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Linda Howard: Kill and Tell

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Linda Howard Kill and Tell

Kill and Tell: краткое содержание, описание и аннотация

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Still reeling from her mother's recent death, Karen Whitlaw is stunned when she receives a package containing a mysterious notebook from her estranged father. She has barely seen him since his return from the Vietnam War over twenty years ago and doesn't know what he could have to share with her now. She puts the notebook away and forgets about it until she receives a shocking phone call. Her father has been murdered on the gritty streets of New Orleans. At first, homicide detective Marc Chastain considers the murder nothing more than street violence against a homeless man, and Karen just another woman who couldn't take the time to care for her father. But something about the crime just doesn't add up, including the beautiful Karen Whitlaw. Far from the cold woman he expected, Karen is warm and passionate. She is also in serious danger. Karen is shocked by her immediate and unwelcome attraction to the charming, smooth-voiced detective. But when her home is burglarized and "accidents" begin to happen, she turns to him for help. Together they unravel a disturbing story of politics, power, and murder -- and face a killer who will stop at nothing to get his hands on her father's secrets.

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"The fuss will die down," he said briefly. "The press will make a big deal of it on the morning news, we'll identify him as homeless, there'll be a mention of it on the evening news, and then it's history." Shannon shrugged, accepting reality as readily as Marc did. He looked around at the shabby old buildings. "You live in the Quarter, don't you?"

They walked back to the body. "Yeah, I've got a house on St. Louis."

"How'd you manage that, man?"

"Inherited it from my grandmother."

"No shit? So you're from one of those old Creole families?"

"My grandmother was. My father was shanty Irish." Marc didn't add that he had grown up in the house on St. Louis; he didn't flaunt his background. Making a big deal of his heritage would be stupid. Besides, there was nothing to flaunt. His father hadn't been able to keep a job, so, rather than see her daughter and grandson live in progressively worse dumps until they were finally homeless, his grandmother had taken them in and tolerated, reluctantly, her son-in-law's presence as the price she must pay for peace of mind. His grandmother had always acted like a dethroned queen, but the family money had long since dwindled away, and all that was left was the big house in the Quarter. Marc didn't think of himself as Creole; he was simply an American. More than that, he was a damn good cop, hard-nosed enough to recognize there were times when he could make a difference and times when he couldn't. This was one of the times when he couldn't, and he didn't waste time beating himself up over it.

Still, as he looked down at the victim, he couldn't help wondering if the guy had any family, where they were, if they would even care that he was dead. Most of the street bums were trash, too lazy to work, into drugs and petty crimes. But some of them were mentally incapacitated, incapable of looking out for themselves, and Marc didn't have any patience with the families who simply turned these people out to shift for themselves. Yes, they were a lot of trouble, a hell of a lot of trouble, but they couldn't help it, and families were supposed to take care of their own. Maybe he was old-fashioned, but his grandmother had put family above everything, and her example had stuck.

Marc squatted by the body again, studying the dead eyes, wondering at the scenario that had been played out here in the middle of the Quarter without anyone hearing or seeing anything suspicious. No gunshots had been reported, though at least four had been fired. Silencer? That made him think pro, and pro made him think organized crime, not street drug dealer. This guy didn't have the look of a user, anyway; under the dirt, he looked to be fairly muscular and well fed. Street bums could eat as well as anyone these days, with all the shelters and soup kitchens, but users weren't much interested in food. And dealers usually weren't homeless; they needed a base of operations.

He rubbed his nose. This didn't feel like drugs. Maybe the guy just pissed off the wrong party; maybe he was in the wrong place at the wrong time and some wiseguy took him down. Likely he'd never know, but damn, he hated mysteries.

The meat wagon boys came over. "You through here, Detective?" Marc stood. "Yeah." There was nothing else he could do, no other details to glean from the scene. Maybe the medical examiner could come up with a name, but other than that, they likely knew as much about the victim as they were ever going to know.

