Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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‘Sonny?’ bawled Peter.

‘Peter!’ Sonny shouted back. ‘Sorry to interrupt you again.’

‘Quite the opposite, old boy, you’ve saved me from showing round the Gay London Bikers my old housemaster sent down to gawp at the ceilings.’

‘Slaving away as usual,’ said Sonny. ‘Makes it all the more annoying when one reads the sort of rubbish they put in the papers this morning: “ten thousand acres … five hundred guests … Princess Margaret … party of the year.” Sounds as if we’re made of money, whereas the reality, as nobody knows better than you, with your Gay London Bikers, is that we never stop slaving to keep the rain out.’

‘Do you know what one of my tenants said to me the other day after my famous appearance on the box?’ Peter adopted his standard yokel accent. ‘“Saw you on the television, m’lord, pleading poverty, as usual.” Damned cheek!’

‘It’s quite funny, actually.’

‘Well, he’s really a splendid fellow,’ said Peter. ‘His family have been tenants of ours for three hundred years.’

‘We’ve got some like that. One lot have been with us for twenty generations.’

‘Shows an amazing lack of initiative when you think of the conditions we keep them in,’ said Peter mischievously.

Both men guffawed, and agreed that that was just the sort of thing one shouldn’t say during one’s famous television appearances.

‘What I really rang about,’ said Sonny, more seriously, ‘is this business with Cindy. Bridget, of course, wouldn’t have her, on the grounds that we didn’t know her, but I’ve spoken to David Windfall this morning and, since his wife’s ill, he’s agreed to bring Cindy along. I hope he’ll be discreet.’

‘David Windfall? You must be joking!’ said Peter.

‘Well, I know, but I made out that I was longing to meet her, rather than the truth, namely that all my Historic Houses Association and Preservation of Rural England meetings have been one long thrash in the sack with Cindy.’

‘I’m glad you didn’t tell him that,’ said Peter wisely.

‘The thing is, and I need hardly tell you to keep this under your hat, the thing is, Cindy’s pregnant.’

‘Are you sure it’s yours?’

‘Apparently there’s no doubt about it,’ said Sonny.

‘I suppose she’s blackmailing you,’ said Peter loyally.

‘No, no, no, that’s not it at all,’ said Sonny, rather put out. ‘The thing is, I haven’t had “conjugal relations” with Bridget for some time, and I’m not sure anyway, given her age, that it would be a good idea to try and have another child. But, as you know, I’m very keen to have a son, and I thought that if Cindy has a boy…’ Sonny trailed off, uncertain of Peter’s reaction.

‘Golly,’ said Peter, ‘but you’d have to marry her if he was going to inherit. It’s one of the penalties of being a peer,’ he added with a note of noble stoicism.

‘Well, I know it sounds awfully mercenary to chuck Bridget at this stage of the game,’ Sonny admitted, ‘and of course it’s bound to be misrepresented as a sexual infatuation, but one does feel some responsibility towards Cheatley.’

‘But think of the expense,’ said Peter, who had grave doubts that the divorce could be achieved in time. ‘And, besides, is Cindy the right girl for Cheaters?’

‘She’ll be a breath of fresh air,’ said Sonny breezily, ‘and, as you know, all the things are in trust.’

‘I think,’ said Peter with the measured authority of a consultant advising his patient to have surgery, ‘we’d better have lunch in Buck’s next week.’

‘Good idea,’ said Sonny. ‘See you tonight.’

‘Very much looking forward to it,’ said Peter. ‘Oh, and, by the way, happy birthday.’

* * *

Kitty Harrow, at home in the country, lay in bed propped up by a multitude of pillows, her King Charles spaniels hidden in the troughs of her undulating bedspread, and a ravaged breakfast tray abandoned beside her like an exhausted lover. Under a pink satin lampshade, bottles of contradictory medicines crowded the inlaid surface of her bedside table. Her hand rested on the telephone she used ceaselessly every morning between eleven o’clock and lunchtime, or, as on this occasion, until the hairdresser arrived at twelve thirty to rebuild those cliffs of grey hair against which so many upstarts had dashed themselves in vain. When she had found Robin Parker’s name in the large red leather address book that was spread open on her lap, she dialled his number and waited impatiently.

‘Hello,’ said a rather peevish voice.

‘Robin, my darling,’ warbled Kitty, ‘why aren’t you here already? Bridget has unloaded some perfectly ghastly people on me, and you, my only ally, are still in London.’

‘I had to go to a drinks party last night,’ simpered Robin.

‘A party in London on a Friday night!’ protested Kitty. ‘It’s the most antisocial thing I’ve ever heard. I do think people are inconsiderate, not to say cruel. I practically never go to London these days,’ she added with a real note of pathos, ‘and so I rely terribly on my weekends.’

‘Well, I’m coming to the rescue,’ said Robin. ‘I ought to be leaving for Paddington in five minutes.’

‘Thank God,’ she continued, ‘you’ll be here to protect me. I had an obscene telephone call last night.’

‘Not again,’ sighed Robin.

‘He made the most perfectly revolting suggestions,’ confided Kitty. ‘And so before putting the phone down I said to him, “Young man, I should have to see your face before I allowed you to do any of those things!” He seemed to think I was encouraging him, and rang back the very next minute. I insist on answering the phone myself in the evenings: it’s not fair on the servants.’

‘It’s not fair on you either,’ Robin warned her.

‘I’ve been haunted,’ growled Kitty, ‘by what you told me about those cocks the prudish Popes snapped off the classical statues and stored in the Vatican cellars. I’m not sure that wasn’t an obscene phone call.’

‘That was history of art,’ giggled Robin.

‘You know how fascinated I am by people’s families,’ said Kitty. ‘Well, now, whenever I think about them, and the dark secrets they all have lurking under the surface, I can’t help picturing those crates hidden in the Vatican cellars. You’ve corrupted my imagination,’ she declared. ‘Did you know what a dreadful effect you have on people?’

‘My conversation will be completely chaste this evening,’ threatened Robin. ‘But I really ought to be going to the station now.’

‘Goodbye,’ cooed Kitty, but her need to talk was so imperious that she added conspiratorially, ‘Do you know what George Watford told me last night? – he at least was a familiar face. He said that three-quarters of the people in his address book are dead. I told him not to be so morbid. Anyway, what could be more natural at his age: he’s well into his eighties.’

‘My dear, I’m going to miss my train,’ said Robin.

‘I used to suffer terribly from train fever,’ said Kitty considerately, ‘until my wonderful doctor gave me a magic pill, and now I just float on board.’

‘Well, I’m going to have to sprint on board,’ squealed Robin.

‘Goodbye, my dear,’ said Kitty, ‘I won’t delay you a moment longer. Hurry, hurry, hurry.’

* * *

Laura Broghlie felt her existence threatened by solitude. Her mind became ‘literally blank’, as she had told Patrick Melrose during their week-long affair. Five minutes alone, or off the telephone, unless it was spent in the company of a mirror and a great deal of make-up, was more literal blankness than she could stand.

It had taken her ages to get over Patrick’s defection. It was not that she had liked him particularly – it never occurred to her to like people while she was using them, and when she had finished using them, it would clearly have been absurd to start liking them – but it was such a bore getting a new lover. Being married put some people off, until she made it clear that it was no impediment from her point of view. Laura was married to Angus Broghlie, who was entitled by ancient Scottish custom to call himself ‘The Broghlie’. Laura, by the same token, could call herself ‘Madame Broghlie’, a right she seldom exercised.

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