Lee Child - Never Go Back

Turner said, ‘She’s a loner.’

Reacher said, ‘And tall.’

‘Doesn’t necessarily mean anything.’

‘I know.’

‘We can’t stay here.’

‘I want to go inside.’

‘No meet and greet. Not yet.’

‘I won’t talk to her.’

‘You’ll draw attention to her.’

‘Only if those guys see this car out front.’

Turner said nothing. Reacher watched the girl pull the door and step inside. The diner was built in the traditional style, out of stainless steel, with folds and creases and triple-accent lines like an old automobile, and small framed windows like an old railroad car, and neon letters configured in an Art Deco manner. It looked busy inside. The peak period, between the blue-plate specials and the late-night coffee drinkers. Reacher knew all about diners. He knew their rhythms. He had spent hundreds of hours in them.

Turner said, ‘Observation only.’

Reacher said, ‘Agreed.’

‘No contact.’

‘Agreed.’

‘OK, go. I’ll hide the car somewhere and wait. Don’t get in trouble.’

‘You either.’

‘Call me when you’re done.’

‘Thank you,’ Reacher said. He climbed out and crossed the lot. He heard cars on Vineland, and a plane in the sky. He heard the group of kids, scuffling and talking and laughing. He heard the Range Rover drive away behind him. He paused a beat and took a breath.

Then he pulled the diner door, and he stepped inside.

The interior was built in the traditional style, too, just as much as the outside, with booths to the left and the right, and a fullwidth counter dead ahead, about six feet from the back wall, which had a pass-through slot to the kitchen, but was otherwise all made of mirror glass. The booths had vinyl benches and the counter had a long line of stools, all chrome and pastel colours, like 1950s convertibles, and the floor was covered with linoleum, and every other horizontal surface was covered with laminate, in pink or blue or pale yellow, with a pattern, like small pencil notations, that given the dated context made Reacher think of endless arcane equations involving the sound barrier, or the hydrogen bomb.

There was a stooped and grey-haired counter man behind the counter, and a blonde waitress about forty years old working the left side of the coach, and a brunette waitress about fifty years old working the right side, and they were all busy, because the place was more than three-quarters full. All the booths on the left were taken, some by people eating at the end of the work day, some by people eating ahead of a night out, one by a quartet of hipsters apparently intent on period authenticity. The right side of the coach had two booths free, and the counter showed nineteen backs and five gaps.

The girl was all the way over on the right, at the counter, on the last stool, owning it, like the place was a bar and she had been a regular patron for the last fifty years. She had silverware and a napkin in front of her, and a glass of water, but no food yet. Next to her was an empty space, and then came a guy hunched over a plate, and another, and another, with the next empty stool nine spots away. Reacher figured he would get a better look at her from one of the empty booths, but diners had an etiquette all their own, and lone customers taking up four-place booths at rush hour was frowned upon.

So Reacher stood in the doorway, unsure, and the blonde waitress from the left side of the coach took pity on him and detoured over, and she tried a welcoming smile, but she was tired and it didn’t really work. It came out as a dull and uninterested gaze, nothing there at all, and she said, ‘Sit anywhere you like, and someone will be right with you.’ Then she bustled away again, and Reacher figured anywhere you like included four-person booths, so he turned to his right and took a step.

The girl was watching him in the mirror.

And she was watching him quite openly. Her eyes were locked on his, in the mirrored wall, via reflections and refractions and angles of incidence and all the other stuff taught in high-school physics class. She didn’t look away, even when he looked right back at her.

No contact , he had promised.

He moved on into the right side of the coach, and he took an empty booth one away from directly behind her. To see her best he put his shoulder against the window and his back to the rest of the room, which he didn’t like, but he had no option. The brunette waitress showed up with a menu and a smile as wan as the blonde’s, and she said, ‘Water?’

He said, ‘Coffee.’

The girl was still looking at him in the mirror.

He wasn’t hungry, because the meal Lozano had bought in West Hollywood had been a feast fit for a king. So he slid the menu aside. The brunette was not thrilled with his lack of an order. He got the feeling he wouldn’t see her again any time soon. No free refills for him.

The girl was still watching.

He tried the coffee. It was OK. The counter man brought the girl a plate, and she broke eye contact long enough to say something to him that made him smile. He had an embroidered patch on his uniform, with his name, which was Arthur. He said something back, and the girl smiled, and he moved away again.

Then the girl picked up her silverware and her napkin in one hand, and her plate in the other, and she slid off her stool, and she stepped over to Reacher’s booth, and she said, ‘Why don’t I join you?’

FIFTY-THREE

THE GIRL PUT her silverware down, and her napkin, and her plate, and then she ducked back to the counter to retrieve her glass of water. She waved to the guy called Arthur and pointed at the booth, as if to say I’m moving , and then she came back with her water and put it next to her plate, and she slid along the vinyl bench, and she ended up directly opposite Reacher. Up close she looked the same as she did from a distance, but all the details were clearer. In particular her eyes, which seemed to work well with her mouth, in terms of getting all quizzical.

He said, ‘Why would you want to join me?’

She said, ‘Why wouldn’t I?’

‘You don’t know me.’

‘Are you dangerous?’

‘I could be.’

‘Arthur keeps a Colt Python under the counter, about opposite where you’re sitting. And another one at the other end. They’re both loaded. With .357 Magnums. Out of eight-inch barrels.’

‘You eat here a lot?’

‘Practically every meal, but the word would be often. Not a lot. Lot refers to quantity, and I prefer small portions.’

Reacher said nothing.

‘Sorry,’ she said. ‘I can’t help it. I’m naturally pedantic.’

He said, ‘Why did you want to join me?’

‘Why did I see your car three times today?’

‘When was the third time?’

‘Technically it was the first time. I was at the lawyer’s office.’

‘Why?’

‘Curiosity.’

‘About what?’

‘About why we see the same cars three times a day.’

‘We?’

‘Those of us paying attention,’ she said. ‘Don’t play dumb, mister. There’s something going on in the neighbourhood, and we would love to know what it is. And you look like you might tell us. If I asked you nicely.’

‘Why do you think I could tell you?’

‘Because you’re one of them, cruising around all day, snooping.’

Reacher said, ‘What do you think is happening?’

‘We know you’re all over the lawyer’s office. And we know you’re all over my street. So we’re guessing someone on my street is the lawyer’s client, and they’re in some shady business together.’

‘Who on your street?’

‘That’s the big question, isn’t it? It depends on how much of a head fake you use with your parking places. We think you would want to be close to your target, but not right in front of it, because that would be too obvious. But how close? That’s what we don’t know. You could be watching a lot of different houses, if you go left and right a little ways, up and down the street.’