Anthony Burgess - Inside Mr Enderby

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Inside Mr Enderby is a the first volume in the four-book Enderby series of comic novels by the British author Anthony Burgess.
The book was first published in 1963 in London by William Heinemann under the pseudonym Joseph Kell. The series began in 1963 with the publication of this book, and concluded in 1984 with Enderby's Dark Lady, or No End to Enderby (after a ten year break following the publication of the third novel in the series, The Clockwork Testament, or Enderby's End).
The story opens on a note of pure fantasy, showing schoolchildren from the future taking a field trip through time to see the dyspeptic poet Francis Xavier Enderby while he is asleep. Enderby, a lapsed Catholic in his mid-40's, lives alone in Brighton as a 'professional' poet – his income being interest from investments left to him by his stepmother.
Enderby composes his poetry whilst seated on the toilet. His bathtub, which serves as a filing cabinet, is almost full of the mingled paper and food scraps that represent his efforts. Although he is recognised as a minor poet with several published works (and is even awarded a small prize, the 'Goodby Gold Medal', which he refuses), he has yet to be anthologised.
He is persuaded to leave his lonely but poetically fruitful bachelor life by the editor of a woman's magazine, Vesta Bainbridge, after he accidentally sends her a love poem instead of a complaint about a recipe in her magazine. The marriage, which soon ends, costs Enderby dearly, alienating him from his muse and depriving him of his financial independence.
Months pass, and Enderby is able to write only one more poem. After spending what remains of his capital, he attempts suicide with an overdose of aspirin, experiencing disgusting (and rather funny) visions of his stepmother as he nears death. His cries of horror bring help, and he regains consciousness in a mental institution, where the doctors persuade him to renounce his old, "immature" poetry-writing self. Rechristened "Piggy Hogg", he looks forward contentedly to a new career as a bartender.

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"You've had enough, you have, mate," said the man, more kindly. From the saloon bar came the call of "Last orders." "If you want to drown your secret sorrows don't do it where me and my wife is, see, because I take the sort of thing that you've been saying very hard, see." Enderby put down his glass, gave the dart-man a glassy but straight look, then eructed strongly and without malice. He bowed and, pushing his way courteously through the long-swallowers anxious to get one last one in, made an exit that was not without dignity. Outside in the street the heady air of a Guinness-sharp refrigerated night hit him and he staggered. The dart-man had followed him out and stood there, gauging and weighing. "Look, mate," he said, "this is not for me really, because I've been like that myself often enough, God knows, but my wife insists, see, do you mind, and this is like for a keepsake." He bowed, and while bowing swerved his torso suddenly to the left as though listening to something from that side, then he brought left fist and torso right and up and let Enderby have one, not too hard, straight in the stomach. "There," he said, somewhat kindly, as if the blow had been intended purely therapeutically. "That'll do, won't it?"

Enderby gasped. The procession of the evening's whiskies and beers passed painfully through a new taste-organ that had been erected specially for this occasion. They grimaced in pain, making painful obeisance as they passed. Gas and fire shot up as from a geyser, smiting rudely the crystalline air. Premonitions of the desire to vomit huddled and fluttered. Enderby went to the wall.

"Now then," said the man, "where is it you want to go, eh? Kennington you are now, see, if you didn't know."

"Victoria," said Enderby's stomach-gas, shaped into a word by tongue and lips. He had, at the moment, no air.

"Easy," said the kind man. "First to the right second to the left keep straight on brings you to Kennington Station, see. Get a train to Charing Cross, that's the second stop, Waterloo's the first, change at Charing Cross, see, Circle Line. Westminster St James's Park and then you're there, see. And the very best of luck and no hard feelings." He patted Enderby's left shoulder and re-entered the public bar.

Enderby still gasped. This sort of thing had not happened since his student-days when he had once been beaten up by a pub pianist and his friend for being bloody sarky about the sort of pseudo-music the pub pianist had been playing. Enderby filled his coughing lungs in draught after draught, then wondered whether he really wanted to vomit. He thought, for the moment, not. The punch in the stomach still glowed and smouldered, and the name london fluttered in fearful flames, a warning, as in the trailer of some film about call-girls or the end of the world. He saw himself safe in his own lavatory, at work on his poems. Never again. Never never again. Women's Institutes. Gold medals. London pubs. Traps set for poor Enderby, gins waiting for him to trip.