In the meantime, he had four young women to interview. After watching the body being loaded and carried away, he glanced at Shannon. "You want to do some interviewing?" The young detective looked over at the women. "As long as I don't have to talk to the one who's squalling. Man, she hasn't shut up since I got here."

"Just do some preliminaries. I'll get in touch with them tomorrow." He could request that they come down to the Eighth District, but he didn't want to make things tougher for them than he had to. The young ladies, all of whom looked to be in their early twenties, had come to the Quarter for a good time. The brutality of murder had never touched them before; he could forgive them a few tears.

"Take it easy on them," he advised Shannon under his breath as they approached. "They need a little petting."

Shannon darted a startled glance at Marc; in case the senior detective hadn't noticed, he was black, and the witnesses weren't. Pet them? Was he crazy?

But though Shannon had been a detective for only a few months, he had heard some things. Chastain kind of kept to himself, but he was well liked in the department. The word was he was the best at interrogating witnesses and suspects alike, because when he needed to be, he was cool and low-key and could calm the most hysterical witness, but he was also a real hard-ass with the bad guys.

"Chastain," one detective had said, "is the type of guy who carries a blade." By that, Shannon deduced, he was referring not to the utility pocket knife almost every man carried but to a knife whose sole function was as a weapon.

Yeah, that described Chastain, all right. A good knife fighter was smooth and controlled, sneaky and lethal.

Shannon also admired Chastain's sense of style. Man, look at him; obviously just out of bed, unshaven, his eyes heavy-lidded, but he was wearing pleated linen slacks, some kind of drapey pullover shirt, and a cream-colored jacket. Even his sockless feet looked cool, as if he'd planned it. Now, that was style. They reached the knot of young women and introduced themselves. Shannon noticed that Chastain's voice changed, became lower, more gentle. The women subtly moved closer to him, dazed, frightened eyes fastening on his face. Even the one who kept sobbing tried to get control of herself. Smoothly, Chastain separated the group, directing two of the women a few steps away with Shannon. The girl kept weeping, though more quietly now. He heard Chastain making some low, soothing sounds, little more than rumbly whispers in his throat. Before Shannon could gather his thoughts to do more than ask names, he was aware of the girl wiping her eyes and answering Chastain's questions in a clogged, wavering, but much calmer manner.

It was a little after five before the scene was finally cleared. The witnesses were escorted to their hotel by a patrolman, the crowd dispersed, the media fed enough information for them to have their stories without giving them any salacious details, the street tidied for the next human wave. Morning brought a different set of people to the Quarter: shoppers, delivery men, tourists who felt safer during the day or simply weren't interested in nightlife.

Marc silently cursed when he thought of the paperwork he had to do. He would like to go home and fall into bed, but he'd already had all the sleep he was going to get today. He rubbed his hand over his face, beard stubble rasping. The paperwork could wait until he had showered and shaved.

"No sense walking when my car is here," Shannon said, falling into step beside him. "You going home or to the station?"

"Home first, then to the station. Thanks for the ride." They reached Shannon's car, and Marc slid into the passenger seat.

"So, did you do a hitch in the Army?" Shannon asked. "I mean, you noticed the camo."

"Marines. Right out of high school. That way I could go to college."

"Yeah." Shannon had enlisted for the same end purpose. It felt strange for them to have that in common, a tough young black dude from a bad neighborhood and a smoothly sophisticated white guy from one of the old French Creole families.

There was no traffic to contend with, so in less than a minute they reached St. Louis. Shannon slowed.

"Left," Chastain said. "That's it on the right, in the middle of the block. The blue gate." Shannon stopped in front of the blue gate. In typical Quarter fashion, the big gate was set in a solid wall that provided privacy for the courtyard beyond. The old Creole houses were built around a center courtyard, facing inward to their own gardens rather than out toward the streets. Long wrought-iron balconies extended over the sidewalk, the third-floor balcony providing a roof for the one on the second floor. Tall white shutters framed two sets of double french doors opening onto the balcony, and Shannon could see a couple of garden chairs and a small table up there. Two lush ferns hung from the overhang.

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