Dodie Smith - I Capture the Castle

"More or less--though it did begin as real speed-writing. It changed by degrees. And I got it smaller and smaller, so as not to waste

paper."

He turned the pages and guessed a word here and there but I could see I was safe. After a minute or two he said:

"I was reading the journal in Jacob Wrestling again yesterday-I

happened to pick up a first edition. It's odd to remember how obscure I found that part when I read it at sixteen. By the time I came to do it in college it seemed perfectly intelligible."

"The only part that still puzzles me is the ladder chapter--you know, where it's printed so that it actually looks like a ladder, with a

sentence for every rung. Father won't answer questions about that."

"Maybe he can't. I've always believed it's the description of some mystical experience. Of course you know the theory that each rung

leads to the next, even though the sentences seem so unconnected?"

"Indeed I don't," I said.

"Dear me, it's so extraordinary to hear of people having theories about Father's work and studying it in college thousands of miles away. It

must be more important than we realize."

"Well, it's one of the forerunners of postwar literature. And your Father's a link in the chain of writers who have been obsessed by

form. If only he'd carried his methods further!"

"But didn't you say he couldn't? That Jacob Wrestling was corn

complete in itself, as far as he was concerned--that it couldn't have a successor ?"

He looked at me quickly.

"Fancy your remembering that! Do you know, I'm ashamed to say that didn't mean very much it was an effort to be tactful when I knew I'd

put my foot in it."

I told him I'd guessed that, which made him laugh.

"You nasty noticing child! But I don't think your father spotted me.

And in one way, what I said's true, you know --he can't exactly develop his Jacob Wrestling method, because other writers have gone far ahead of him on rather similar lines;

James Joyce, for instance.

He'd have to take an enormous jump over intervening work and he hasn't even kept in touch with it.

I wonder if that could be what's stopping him writing, that the next

rung of the ladder-since we're talking of ladders- has been used by

others. How's that for a theory? Or am I just trying to rationalize

my phoniness that first evening ?"

"Well, it's a nice change from the theory that he can't write because he went to jail," I said.

"That's fantastic, of course--why, the reports of the case read like something in Gilbert and Sullivan. And Mother says his description of his life in prison was even funnier."

"You mean he actually told her ?" I gasped never have I heard him mention one word about his life in prison.

"She asked him point-blank- I must say I wouldn't have dared.

She says he looked for a second as if he were going to strike her and then launched cheerfully into a half-hour monologue. Oh, I'm sure

prison isn't the root of the trouble."

I said I had never believed it myself.

"But it is queer that he's never written a thing since he came out."

"It certainly is. Of course he ought to be psychoanalyzed."

I suppose no normally intelligent person living in the

nineteen-thirties can fail to have some faint inkling of what

psychoanalysis is, but there are few things about which I know less. I asked Simon to explain it to me.

"Good Lord, that's a tall order," he said, laughing.

"And I've only the haziest layman's idea of it myself. But let's see, now: I think a psychoanalyst would say the trouble lay much further

back than those few months in prison--but that prison might have

brought it to the surface. He'd certainly explore that period

thoroughly-make your Father remember every detail of it; in a way, he'd have to be put back in prison."

"You don't mean physically ?"

"No, of course not. Though--let me think now-yes, I suppose it's just conceivable that if the trouble did arise in prison, another period of imprisonment might resolve it. But it's very farfetched-and quite

unworkable anyhow, because if he consented to imprisonment, he wouldn't really feel imprisoned; and no psychoanalyst would dare to imprison him without his consent."

"No psychoanalyst would ever get within miles of him. The very mention of psychoanalysis always annoys him--he says it's all rubbish."

"Well, it sometimes is," said Simon, "but not always. The fact that he's prejudiced against it might be symptomatic. By the way, I suppose you're sure he isn't working on something secretly ?"

"I don't see how he could be--we can see right into the gatehouse, there are windows back and front, and he hardly goes near his desk. He just sits reading his old detective stories. He did raise our hopes a few weeks ago- Topaz saw him writing. But it turned out to be a

crossword puzzle."

"He's rather like a detective story himself," said Simon, ""The Case of the Buried Talent." I wish I could solve it. I'd so much like to write about him."

I hadn't known that he wrote. I asked what sort of things.

"Oh, critical essays, mostly- just spare-time work. I've only had a few things published. Your Father'd be a superb subject--if I could

find out what monkey-wrench got thrown into his works."

"It would be even better if you could get the monkey-wrench out," I said.

"Well, finding it's the first step." He lay back on the grass with his eyes closed, thinking. I took the opportunity to have a good look at

him. It was queer to notice how young his skin looked, contrasted with the beard. I had been liking him better and better all the time we had been talking and I was planning to tell Rose encouraging things about him. I was glad to see that he has nice ears, because she values good ears. People do look different with their eyes closed, their features seem so much more sculptured. Simon's mouth is very sculptured- an

interesting mouth. I heard myself telling Rose: "Do you know, I think he might be quite an exciting sort of man ?"

Just then he opened his eyes and said: "You don't like it, do you?"

I felt myself blushing.

"Like what?" I said.

"My beard," said Simon.

"You were wondering how any man could wear one unless, of course, it has acquired a fascination of horror for you. Which is it?"

"As a matter of fact, I'm getting used to x."...."

He laughed and said that was the ultimate humiliation -every one did.

"Everyone except me," he added.

"I

never see myself in a glass without feeling astonished."

"Would it be rude to ask just why you do wear it?"

"It would be natural, anyway. I grew it when I was twenty-two, for a bet, and then kept it out of sheer pigheadedness-it looked so

wonderfully unsuitable for a Wall Street office; I was with a cousin of my Mother's there and our dislike was mutual.

And I think I felt a beard kept me in touch with literature. But it

probably has some deep psychological significance--I expect I'm trying to hide an infamous nature from the world."

"Well, it's quite the nicest beard I ever saw," I said.

"Do you think you'll ever get rid of it?"

For some reason, that made him laugh. Then he said:

"Oh, in ten or twelve years, perhaps--say when I'm forty.

It'll be so useful to come down without it one morning, looking twenty years younger.

Does your sister hate it ?"

I wondered if I said "Yes," whether he would shave it off to please Rose. And I suddenly wasn't sure that I wanted it to go.

"You must ask her yourself," I said, laughing.

He looked at his watch and said he was afraid he couldn't wait any

longer for her.

"Neil's picking me up at the Godsend inn at a quarter after twelve. Be a nice companionable child and walk to the village with me."