Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

‘One of your own prophecies?’ asked Patrick suavely.

‘It’s in de Boible,’ said the bellboy. ‘And de bridges shall be swept away,’ he promised, pointing to the ceiling and then swatting an invisible fly. ‘And men shall say that de end of de world cometh upon them.’

‘And they shall have a point,’ said Patrick, ‘but I really must be going.’

‘Roight you are,’ said the bellboy, still excited. ‘I’ll be meeting you at the reception.’ He scuttled off towards the service elevator. Try as one might to live on the edge, thought Patrick, getting into the other lift, there was no point in competing with people who believed what they saw on television.

The bill for two thousand one hundred and fifty-three dollars was larger than even Patrick had expected. He was secretly pleased. Capital erosion was another way to waste his substance, to become as thin and hollow as he felt, to lighten the burden of undeserved good fortune, and commit a symbolic suicide while he still dithered about the real one. He also nursed the opposite fantasy that when he became penniless he would discover some incandescent purpose born of his need to make money. On top of the hotel bill, he must have spent another two or two and a half thousand on taxis, drugs, and restaurants, plus six thousand for the air tickets. That brought the total to over ten thousand dollars, and the funeral expenses were on their way. He felt like a gameshow winner. How irritating if it had been eight and a half or nine. Ten thousand in two days. Nobody could say he didn’t know how to have fun.

Patrick tossed his American Express card onto the counter without bothering to verify the bill.

‘Oh, by the way,’ he yawned, ‘I’ll sign the form, but could you leave the total open? A friend of mine is still in the room. She may want breakfast; in fact, I’m sure she will. She can order anything she likes,’ he added munificently.

‘O-kay.’ The receptionist hesitated, wondering whether to make an issue of the double occupancy. ‘She’ll be leaving the room by noon, will she?’

‘I suppose so. She works, you see,’ said Patrick as if this were rather exceptional. He signed the credit-card form.

‘We’ll send a copy of the total to your home address.’

‘Oh, I wouldn’t bother to do that,’ said Patrick, yawning again. He noticed the bellboy standing nearby with his bag. ‘Hello,’ he smiled. ‘Rivers of blood, eh?’

The bellboy looked at him with servile incomprehension. Maybe he’d imagined the whole thing. Might be a good idea to get some sleep.

‘I hope you enjoyed your stay with us,’ said the receptionist, handing Patrick a copy of the bill in an envelope.

‘Enjoyed isn’t the word,’ said Patrick with his most charming smile, ‘I loved it.’ He refused the envelope with a little frown. ‘Oh my God,’ he suddenly exclaimed, ‘I’ve forgotten something in the room.’ He turned to the bellboy. ‘There’s a wooden box on top of the television; you couldn’t go and fetch it for me, could you? And the brown-paper bag would be very useful too.’

How could he have forgotten the box? No need to call Vienna for an interpretation. What would they have done on the bleak Cornish estuary where his father had asked to have his ashes scattered? He would have had to bribe a local crematorium to give him some of their spare sweepings.

The bellboy returned ten minutes later. Patrick stubbed out his cigarette and took the brown-paper bag from him. The two of them walked together towards the revolving doors.

‘The young lady was wondering where you were going,’ said the bellboy.

‘What did you say?’

‘I said I thought it was de airport.’

‘And what did she say?’

‘I wouldn’t loik to repeat it, sir,’ said the bellboy respectfully.

So much for that, thought Patrick, spinning through the doors. Slash. Burn. Move on. Out into the scintillating light, under a paler wider sky, his eyeballs drilled like a Roman statue.

Across the street he saw a man, his left arm severed at the wrist, a slight rawness where the bone was most prominent, a four days’ unshaven, bitter face, yellow lenses, curling lip, lank hair, stained raincoat. The stump twitched upward in brisk involuntary jerks. Heavy smoker. Hater of the world. Mon semblable. Other people’s words.

Still, there were some important differences. Patrick distributed banknotes to the doorman and the bellboy. The driver opened the door for him and he climbed into the back with his brown-paper bag. He sprawled across the black leather seat, closed his eyes, and pretended to sleep.

PATRICK WOKE UP KNOWING he had dreamed but unable to remember the contents of his dream. He felt the familiar ache of trying to track something that had just disappeared off the edge of consciousness but could still be inferred from its absence, like a whirlwind of scrap paper left by the passage of a fast car.

The obscure fragments of his dream, which seemed to have taken place beside a lake, were confused with the production of Measure for Measure he had seen the night before with Johnny Hall. Despite the director’s choice of a bus depot as the setting for the play, nothing could diminish the shock of hearing the word ‘mercy’ so many times in one evening.

Perhaps all his problems arose from using the wrong vocabulary, he thought, with a brief flush of excitement that enabled him to throw aside the bedcovers and contemplate getting up. He moved in a world in which the word ‘charity’, like a beautiful woman shadowed by her jealous husband, was invariably qualified by the words ‘lunch’, ‘committee’, or ‘ball’. ‘Compassion’ nobody had any time for, whereas ‘leniency’ made frequent appearances in the form of complaints about short prison sentences. Still, he knew that his difficulties were more fundamental than that.

He was worn out by his lifelong need to be in two places at once: in his body and out of his body, on the bed and on the curtain pole, in the vein and in the barrel, one eye behind the eyepatch and one eye looking at the eyepatch, trying to stop observing by becoming unconscious, and then forced to observe the fringes of unconsciousness and make darkness visible; cancelling every effort, but spoiling apathy with restlessness; drawn to puns but repelled by the virus of ambiguity; inclined to divide sentences in half, pivoting them on the qualification of a ‘but’, but longing to unwind his coiled tongue like a gecko’s and catch a distant fly with unwavering skill; desperate to escape the self-subversion of irony and say what he really meant, but really meaning what only irony could convey.

Not to mention, thought Patrick, as he swung his feet out of bed, the two places he wanted to be tonight: at Bridget’s party and not at Bridget’s party. And he wasn’t in the mood to dine with people called Bossington-Lane. He would ring Johnny and arrange to have dinner with him alone. He dialled the number but immediately hung up, deciding to call again after he had made some tea. He had scarcely replaced the receiver when the phone rang. Nicholas Pratt was ringing to chastise him for not answering his invitation to Cheatley.

‘No need to thank me,’ said Nicholas Pratt, ‘for getting you invited to this glittering occasion tonight. I owe it to your dear Papa to see that you get into the swim of things.’

‘I’m drowning in it,’ said Patrick. ‘Anyhow, you prepared the way for my invitation to Cheatley by bringing Bridget down to Lacoste when I was five. Even then one could tell she was destined to command the heights of society.’

‘You were much too badly behaved to notice anything as important as that ,’ said Nicholas. ‘I remember you once in Victoria Road giving me a very sharp kick in the shins. I hobbled through the hall, trying to hide my agony so as not to upset your sainted mother. How is she, by the way? One never sees her these days.’