THE SORROW AND THE PITY (Marcel Ophuls, 1969)
It’s five hours long, at times confusing and frustrating, but I don’t know of any other film with quite the intelligence and humanity of Ophuls’ masterwork about a small French town under Nazi occupation. All human life is here.
DIARY FOR TIMOTHY (Humphrey Jennings 1945)
It could as easily be Listen to Britain or Fires Were Started — all of them show Jennings’ surrealist flair for the striking image that burrows deep into your subconscious. All are full of the epiphanies of everyday life. I understand perfectly why Lindsay Anderson called him the ‘only poet of British Cinema’.
THE UNSEEN (Miroslav Janek, 1996)
A film filled with magic and wonder — it tells the story of a group of blind children at an institution in the Czech Republic who become obsessed with taking photographs.
SHOAH (Claude Lanzmann, 1985)
The most painful, honest and moving film you are ever likely to see. Lanzmann’s sparse epic of the Holocaust is a life changing experience.
GIMME SHELTER (Albert Maysles, David Maysles and Charlotte Zwerin, 1970)
Not only does it capture the Rolling Stones at their bombastic, glorious best, but its elegant, complex structure means that it has the resonance and thematic depth of a great piece of literature — like some twentieth-century re-telling of Paradise Lost .
MARLENE (Maximilen Schell, 1984)
The most revealing ‘portrait film’ I know — about one of the most enigmatic public figures of her era: Marlene Dietrich. Overcoming the curmudgeonly exterior of the old battle-axe, Schell reveals the icon’s broken heart.
HOOP DREAMS (Steve James, 1994)
The first documentary I saw in the cinema, it made me realise that documentaries can be more dramatic, more moving, more surprising than any piece of fiction. I’ll never forget how the audience stood and cheered when one of the boys scores a decisive point.
WALTER MATTHAU’S 10 FAVOURITE COMEDIES OF ALL TIME
Born Walter Matthow on October 1, 1920, to Russian–Jewish immigrants in New York City, Matthau was an amazingly versatile actor who could ‘play anything from Scarlett O’Hara to Rhett Butler’. While best known for his comedic performances in such hits as The Odd Couple, The Bad News Bears and Grumpy Old Men , Matthau also played notable dramatic roles in a wide variety of films, including Fail-Safe, Charley Varrick and JFK . He received Best Actor Oscar nominations for his work in The Sunshine Boys and Kotch , and won an Oscar for Best Supporting Actor in The Fortune Cookie . Matthau died of a heart attack on July 1, 2000, just a few months after the release of his final film, Hanging Up . He contributed this list to The Book of Lists in 1983.
• The Odd Couple
• The Producers
• A New Leaf
• Macbeth
• City Lights
• Wuthering Heights
• Death of Salesman
• A Streetcar Named Desire
• Horse Feathers
• Hamlet
© Harry Goodwin/Redferns
THE ARTISTS FORMERLY KNOWN AS POLKA TULK
21 EARLY NAMES OF FAMOUS BANDS
In the music business, you have to hit not only the right chords but also the right name. Here’s a quiz to test your knowledge.
1. Angel and the Snakes a. Bangles
2. Composition of Sound b. Beach Boys
3. Big Thing c. Beatles
4. Artistics d. Bill Haley and His Comets
5. Carl and the Passions e. Black Sabbath
6. Primettes f. Blondie
7. Tom and Jerry g. Byrds
8. Johnny and the Moondog h. Chicago
9. Caesar and Cleo i. Creedence Clearwater Revival
10. Paramours j. Depeche Mode
11. Polka Tulk k. Led Zeppelin
12. Bangs l. Lynyrd Skynyrd
13. Beefeaters m. Mamas and the Papas
14. Falling Spikes n. Righteous Brothers
15. Sparrow o. Simon and Garfunkel
16. My Backyard p. Sonny and Cher
17. The New Journeymen q. Steppenwolf
18. The Elgins r. Supremes
19. The Four Aces of Western Swing s. Talking Heads
20. The Golliwogs t. Temptations
21. The New Yardbirds u. Velvet Underground
Answers: 1 (f), 2 (j), 3 (h), 4 (s), 5 (b), 6 (r), 7 (o), 8 (c), 9 (p), 10 (n), 11 (e), 12 (a), 13 (g), 14 (u), 15 (q), 16 (l), 17 (m), 18 (t), 19 (d), 20 (i), 21 (k)
STIRRING OPENING LINES OF 11 NATIONAL ANTHEMS
ALGERIA
We swear by the lightning that destroys,
By the streams of generous blood being shed
By the bright flags that wave
That we are in revolt…
BOLIVIA
Bolivians, propitious fate has crowned our hopes…
BURKINA FASO
Against the humiliating bondage of a thousand years
Rapacity came from afar to subjugate them
For a hundred years.
Against the cynical malice in the shape
Of neocolonialism and its petty local servants,
Many gave in and certain others resisted.
GUINEA-BISSAU
Sun, sweat, verdure and sea,
Centuries of pain and hope;
This is the land of our ancestors.
LUXEMBOURG
Where slow you see the Alzette flow,
The Sura play wild pranks…
OMAN
O Lord, protect for us Our Majesty the Sultan
And the people in our land,
With honour and peace.
May he live long, strong and supported,
Glorified by his leadership.
For him we shall lay down our lives.
PARAGUAY
To the peoples of unhappy America,
Three centuries under a sceptre oppressed.
But one day, with their passion arising,
‘Enough,’ they said and broke the sceptre.
SENEGAL
Everyone strum your koras,
Strike the balafons,
The red lion has roared,
The tamer of the bush with one leap,
Has scattered the gloom.
TAIWAN
The three principles of democracy our party does revere.
URUGUAY
Eastern landsmen, our country or the tomb!
USSR
Unbreakable union of freeborn republics,
Great Russia has welded forever to stand;
Thy might was created by the will of our peoples,
Now flourish in unity, great Soviet land!
DR DEMENTO’S 10 WORST SONG TITLES OF ALL TIME
Radio personality Dr Demento’s private collection of more than 200,000 records is said to be one of the world’s largest. He puts his library of discs to use on ‘The Dr Demento Show’, which is heard on 200 radio stations in the US and on the Armed Forces Radio Network.
What’s a really bad song title? One that’s offensive or inarticulate, I’d say, or one that doesn’t readily identify the song it’s attached to (Bob Dylan did that for kicks in the Sixties). I think we can leave those alone for now.
Then there are the sort of song titles (often from country music) that are often rather clever, to be truthful, but induce the same sort of groans that often greet a really good pun when heard for the first time.
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