Linda Howard - Kill and Tell

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Still reeling from her mother's recent death, Karen Whitlaw is stunned when she receives a package containing a mysterious notebook from her estranged father. She has barely seen him since his return from the Vietnam War over twenty years ago and doesn't know what he could have to share with her now. She puts the notebook away and forgets about it until she receives a shocking phone call. Her father has been murdered on the gritty streets of New Orleans. At first, homicide detective Marc Chastain considers the murder nothing more than street violence against a homeless man, and Karen just another woman who couldn't take the time to care for her father. But something about the crime just doesn't add up, including the beautiful Karen Whitlaw. Far from the cold woman he expected, Karen is warm and passionate. She is also in serious danger. Karen is shocked by her immediate and unwelcome attraction to the charming, smooth-voiced detective. But when her home is burglarized and "accidents" begin to happen, she turns to him for help. Together they unravel a disturbing story of politics, power, and murder -- and face a killer who will stop at nothing to get his hands on her father's secrets.

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"Let's go down to my office," the senator said, clapping his hand on Raymond's shoulder as his father had always done, a sign of friendship and acceptance.

Coffee was waiting for them, brought in when Cinda and James finished their lunch and returned to the suite. With Hayes, the senator had sat behind his desk while Hayes took one of the chairs opposite, but with Raymond, he went over to the sitting area, and they took chairs as friends, as family. He poured Raymond's coffee first, putting in three teaspoons of sugar and diluting it with milk until the coffee barely had a tan color. He took his own coffee with a little cream, just a drop really; his father had drank it black, but even after all this time, Stephen couldn't give up that tiny drop of rich cream to mellow the bite of the coffee. Sometimes he was embarrassed by his weakness for cream in his coffee; it seemed to say he was a watered-down version of his father, a milquetoast—yes, that was a better comparison, both in sound and in image. He knew better, of course. He had made some hard decisions in his life, not the least of which concerned Dexter Whitlaw and Rick Medina. He didn't feel good about what he had done, but neither did he doubt the necessity.

Raymond sipped the excessively sweet brew in his cup, sighing in pleasure. "I followed him to the airport," he reported in his gravelly voice, which sounded as if he had once eaten glass—and liked it. "He didn't stop, didn't use his cell phone, just went straight to the check-in counter and then to the gate."

"He could have called someone from the gate."

"He wouldn't do that. Too much chance of being overheard." That made sense, and Stephen accepted the statement from Raymond as he would not have from anyone else.

"If you don't trust him…" Raymond said slowly, letting his words trail off, inviting the senator to pick up the thought just as he had done forty years ago when he was teaching the boys how to hunt and they had to anticipate what a big elk would do.

"Then don't use him," the senator said, and sighed. "I wouldn't, but I need his contacts. He's a good buffer, and I don't believe he would talk. After all, his livelihood depends on his reputation. If he couldn't keep a confidence, no one would use him."

"He has the situation handled?"

"The blackmailer has been taken care of; there are still, however, certain loose ends."

"Loose ends are like loose shoestrings; they'll trip you up every time." Raymond sipped his coffee again, his big hands handling the transparent china cup with a certain delicacy.

"Steps are being taken."

"Good. Mr. Walter… well, I wouldn't want anything to come out that might hurt him. He's a great man. He did some things people might not understand, not knowing the whole story. He doesn't deserve to have people saying bad things about him, especially now when he can't protect himself."

"No," the senator said, and sighed. "He doesn't."

"Caucasian male, seventy-one and three-quarter inches tall, weight one hundred eighty-two pounds, age fifty to fifty-five. Gray hair, brown eyes. Distinguishing marks: a 'Semper Fi' tattoo on the left forearm, a surgical scar four inches in length on his lower right abdomen, a two-inch keloid scar diagonally on the right quadriceps—"

Marc tuned out the assistant medical examiner's detailing, for the record, of the victim's many scars. None of the scars looked like a bullet wound, but several of them did look as if he'd had some close encounters with sharp blades. Most of the scars, though, were the sort people collected just going through life: childhood falls that cut the knees, various nicks and scrapes. The most important detail, for purposes of identification, was the tattoo. Not only had he been in the military, but the tattoo narrowed down the branch of service for them. They would soon have a real name for this John Doe. As predicted, the morning television news announcers had waxed eloquent, and in rounded funereal tones so listeners would know how serious the issue was, about the early-morning murder in the Quarter. The New Orleans murder statistics were trotted out again, followed by a noncommittal statement from the police department, followed by a passionate statement from the mayor to the effect that the citizens—and tourists—of New Orleans must and would feel safe in the city. It was a good campaign slogan; he had used it before.

Marc dispassionately watched the autopsy. He had a strong stomach and had never puked the way some detectives did. Like the medical examiners, he could ignore the smells and concentrate on what the body told them. Working homicides, it was a handy knack to have.

This body wouldn't have much to say. A bullet in the brain was pretty obvious. The where, when, and how weren't in question, just the who and why.

The young women who had discovered the body hadn't been any help. None of them could remember seeing anyone else, period, either walking or driving. The shooting had to have happened just minutes before, but no one, not even anyone living close by, had heard a thing. The victim's personal effects, such as they were, hadn't yielded anything except a wedding ring, carefully sewn inside the cuff of his pants. Maybe he had stolen it, but it had fit his ring finger, and he had kept it carefully hidden, which told Marc he had valued the ring beyond what money it would bring in a pawn shop. The guy had once been married, maybe still was.

"You're getting on my nerves, Chastain," the doctor said testily, clicking off the microphone so he could speak off the record. He was a busy man, impatient and harried, and he seldom spoke personally to the detectives who attended the autopsies.

Marc lifted one eyebrow in silent question.

"That's what you're doing." A stained scalpel was jabbed in his direction. "You just stand there, quiet as a rock and about as active. You don't interrupt me to ask questions, you don't turn green and gag, you just watch. Damn it, you hardly even blink. What do you do, go into a trance?"

"If I have any questions, I ask them when you're finished," Marc said mildly. The scalpel jabbed once more. "You're still doing it. You didn't even change expressions. Do me a favor; do something human before I start thinking you're a robot." Behind him, his assistant smothered a laugh.

"If you're in doubt, when you're finished, I'll let you watch me piss." The offer was made totally deadpan, and this time the assistant didn't manage to control the laugh.

"Thanks, but I'll pass on that wonderful opportunity."

"I don't make the offer to just anyone. You're the only man who's ever heard it, so you might want to reconsider. Just don't get any wrong ideas about my sexual orientation." Behind her mask, the assistant's eyes were sparkling. The doctor shot her a sour look. "Don't even think about volunteering for the job."

"Too late," she admitted cheerfully.

Marc winked at her.

"Forget I said anything," the doctor muttered, and switched the microphone on again, putting an end to the discussion. Pity. Marc had enjoyed needling him, and evidently the assistant had enjoyed the exchange, too. It was the first time Marc had seen the brusque doctor interrupt any autopsy to make a personal remark.

Just for the pure hell of it, he stuck his hands in his pockets and began jingling the change. After two minutes, the microphone was clicked off again. "Forget I said anything," the doctor snapped again. "And stop jingling your change, damn it! You sound like Santa Claus." Marc shrugged and took his hands out of his pockets, but his eyes were glittering with amusement. Sometime later, the body of the victim had told them that except for being dead, he was in remarkably good shape. No sign of disease in any of the major organs, no blockage in his veins, good muscle definition, no needle marks on his arms or between his toes to indicate intravenous drug use. The toxicology report wasn't back, and it might indicate some other type of drug use, but overall the victim looked too healthy to have been a user.

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