain most feared.

Conscience.

Gamache remembered opening the coarse sack, his hand sliding over the smooth wood inside. It was a simple carving. A young man in a chair, listening.

Olivier. He’d turned it over and found three letters etched into the wood. GYY.

He’d decoded them in the cabin just minutes before and had stared at the word.

Woo.

Hidden in the rude rough sack it was far finer, even, than the more detailed carvings. This was simplicity itself. Its message was elegant and horrific. The carving was beautiful and yet the young man seemed utterly empty. His imperfections worn away. The wood hard and smooth so that the world slid right off it. There would be no touch and therefore no feeling.

It was the Mountain King, as a man. Unassailable, but unapproachable. Gamache felt like throwing it deep into the forest. To lie where the Hermit had put himself. Hiding from a monster of his own making.

But there was no hiding from Conscience.

Not in new homes and new cars. In travel. In meditation or frantic activity. In children, in good works. On tiptoes or bended knee. In a big career. Or a small cabin.

It would find you. The past always did.

Which was why, Gamache knew, it was vital to be aware of actions in the present. Because the present became the past, and the past grew. And got up, and followed you.

And found you. As it had the Hermit. As it had Olivier. Gamache stared at the cold, hard, lifeless treasure in his hand.

Who wouldn’t be afraid of this?

Ruth limped across the green to the bench and sat. With a veined hand she clutched her blue cloth coat to her throat while Gabri reached out and taking her other hand in his and rubbing it softly and murmured, “there, there.”

She rose up but remembered to politely wave good-bye . . .

THE END

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