Louise Penny - Brutal Telling

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Chaos is coming, old son. With those words the peace of Three Pines is shattered. As families prepare to head back to the city and children say goodbye to summer, a stranger is found murdered in the village bistro and antiques store. Once again, Chief Inspector Gamache and his team are called in to strip back layers of lies, exposing both treasures and rancid secrets buried in the wilderness. No one admits to knowing the murdered man, but as secrets are revealed, chaos begins to close in on the beloved bistro owner, Olivier. How did he make such a spectacular success of his business? What past did he leave behind and why has he buried himself in this tiny village? And why does every lead in the investigation find its way back to him?
As Olivier grows more frantic, a trail of clues and treasures— from first editions of
and
to a spider web with the word “WOE” woven in it—lead the Chief Inspector deep into the woods and across the continent in search of the truth, and finally back to Three Pines as the little village braces for the truth and the final, brutal telling.

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“Did Lavina say which dock?”

“I suppose it’s the one she always uses. Can’t miss it.”

How often had Gamache heard that, just before missing it? Still, he stood on the porch and taking a deep breath of bracing air he surveyed the coastline. There were several docks.

But at only one was there a seaplane. And the young bush pilot looking at her watch. Was her name Lavina? To his embarrassment he realized he’d never asked her.

He walked over and as his feet hit the wooden boards of the dock he saw she wasn’t alone. Will Sommes was with her.

“Thought you’d like to see where those pieces of wood came from,” the carver said, inviting Gamache into the small pontoon plane. “My granddaughter’s agreed to fly us. The plane you came in on yesterday’s a commercial flight. This is her own.”

“I have a granddaughter too,” said Gamache, looking he hoped not too frantically for the seat belt as the plane pushed off from the wharf and headed into the sound. “And another on the way. My granddaughter makes me finger paintings.”

He almost added that at least a finger painting wasn’t likely to kill you, but he thought that would be ungracious.

The plane gathered speed and began bouncing off the small waves. It was then Gamache noticed the torn canvas straps inside the plane, the rusting seats, the ripped cushions. He looked out the window and wished he hadn’t had that full breakfast.

Then they were airborne and banking to the left they climbed into the sky and headed down the coastline. For forty minutes they flew. It was too noisy inside the tiny cabin to do anything other than yell at each other. Every now and then Sommes would lean over and point something out. He’d gesture down to a small bay and say things like, “That’s where man first appeared, in the clam shell. It’s our Garden of Eden.” Or a little later, “Look down. Those are the last virgin red cedars in existence, the last ancient forest.”

Gamache had an eagle’s-eye view of this world. He looked down on rivers and inlets and forest and mountains carved by glaciers. Eventually they descended into a bay whose peaks were shrouded in mist even on this clear day. As they got lower and skimmed over the water toward the dark shoreline Will Sommes leaned in to Gamache again and shouted, “Welcome to Gwaii Haanas. The place of wonders.”

And it was.

Lavina got them as close as she could then a man appeared on the shore and shoved a boat out, leaping into it at the last moment. At the door to the seaplane he held out his hand to help the Chief Inspector into the tippy boat and introduced himself.

“My name’s John. I’m the Watchman.”

Gamache noticed he was barefooted, and saw Lavina and her grandfather taking their shoes and socks off and rolling up their cuffs as John rowed. Gamache soon saw why. The boat could only get so close. They’d have to walk the last ten feet. He removed his shoes and socks, rolled up his pants and climbed over the side. Almost. As soon as his big toe touched the water it, and he, recoiled. Ahead of him he saw Lavina and Sommes smile.

“It is cold,” admitted the Watchman.

“Oh, come on, princess, suck it up,” said Lavina. Gamache wondered if she was channeling Ruth Zardo. Was there one in every pack?

Gamache sucked it up and joined them on the beach, his feet purple from just a minute in the water. He nimbly walked over the stones to a stump and, sitting down, he rubbed the dirt and shards of shell from his soles and put his socks and shoes back on. He couldn’t remember the last time he felt such relief. Actually, when the pontoon plane landed was probably the last time.

He’d been so struck by the surroundings, by the Watchman, by the frigid water, he’d failed to see what was actually there. Now he saw. Standing on the very edge of the forest was a solemn semicircle of totem poles.

Gamache felt all his blood rush to his core, his center.

“This is Ninstints,” whispered Will Sommes.

Gamache didn’t answer. He couldn’t. He stared at the tall poles into which was carved the Mythtime, that marriage of animals and spirits. Killer whales, sharks, wolves, bears, eagles and crows were all staring back at him. And something else. Things with long tongues and huge eyes, and teeth. Creatures unknown outside the Mythtime, but very real here.

Gamache had the feeling he was standing at the very edge of memory.

Some totem poles were straight and tall, but most had tumbled over or were lurching sideways.

“We are all fishermen,” said Will. “Esther was right. The sea feeds our bodies, but that feeds our souls.” He opened his hands in a simple, small gesture toward the forest.

John the Watchman spoke softly as they picked their way among the totem poles.

“This is the largest collection of standing totem poles in the world. The site’s now protected, but it wasn’t always. Some poles commemorate a special event, some are mortuary poles. Each tells a story. The images build on each other and are in a specific and intentional order.”

“This is where Emily Carr did much of her painting,” said Gamache.

“I thought you’d like to see it,” said Sommes.

Merci . I’m very grateful to you.”

“This settlement was the last to fall. It was the most isolated, and perhaps the most ornery,” said John. “But eventually it collapsed too. A tidal wave of disease, alcohol and missionaries finally washed over this place, as it had all the others. The totems were torn down, the longhouses destroyed. That’s what’s left.” He pointed to a bump in the forest, covered by moss. “That was a longhouse.”

For an hour Armand Gamache wandered the site. He was allowed to touch the totems and he found himself reaching high and placing his large, certain hand on the magnificent faces, trying to feel whoever had carved such a creature.

Eventually he walked over to John, who’d spent that hour standing in one spot, watching.

“I’m here investigating a murder. May I show you a couple of things?”

John nodded.

“The first is a photograph of the dead man. I think he might have spent time on Haida Gwaii, though I think he’d have called them the Charlottes.”

“Then he wasn’t Haida.”

“No, I don’t think he was.” Gamache showed John the picture.

He took it and studied it carefully. “I’m sorry, I don’t know him.”

“It would have been a while ago. Fifteen, maybe twenty years.”

“That was a difficult time. There were a lot of people here. It was when the Haida finally stopped the logging companies, by blocking the roads. He might have been a logger.”

“He might have been. He certainly seemed comfortable in a forest. And he built himself a log cabin. Who here could teach him that?”

“Are you kidding?”

“No.”

“Just about anyone. Most Haida live in villages now, but almost all of us have cabins in the woods. Ones we built ourselves, or our parents built.”

“Do you live in a cabin?”

Did John hesitate? “No, I have a room at the Holiday Inn Ninstints,” he laughed. “Yes. I built my own cabin a few years ago. Want to see it?”

“If you don’t mind.”

While Will Sommes and his granddaughter wandered around, John the Watchman took Gamache deeper into the forest. “Some of these trees are more than a thousand years old, you know.”

“Worth saving,” said Gamache.

“Not all would agree.” He stopped and pointed. To a small cabin, in the forest, with a porch, and one rocking chair.

The image of the Hermit’s.

“Did you know him, John?” asked Gamache, suddenly very aware he was alone in the woods with a powerful man.

“The dead man?”

Gamache nodded.

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