Dodie Smith - I Capture the Castle

He looked at me quickly and asked if I'd like it if he acted- and I

suddenly saw that I had been wrong in thinking he had lost interest in me. (thought little did I then know how wrong.) I had only been asking him questions out of politeness--nothing but Simon mattered to me in

the least--but I tried to sound enthusiastic:

"Why, Stephen, it would be splendid--of course I'd like it."

"Then I'll try. They said they could teach me."

I thought they probably could--he has such a nice speaking voice though it gets a bit muffled and husky when he feels shy.

"Welt, it's most exciting," I said brightly.

"Perhaps you'll go to Hollywood."

He grinned and said he didn't think he'd count on that.

After we finished tea he helped me with the washing-up and then went

over to Four Stones Farm; the Stebbinses were having a party.

I bet Ivy was thrilled about his going on the pictures. (not that

anything more has happened about it yet.) I went to bed early, still

feeling happy. Even the sound of the rain beating on the roof gave me pleasure, because it reminded me that Simon had had all the leaks

mended for us. Everything in the least connected with him has value

for me; if someone even mentions his name it is like a little present to me--and I long to mention it myself, I start subjects leading up to it, and then feel myself going red. I keep swearing to myself not to

speak of him again- and then an opportunity occurs and I jump at it.

Father came home the next morning with a London telephone directory

sticking out of the carpetbag.

"Goodness, are we going to have a telephone?" I asked.

"Great heavens, no!" He plonked the bag on one of the kitchen chairs--from which it instantly fell to the floor, throwing out the

directory and various other books. Father shoved them back into the

bag as fast as he could, but I had time to notice a very fancy little Language of Flowers, Elementary Chinese and a paper called The Homing Pigeon.

"Where's the willow-pattern plate ?" I asked, trying to make my voice sound casual.

"I dropped it on Liverpool Street Station--but it had served its purpose." He turned to go to the gatehouse, then said he'd like a glass of milk first. While I got it for him, I asked if he had stayed at the Cottons" flat He said: "Oh yes, I had Simon's room-by the way, he particularly asked to be remembered to you; he said you entertained him very nicely."

"Where did you go when he came home yesterday ?"

"I just stayed on in his room. He went to Neil's hotel; very obliging of him. Simon has a charming nature-unfortunately."

"Why "unfortunately" ?" I asked, as I gave him his milk.

"Because Rose takes advantage of it," said Father.

"But then no man ought to be as much in love as Simon is- it makes one resent the whole female sex."

I took the milk jug back to the larder and called over my shoulder:

"Well, I don't see why it should--considering Rose is in love with him."

"Is she ?" said Father- and when I stayed in the larder hoping he would let the subject drop, he called me back.

"Are you sure she's in love with him, Cassandra his I'd be interested to know."

I said: "Well, she told me she was--and you know how truthful she is."

He thought for a minute, then said: "You're right. I can't remember her ever telling a lie. Truthfulness so often goes with

ruthlessness.

Yes, yes, if she says she's in love, she is --and her manner last night was quite compatible with it, given Rose's nature."

He put down his empty glass so I was able to take it to the sink and

keep my back to him.

"What was her manner like ?" I asked.

"So damned unresponsive--and so obviously sure of her power over him.

Oh, I daresay she can't help it--she's one of the women who oughtn't to be loved too kindly; when they are, some primitive desire for brutality makes them try to provoke it. But if she's really in love, it'll work out all right. Simon's so intelligent that he'll adjust the balance,

eventually--because he isn't weak, I'm sure;

it's simply that being so much in love puts a man at a disadvantage."

I managed to say: "Oh, I'm sure things will turn out right," and then concentrated on the glass- I never dried a glass so thoroughly in my

life. Father started off to the gatehouse again, to my great relief.

As he passed me, he said: "Glad we've had this talk. It's eased my mind considerably."

It hadn't eased mine. I suppose I ought to have been pleased at

hearing him talking so rationally, but I was much too submerged in my own troubles- for that was when misery engulfed me, and guilt too.

Everything he said about Simon's feelings for Rose was such agony that I suddenly knew it wasn't only the wonderful luxury of being in love

that had been buoying me up: deep down, in some vague, mixed way I had been letting myself hope that he didn't really care for her, that it

was me he loved and that kissing me would have made him realize it.

"You're a fool and worse was I told myself, "you're a would-be thief."

Then I began to cry and when I got out my handkerchief it smelt of

Rose's scent and reminded me I hadn't written to thank her for it.

"Before you do, you've got to get your conscience clear," I said to myself sternly, "and you know the way to do it. Things you let

yourself imagine happening, never do happen; so go ahead, have a

wonderful daydream about Simon loving you, marrying you instead of

Rose-and then he never will. You'll have given up any hope of winning him from her."

That made me wonder if I could have put up any opposition to Rose in

the early days, when it would have been quite fair. I thought of the

chance I missed on May Day when Simon and I walked to the village

together. If only I could have been more fascinating! But I decided

my fascination would have been embarrassing --I know Simon didn't care much for Rose's until he had fallen in love with her beauty; after

that, of course, he found the fascination fascinating.

Then I remembered Miss Marcy once saying "Dear Rose will lead men a dance," and it struck me that Father meant much the same thing when he spoke of Rose showing her power over Simon. Suddenly I had a great

desire to batter her, and as I was going to imagine away any chance of getting Simon, I decided to have a run for my money and batter Rose

into the bargain. So I stoked up the kitchen fire and put the stew on for lunch, then drew the arm-chair close and gave my imagination its

head- I was longing to, anyhow, apart from its being a noble gesture.

I visualized everything happening at Mrs.

Cotton's flat--I gave it a balcony overlooking Hyde Park. We began

there, then moved indoors. Rose came in while Simon was kissing me and was absolutely livid--or was that in a later imagining? There have

been so many that they have gradually merged into each other. I don't think I could bring myself to describe any of them in detail because, though they are wonderful at the time, they give me a flat, sick,

ashamed feeling to look back on. And they are like a drug, one needs

them oftener and oftener and has to make them more and more

exciting--until at last one's imagination won't work at all. It comes back after a few days, though.

Goodness knows how I can ever look Rose in the face after the things I have imagined saying and doing to her- I got as far as kicking her

once. Of course I always pretend that she isn't in love with Simon,

merely after his money. Poor Rose! It is extraordinary how fond I can feel of her really, not to mention guilty towards her--and yet hate her like poison in my imaginings.

Coming back to earth after that first one was particularly awful,