Anthony Burgess - Inside Mr Enderby

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Inside Mr Enderby is a the first volume in the four-book Enderby series of comic novels by the British author Anthony Burgess.
The book was first published in 1963 in London by William Heinemann under the pseudonym Joseph Kell. The series began in 1963 with the publication of this book, and concluded in 1984 with Enderby's Dark Lady, or No End to Enderby (after a ten year break following the publication of the third novel in the series, The Clockwork Testament, or Enderby's End).
The story opens on a note of pure fantasy, showing schoolchildren from the future taking a field trip through time to see the dyspeptic poet Francis Xavier Enderby while he is asleep. Enderby, a lapsed Catholic in his mid-40's, lives alone in Brighton as a 'professional' poet – his income being interest from investments left to him by his stepmother.
Enderby composes his poetry whilst seated on the toilet. His bathtub, which serves as a filing cabinet, is almost full of the mingled paper and food scraps that represent his efforts. Although he is recognised as a minor poet with several published works (and is even awarded a small prize, the 'Goodby Gold Medal', which he refuses), he has yet to be anthologised.
He is persuaded to leave his lonely but poetically fruitful bachelor life by the editor of a woman's magazine, Vesta Bainbridge, after he accidentally sends her a love poem instead of a complaint about a recipe in her magazine. The marriage, which soon ends, costs Enderby dearly, alienating him from his muse and depriving him of his financial independence.
Months pass, and Enderby is able to write only one more poem. After spending what remains of his capital, he attempts suicide with an overdose of aspirin, experiencing disgusting (and rather funny) visions of his stepmother as he nears death. His cries of horror bring help, and he regains consciousness in a mental institution, where the doctors persuade him to renounce his old, "immature" poetry-writing self. Rechristened "Piggy Hogg", he looks forward contentedly to a new career as a bartender.

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Anthony Burgess died in November 1993, and is survived by his second wife and his son. The Times described him as 'one of the cleverest and most original writers of his generation', and among the many people who paid him tribute were David Lodge, who considered him 'an inspiration and example to other writers', and John Updike, who believed that 'the literary world seems much more sparsely populated with Anthony Burgess gone. He had the energy and the wide-ranging interests of a dozen writers… [and] seemed not only a prodigious intellect, but an affectionate spirit, whose mind, like Ariel's, circled the globe in a few seconds.'

Scan Notes, v3.0

Proofed carefully against DT, italics and special characters intact. I will be scanning the other three books soon. If you are wondering what the hell "For Cough" means, read the following excerpt from an interview with Burgess.

"But I think there's more artistic pleasure to be gained from the ingenious circumvention of a taboo than from what is called total permissiveness. When I wrote my first Enderby novel I had to make my hero say 'For cough,' since 'Fuck off' was not then acceptable. With the second book the climate had changed and Enderby was at liberty to say 'Fuck off.' I wasn't happy. It was too easy. He still said 'For cough' while others responded with 'Fuck off.' A compromise. Literature, however, thrives on taboos, just as all art thrives on technical difficulties."

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