He reached Kennington Station without much difficulty and booked to Victoria. In the train, sitting opposite a cross-eyed man who spoke Scots to a complacent terrier on his knee, Enderby felt a shipboard motion and knew that soon he must dash to the rails. Further along on the side where he was sitting, he had the illusion that a couple of gum-chewing teenagers were discussing a play by Calderón. He strained to listen and nearly fell on his right ear. At Waterloo he was sure that the Scotsman with strabismus said "morne plaine" to his dog. A drum beat and a bugle brayed in Enderby's stomach; here, perhaps, he must admit defeat, stagger off, be sick in a fire-bucket. Too late. The train and time marched on from Waterloo, under the river, and, thank God, there was Charing Cross. The charing-cross-eyed man got out here too, with terrier. "A drop taken," he said confidentially to Enderby and then marched off to the Bakerloo Line, dog trotting with twinkletoes behind, fat rump, joyous tail. Enderby now felt decidedly unwell and bewildered. He had a confused notion that the southbound platform of this Northern Line would take him whither he wanted. He staggered over and sat on a bench. Across the rail a poster showed an outdoor man draining a milk stout, his fine muscular throat corded with stout-drinker's strength. Next to that was a colourwash sketch, vivid with steam and laughter, of a confident young man wrestling with a delighted girl for a portion of pie made with meat-extract. Next to that a ginger child, macrocephalic, went "Ooooo!" with pleasure, his cheek gumboiled with a slab of extra-creamy toffee. Enderby retched, but memory saved him with four lines of a drinker's poem he had written in his drunken youth:

And I have walked no way I looked

And multitudinously puked

Into the gutter, legs outstretched,

Holding my head low as I…

That threw his present queasiness back into the past and also depersonalized it. The solace of art. And now the distant Minotaur roar of the tube-train alerted the others waiting on that platform. One man folded his evening paper and stuck it into the side-pocket of his greatcoat. Poet Speaks Out for Fair Play, read Enderby. Field-day for poets, this. The tube-train slammed itself into the clearing, bringing a fine gale of Arctic air which did Enderby good. He stood and felt giddy but steeled himself to travel to Victoria, seeing that, in his muzzy state, as a very large and desirable lavatory of blasts and sulphuretted hydrogen. He straddled before a not-yet-opened double-door of the train, trying to hold the unquiet platform steady, while the passengers waiting to alight stood as though for a curtain call. Then a panic of doubt clouted Enderby as the doors slid open and the alighters flooded off. "Is this," he called, "all right for Victoria?" Many of the emergent did not speak English and made apologetic gestures, but a cool woman's voice said:

"This, Mr Enderby, is most certainly not all right for Victoria." Enderby blinked at this apparition, Mrs What's-her-name of Fem, racing ace's widow, in semi-formal pale apple-green taffetas, sheathed at the front, and three-quarter-length Persian lamb jacket, marcasite clip as single fine dress-embellisher, tiny hoop ear-rings of marcasite, marcasite-coloured glacé kid high-heels, penny-coloured hair cleanly glowing. Enderby's mouth opened sheepishly. "If you got this train," she said, "you would be travelling to Waterloo and Kennington, Tooting Bee, ultimately Morden. From the look of you, you would probably be awakened at Morden. You wouldn't like Morden very much."

"You," said Enderby, "should not be here. You should be at dinner somewhere."

"I was at dinner," she said. "I've just come back from Hampstead." The train-doors slid together and the train moved off into its tunnel, its wind stirring her hair and making her raise her voice, so that the Scots intonation became clearer than before. "And," she said, her sober green eyes appraising swaying Enderby, "I'm on my way home to Gloucester Road. Which means we can take the same train and I can make quite sure that you alight at Victoria. From Victoria on you must be commended to the protection of whatever gods look after drunken poets." She had in her something of the thin-lipped Calvinist; in her tone was no element of amused indulgence. "Come," she said, and she took Enderby's arm.

"If you don't mind," said Enderby. "If you'll excuse me just a moment -" Green looked at green. Enderby managed to trap the brief flow in his show handkerchief. "Oh, God," he said. "Oh, Jesus, Mary and Joseph."

"Come on," she said. "Walk. Take deep breaths." She led him firmly towards the Circle Line. "You are in a bad way, aren't you?" All her perfume could not sweeten Enderby's shame.

5

Enderby was back in 81 Fitzherbert Avenue, thoroughly sobered at last by two slips on to his bottom on the frozen way from the station. On that same sore bottom he sat on the stairs, crying. This flight ran up, starting at the side of Enderby's flat's front door, to a landing with mirror and potted palm. Then came a dark and sinister stairway, uncarpeted, to the flat above, the home of the salesman and his woman. Enderby sat crying because he had forgotten his key. He had neglected, perhaps because flustered by Mrs Meldrum's visit that morning, to transfer the key from his sports-coat pocket to the corresponding pocket of the jacket of Arry's suit. It was now after one in the morning, too late to call on Mrs Meldrum to open up for him with her master. He had no money for a hotel room; it was too cold to sleep in a shelter on the esplanade; he did not fancy begging a cell at the police station (there were criminal-looking coppers there, with wide-boy tashes). It was best to sit here on the third step up, overcoated and muffled, crying and smoking alternately.

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