Anthony Burgess - Inside Mr Enderby

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Inside Mr Enderby is a the first volume in the four-book Enderby series of comic novels by the British author Anthony Burgess.
The book was first published in 1963 in London by William Heinemann under the pseudonym Joseph Kell. The series began in 1963 with the publication of this book, and concluded in 1984 with Enderby's Dark Lady, or No End to Enderby (after a ten year break following the publication of the third novel in the series, The Clockwork Testament, or Enderby's End).
The story opens on a note of pure fantasy, showing schoolchildren from the future taking a field trip through time to see the dyspeptic poet Francis Xavier Enderby while he is asleep. Enderby, a lapsed Catholic in his mid-40's, lives alone in Brighton as a 'professional' poet – his income being interest from investments left to him by his stepmother.
Enderby composes his poetry whilst seated on the toilet. His bathtub, which serves as a filing cabinet, is almost full of the mingled paper and food scraps that represent his efforts. Although he is recognised as a minor poet with several published works (and is even awarded a small prize, the 'Goodby Gold Medal', which he refuses), he has yet to be anthologised.
He is persuaded to leave his lonely but poetically fruitful bachelor life by the editor of a woman's magazine, Vesta Bainbridge, after he accidentally sends her a love poem instead of a complaint about a recipe in her magazine. The marriage, which soon ends, costs Enderby dearly, alienating him from his muse and depriving him of his financial independence.
Months pass, and Enderby is able to write only one more poem. After spending what remains of his capital, he attempts suicide with an overdose of aspirin, experiencing disgusting (and rather funny) visions of his stepmother as he nears death. His cries of horror bring help, and he regains consciousness in a mental institution, where the doctors persuade him to renounce his old, "immature" poetry-writing self. Rechristened "Piggy Hogg", he looks forward contentedly to a new career as a bartender.

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Not that he had much left to smoke. Mrs Whatever-her-name-was of Fem had taken his remaining packet of ship's Woodbines (she was out of them and smoked nothing else) as a reward for her stoic Scots toleration of his wanting to be sick on the deck of the train all the way to Victoria. Enderby had five Senior Service to last him till the late winter dawn. He cried. He was weary, far beyond sleepiness. It had been a long and eventful day, excruciatingly attritive. Even on his homeward coastward train journey the entire coach had seemed to be full of wet-mouthed Irishmen singing. And now the cold stair, the long vigil. He howled like a moon-bemused hound-dog.

The door of the flat above opened creakily. "Is that you, Jack?" whispered the woman's voice, huskily. "Have you come back, Jack?" Her vowels were not unlike Arry's: uvyer coom buck juck. "I'm sorry, Jack," she said. "I didn't mean what I said, love. Come on to bed, Jack."

"It's me," said Enderby. "Not him. Me. Without a key," he added.

"Who are you?" asked the woman. The bulb of the landing light had long burnt out, months ago, unreplaced by Mrs Meldrum. Neither could see the other.

"Him from downstairs," said Enderby, falling easily into demotic. "Not him as you live with."

"He's gone off," came the voice down the stair-well. "He's always said he would and now he's done it. We had a bit of a barney."

"That's right," said Enderby.

"What do you mean that's right? We had a bit of a barney and now he's gone off. I bet he's gone to that bitch down by the Ornamental Gardens."

"Never mind," said Enderby. "He'll come back. They always do."

"He won't. Not tonight he won't. And I'm frightened up here on my own."

"What are you frightened of?"

"Of being on my own. Like I said. In the dark, too. It went out while we was having this barney and I couldn't see to hit him. Have you got a bob you can let me have till first thing tomorrow morning?"

"Not a sausage," said Enderby proudly. "I blued it all on booze in town. I think I'd better come up there," he added, bold. "I could sleep on the couch or something. I forgot my key, you see. It's a damn nuisance."

"If you come up here you'd better not let Jack get hold of you."

"Jack's gone off with this bitch down by the Ornamental Gardens," said Enderby.

"Ah. So you seen him, did you? I thought as much. You can see the black at her roots, bitch as she is."

"I'm coming up now," said Enderby. "Then you won't be frightened of being on your own. You've got a couch up there, have you?" said Enderby, rising in pain and crawling up the stairs.

"If you think you're going to get in bed with me you've got another think coming. I've finished with all men."

"I've no intention of getting into bed with you," said indignant Enderby. "I just want to lie down on the couch. I don't really feel all that good."

