Patricia Highsmith - Strangers on a Train

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Strangers on a Train: краткое содержание, описание и аннотация

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A major new reissue of the work of a classic noir novelist. With the acclaim for
, more film projects in production, and two biographies forthcoming, expatriate legend Patricia Highsmith would be shocked to see that she has finally arrived in her homeland. Throughout her career, Highsmith brought a keen literary eye and a genius for plumbing the psychopathic mind to more than thirty works of fiction, unparalleled in their placid deviousness and sardonic humor. With deadpan accuracy, she delighted in creating true sociopaths in the guise of the everyday man or woman. Now, one of her finest works is again in print:
, Highsmith's first novel and the source for Alfred Hitchcock's classic 1953 film. With this novel, Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday contemporary life.

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He glanced at the window over his right shoulder. It was open only about a foot, and Bruno had said it would be open all the way. Because of the drizzle. He frowned at the bed, and then with a terrible thrill made out the form of the head lying rather near the wall side, tipped sideways as if it regarded him with a kind of gay disdain. The face was darker than the hair which blended with the pillow. The gun was looking straight at it as he was.

One should shoot the chest. Obediently the gun looked at the chest. Guy slid his feet nearer the bed and glanced again at the window behind him. There was no sound of breathing. One would really not think he were alive. That was what he had told himself he must think, that the figure was merely a target. And that, because he did not know the target, it was like killing in war. Now?

“Ha-ha-ha-a!” from the window.

Guy trembled and the gun trembled.

The laugh had come from a distance, a girl’s laugh, distant but clear and straight as a shot. Guy wet his lips. The aliveness of the laugh had swept away everything of the scene for a moment, left nothing in its place, and now slowly the vacuum was filling with his standing here about to kill. It had happened in the time of a heartbeat. Life. The young girl walking in the street. With a young man, perhaps. And the man asleep in the bed, living. No, don’t think! You do it for Anne, remember? For Anne and for yourself. It is like killing in war, like killing— He pulled the trigger. It made a mere click. He pulled again and it clicked. It was a trick! It was all false and didn’t even exist! Not even his standing here! He pulled the trigger again.

The room tore up with a roar. His fingers tightened in terror. The roar came again, as if the crust of the world burst.

“Kagh!” said the figure on the bed. The gray face moved upward, showing the line of head and shoulders.

Guy was on the porch roof, falling. The sensation awakened him like the fall at the end of a nightmare. By a miracle an awning bar slid into one of his hands, and he fell downward again, onto hands and knees. He jumped off the porch edge, ran along the side of the house, then cut across the lawn, straight for the place where the milk crate was. He awakened to the clinging earth, to the hopelessness of his pumping arms that tried to hurry his race against the lawn. This is how it feels, how it is, he thought—life, like the laugh upstairs. The truth was that it is like a nightmare when one is paralyzed, against impossible odds.

“Hey!” a voice called.

The butler was after him, just as he had anticipated. He felt the butler was right behind him. The nightmare!

“Hey! Hey, there!”

Guy turned under the cherry trees and stood with his fist drawn back. The butler was not just behind him. He was a long way off, but he had seen him. The crazily running figure in white pajamas wavered like leaping smoke, then curved toward him. Guy stood, paralyzed, waiting.

“Hey!”

Guy’s fist shot out for the oncoming chin, and the white wraith collapsed.

Guy jumped for the wall.

Darkness ran up higher and higher about him. He dodged a little tree, leapt what looked like a ditch, and ran on. Then suddenly he was lying face down and pain was spreading from the middle of him in all directions, rooting him to the ground. His body trembled violently, and he thought he must gather up the trembling and use it to run, that this wasn’t where Bruno had said to go at all, but he could not move. You just take the little dirt road (no lights there) eastward off Newhope south of the house and keep going across two bigger streets to Columbia Street and walk south (right)… To the bus line that went to another railroad station. All very well for Bruno to write his damned instructions on paper. Damn him! He knew where he was now, in the field west of the house that never in any of the plans was to be used! He looked behind him. Which way was north now? What had happened to the street light? Maybe he wouldn’t be able to find the little road in the dark. He didn’t know whether the house lay behind him or to his left. A mysterious pain throbbed the length of his right forearm, so sharp he thought it should have glowed in the dark.

He felt as if he had been shattered apart with the explosion of the gun, that he could never gather the energy to move again, and that he really didn’t care. He remembered his being hit in the football game in high school, when he had lain face down like this, speechless with pain. He remembered the supper, the very supper and the hot-water bottle his mother had brought to him in bed, and the touch of her hands adjusting the covers under his chin. His trembling hand was sawing itself raw on a half-buried rock. He bit his lip and kept thinking vacuously, as one thinks when only half awake on an exhausted morning, that he must get up in the next moment regardless of the agony because he wasn’t safe. He was still so close to the house. And suddenly his arms and legs scrambled under him as if statics had built up a charge abruptly released, and he was running again across the field.

A strange sound made him stop—a low musical moan that seemed to come from all sides.

Police sirens, of course. And like an idiot he had thought first of an airplane! He ran on, knowing he was only running blindly and directly away from the sirens that were over his left shoulder now, and that he should veer left to find the little road. He must have run far beyond the long plaster wall. He started to cut left to cross the main road that surely lay in that direction, when he realized the sirens were coming up the road. He would either have to wait—He couldn’t wait. He ran on, parallel to the cars. Then something caught his foot, and cursing, he fell again. He lay in a kind of ditch with his arms outspread, the right bent up on higher ground. Frustration maddened him to a petulant sob. His left hand felt odd. It was in water up to the wrist. It’ll wet my wristwatch, he thought. But the more he intended to pull it out, the more impossible it seemed to move it. He felt two forces, one that would move the arm and another that would not, balancing themselves so perfectly his arm was not even tense. Incredibly, he felt he might have slept now. The police will surround me, he thought out of nowhere, and was up again, running.

Close on his right, a siren shrieked in triumph as if it had found him.

A rectangle of light sprang up in front of him, and he turned and fled it. A window. He had nearly run into a house. The whole world was awake! And he had to cross the road!

The police car passed thirty feet before him on the road, with a blink of headlights through bushes. Another siren moaned to his left, where the house must be, and droned away to silence. Stooping, Guy crossed the road not far behind the car and entered deeper darkness. No matter where the little road was now, he could run farther from the house in this direction. There’s sort of unlighted woods all around to the south, easy to hide in in case you have to get off the little road…. Do not try to get rid of the Luger no matter what happens between my house and the RR station. His hand moved to his pocket and felt the cold of the little revolver through the holes in his gloves. He didn’t remember putting the gun back in his pocket. It might have been lying on the blue carpet for all he knew! And suppose he had dropped it? A fine time to think of it!

Something had caught him and was holding him. He fought it automatically with his fists, and found it was bushes, twigs, briars, and kept fighting and hurling his body through it, because the sirens were still behind him and this was the only direction to go. He concentrated on the enemy ahead of him, and on both sides and even behind him, that caught at him with thousands of sharp tiny hands whose crackling began to drown out even the sirens. He spent his strength joyfully against them, relishing their clean, straight battle against him.

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