Louise Penny - Brutal Telling

Olivier had also seen the menorah, toppled over on the floor. Coated with blood.

He’d backed out of the room, onto the porch, preparing to run. Then he stopped. In front of him was the horrible scene. A man he knew and had come to care about, violently dead. And behind him the dark forest, and the trail running through it.

And caught between the two?

Olivier.

He’d collapsed into the rocking chair on the porch to think. His back to the terrible scene in the cabin behind him. His thoughts stretching forward.

What to do?

The problem, Olivier knew, was the horse trail. He’d known it for weeks. Since the Gilberts unexpectedly bought the old Hadley house, and even more unexpectedly decided to reopen the bridle paths.

“Now I understand why you hated them so much,” said Gabri softly. “It seemed such an overreaction. It wasn’t just the competition with the bistro and B and B, was it?”

“It was the trails. I was afraid, angry at them for getting Roar to open them. I knew he’d find the cabin and it’d all be over.”

“What did you do?” asked Gamache.

And Olivier told them.

He’d sat on the porch for what seemed ages, thinking. Going round and round the situation. And finally he’d arrived at his coup de grâce . He decided the Hermit could do him one more favor. He could ruin Marc Gilbert and stop the trails, all at once.

“So I put him in the wheelbarrow and took him to the old Hadley house. I knew if another body was found there it would kill the business. No inn and spa, then no horse trails. Roar would stop work. The Gilberts would leave. The paths would grow over.”

“And then what?” asked Gamache, again. Olivier hesitated.

“I could take what I wanted from the cabin. It would all work out.”

Three people stared at him. None with admiration.

“Oh, Olivier,” said Gabri.

“What else could I do?” he pleaded with his partner. “I couldn’t let them find the place.” How to explain how reasonable, brilliant even, this all seemed at two thirty in the morning. In the dark. With a body ten feet away.

“Do you know how this looks?” rasped Gabri.

Olivier nodded and hung his head.

Gabri turned to Chief Inspector Gamache. “He’d never have done it if he’d actually killed the man. You wouldn’t, would you? You’d want to hide the murder, not advertise it.”

“Then what happened?” Gamache asked. Not ignoring Gabri but not wanting to be sidetracked either.

“I took the wheelbarrow back, picked up those two things and left.”

They looked at the table. The most damning items. And the most precious. The murder weapon and the sack.

“I brought them back here and hid them in the space behind the fireplace.”

“You didn’t look in the bag?” Gamache asked again.

“I thought I’d have plenty of time, when all the attention was on the Gilbert place. But then when Myrna found the body here the next morning I almost died. I couldn’t very well dig the things out. So I lit the fires, to make sure you wouldn’t look in there. For days after there was too much attention on the bistro. And by then I just wanted to pretend they didn’t exist. That none of this had happened.”

Silence met the story.

Gamache leaned back and watched Olivier for a moment. “Tell me the rest of the story, the one the Hermit told in his carvings.”

“I don’t know the rest. I won’t know until we open that.” Olivier’s eyes were barely able to look away from the sack.

“I don’t think we need to just yet.” Gamache sat forward. “Tell me the story.”

Olivier looked at Gamache, flabbergasted. “I’ve told you all I know. He told me up to the part where the army found the villagers.”

“And the Horror was approaching, I remember. Now I want to hear the end.”

“But I don’t know how it ends.”

“Olivier?” Gabri looked closely at his partner.

Olivier held Gabri’s gaze then looked over at Gamache. “You know?”

“I know,” said Gamache.

“What do you know?” asked Gabri, his eyes moving from the Chief Inspector to Olivier. “Tell me.”

“The Hermit wasn’t the one telling the story,” said Gamache.

Gabri stared at Gamache, uncomprehending, then over at Olivier. Who nodded.

“You?” Gabri whispered.

Olivier closed his eyes and the bistro faded. He heard the mumbling of the Hermit’s fire. Smelled the wood of the log cabin, the sweet maple wood from the smoke. He felt the warm tea mug in his hands, as he had hundreds of times. Saw the violin, gleaming in the firelight. Across from him sat the shabby man, in clean and mended old clothing surrounded by treasure. The Hermit was leaning forward, his eyes glowing and filled with fear. As he listened. And Olivier spoke.

Olivier opened his eyes and was back in the bistro. “The Hermit was afraid of something, I knew that the first time I met him in this very room. He became more and more reclusive as the years passed until he’d hardly leave his cabin to go into town. He’d ask me for news of the outside world. So I’d tell him about the politics and the wars, and some of the things happening locally. Once I told him about a concert at the church here. You were singing,” he looked at Gabri, “and he wanted to go.”

There he was, at the point of no return. Once spoken, these words could never be taken back.

“I couldn’t let that happen. I didn’t want anyone else to meet him, to maybe make friends with him. So I told the Hermit the concert had been canceled. He wanted to know why. I don’t know what came over me, but I started making up this story about the Mountain and the villagers and the boy stealing from it, and running away and hiding.”

Olivier stared down at the edge of the table, focusing on it. He could see the grain of the wood where it had been worn smooth. By hands touching it, rubbing it, resting on it, for generations. As his did now.

“The Hermit was scared of something, and the stories made him more afraid. He’d become unhinged, impressionable. I knew if I told him about terrible things happening outside the forest he’d believe me.”

Gabri leaned away, to get the full picture of his partner. “You did that on purpose? You made him so afraid of the outside world he wouldn’t leave? Olivier.”

The last word was exhaled, as though it stank.

“But there was more to it than that,” said Gamache, quietly. “Your stories not only kept the Hermit prisoner, and his treasure safe from anyone else, but they also inspired the carvings. I wonder what you thought when you saw the first.”

“I did almost throw it away, when he gave it to me. But then I convinced myself it was a good thing. The stories were inspiring him. Helping him create.”

“Carvings with walking mountains, and monsters and armies marching his way? You must have given the poor man nightmares,” said Gabri.

“What did Woo mean?” Gamache asked.

“I don’t know, not really. But sometimes when I told the story he’d whisper it. At first I thought it was just an exhale, but then I realized he was saying a word. Woo.”

Olivier imitated the Hermit saying the word, under his breath. Woo.

“So you made the spider’s web with the word in it, to mimic Charlotte’s Web , a book he’d asked you to find.”

“No. How could I do that? I wouldn’t even know how to start.”

“And yet Gabri told us you’d made your own clothes as a kid. If you wanted to, you could figure it out.”

“No,” Olivier insisted.

“And you admitted the Hermit taught you how to whittle, how to carve.”

“But I wasn’t any good at it,” said Olivier, pleading. He could see the disbelief in their faces.

“It wasn’t very well made. You carved Woo.” Gamache forged forward. “Years ago. You didn’t have to know what it meant, only that it meant something to the Hermit. Something horrible. And you kept that word, to be used one day. As countries warehouse the worst of weapons, against the day it might be needed. That word carved in wood was your final weapon. Your Nagasaki. The last bomb to drop on a weary and frightened and demented man.