"You needn't be so bloody well on your bloody high horse. I've been in bed with better men than what you'll ever hope to be. Careful," she said, as Enderby kicked the metal pot of the palm on the landing. He clambered blind up the second flight, hugging the banister. At the top he collided with a warm bosomy shape. "You can cut that out for a start," she said. "A bit too forward you are for a start." She sniffed briskly. "That scent's very expensive," she said. "Who you been with, eh? Still waters run deep, if you're really who you say you are, meaning him that lives down there."

"Where is it?" groped Enderby. "I just want somewhere to lie down." His hands felt the softness and width of a sofa, the continuum broken by bottle-shapes (they clanked) and a half-full chocolate box (rustled). "Lay down," he corrected himself, to be more matey.

"Make yourself comfortable," she said, bloody sarky. "If you want anything don't hesitate to ring. At what hour of the morning would you like your morning tea?" she said, in a hot-potato chumble. "Men," she said, going apparently, to her bedroom. She made a contemptuous noise, worthy of Enderby himself, leaving him to the dark.

Chapter Four

1

He awoke with first light to the xylophone of milk bottles and impotent rasping of self-starters. He smacked his lips and clacked his tongue on his hard palate, feeling his mouth like-the vulgar simile swam up from his vulgar pub-crawl-an all-in wrestler's jock-strap. The vulgar simile put fingers to its nose in the gesture his stepmother had called "fat bacon", made the old Roman sign, raspberried, and clambered off up the wall like a lizard. Enderby in his overcoat felt cold and grubby, matching the room that now emerged like a picture on a television screen when the set has at last warmed up. With the picture, noise: that woman's snoring from the next room. Enderby listened, interested. He had never realized that women could snore so loud. His stepmother had, of course, been able to blast a roof off, but she had been unique. Unique? He remembered some lavatorial writing or other about all stepmothers being women or all women stepmothers or something, and then the whole day came back, certainly not a dull day, and he caught quite clearly the name of the widow who had given him tea and taken him to the Victoria tube-stop: Vesta Bainbridge. Shame warmed all Enderby's body and then hunger hammered at him, as at a door. The shameful day marched by briskly, its nostrils widened in a silly smirk, and it carried a banner of St George. It noisily tramped off to stand at ease behind the gimcrack sideboard. Enderby put on his spectacles, seeing beer bottles and old Daily Mirrors with painful clarity, then creaked, groaning, to the kitchenette. This was full of small square platters that had held TV meals, also empty milk bottles with crusty archipelagoes inside them. Enderby drank water from the tap. He opened the cupboard, wiping his mouth on a dish-cloth, and found gherkins. He ate some of these crisp slugs and soon felt better.

Before leaving he called on his hostess, but she lay sprawled over the double bed, uncovered, working hard at sleep. Her bubs, like blancmanges not properly set, shivered gently under the translucent nightgown as a lorry went by. Black smoke of hair over her face lifted and fell, obedient to her snore. Enderby covered her with the eiderdown, bowed, and left. She was not so old, he decided. A fat stupid girl not really capable of ill-nature. She had given Enderby shelter; Enderby would not forget.

As Enderby went downstairs he met his own milkman: a pint for Enderby's door, a half-pint for the foot of the stairs. The milkman leered and double-clacked his tongue. So many dawns, so many betrayers. Enderby had an idea. "Had to sleep up there," he said. "Locked myself out. Do you know anything about locks?"

"Love laughs at locksmiths," said the milkman sententiously. "I'll just see if I've got a bit of wire."

A minute later the postman came with Littlewood's coupons for upstairs, nothing for Enderby. "That's not quite the way," he said critically. "Let me have a try." He breathed heavily over the lock, probing and fiddling. "Coming," he panted. "Half a tick." The lock sprang, Enderby turned the knob, the door opened.

"Very much obliged," he said, "to both you gentlemen." He had not relished the prospect of going to see Mrs Meldrum. He gave them his last coppers and entered.

Ah, but it was a relief to be back. Enderby stripped off his overcoat and hung it by its left shoulder on the hook in the tiny hall. He took off, with slightly greater care, the suit he had borrowed from Any and rolled it neatly in a ball. He placed this, pending the returning of it, on the unmade bed, and then he put on his turtle-neck sweater. He was dressed now for work. His bare legs twinkled into the living-room and at once he scented change. There was a letter on the table, unstamped, and the table itself had been cleared of yesterday morning's dirty dishes. Enderby kicked on the electric fire and sat down to read, his brow troubled. The letter was from Mrs Meldrum.

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