Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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‘You’re a really hos-tel person,’ said Rachel, ‘do you know that? Do you have a problem with women?’

‘Men, women, dogs: I don’t discriminate,’ said Patrick, ‘they all piss me off.’

He rolled off the bed and went over to the desk. Why had he brought this tiresome lump of lard back to his room? It was intolerable, everything was intolerable.

‘Look, I don’t want to argue with you,’ said Rachel. ‘I know you’re disappointed, I just need you to help me relax.’

‘Relaxing isn’t my speciality,’ said Patrick, putting the coke and spoon into his trouser pocket and reaching to the back of the drawer to find the second syringe.

Rachel got off the bed and came over to Patrick’s side.

‘We’re both real tired,’ she said; ‘let’s go to bed and get some sleep. Maybe in the morning things’ll seem different,’ she said coyly.

‘Will they?’ asked Patrick. Her hand was burning into his back. He didn’t want to be touched by her or by anybody else. He wriggled away, waiting for the opportunity to leave her.

‘What’s in this box?’ asked Rachel, with a renewed effort at cheerfulness, touching the casket on top of the television.

‘My father’s ashes.’

‘Your father’s ashes.’ She gulped, retracting her hand. ‘That makes me feel weird.’

‘I wouldn’t worry about it,’ said Patrick. ‘I think it counts as hand luggage, don’t you?’

‘I guess,’ said Rachel, puzzled by this line of argument. ‘God, I mean, I really feel weird about this. Your father is in the room with us. Maybe I sensed that before.’

‘Who knows? Anyway, he can keep you company while I’m in the bathroom. I may be some time.’

‘This is heavy,’ said Rachel, round-eyed.

‘Don’t be alarmed. He was a charming man, everybody said so.’

Patrick left Rachel in the bedroom and locked the bathroom door behind him. She sat on the edge of the bed, looking anxiously at the casket, as if she expected it to move. She took this golden opportunity to use the breathing exercises she dimly remembered from her two yoga classes, but after a couple of minutes she grew bored and still wanted to leave. The trouble was that she lived way over in Brooklyn. The cab ride was going to be ten–twelve dollars, and she would only arrive a couple of hours before she had to struggle to the gallery on the subway. If she stayed here she might get some sleep and some breakfast. She snuggled up with the breakfast menu and, after the initial excitement and guilt of seeing how many wonderful things there were to eat, she was overcome by tiredness.

Patrick lay in the bathtub, one leg dangling over the edge of the bath, blood trickling from his arm. He’d put all the coke in one last fix and, blasted by the rush, had fallen off the edge of the bath. Now he stared at the chrome shower rail and the glossy white ceiling, drawing shallow breaths through his gritted teeth, as if a girder had collapsed on his chest. Dark patches of sweat stained his shirt, and his nostrils were powdered with heroin. He had pressed the packet straight to his nose, and now it lay crumpled and empty on his neck.

With his left hand he ground the spike of the syringe against the side of the bath. He had to stop shooting up – especially now that he had run out of gear.

All the harm he’d done crowded in on him at once, like a troupe of fallen angels in a medieval painting, goading him towards hell with red-hot pitchforks, their sniggering and malicious faces surrounding him with ugliness and despair. He felt the irresistible desire to make an eternal resolution, to make the devout and impossible promise never to take a drug again. If he survived now, if he was allowed to survive, he would never shoot up again.

In this grave predicament, his fervour outweighed the knowledge of his dishonesty, even though he already detected, like distant gunfire, the disturbing feeling that something was missing. He had run out of gear. One syringe was destroyed and the other blocked with blood. It was just as well, but it was infinitely sad. Soon enough, his synapses would be screaming like starving children, and every cell in his body tugging pathetically at his sleeve.

Patrick moved his leg down tentatively and hoisted himself upright. Nearly died again. Always a shock to the system. Better take that Quaalude. He heaved himself up, nearly fainted and, leaning heavily on the wall like an old man, stepped carefully out of the bath. His coat was lying on the floor (he’d often thought of asking his tailor to put flaps in the sleeves) and he very slowly picked it up, very slowly took out the Quaalude, put it in his mouth, and washed it down with a little water.

Dazed, Patrick sat down on the loo and unhooked the phone. 555–1726.

‘I cannot come to the phone right now, but if you leave…’ Fuck, he wasn’t in.

‘Pierre, it’s Patrick. I just rang to say goodbye,’ he lied. ‘I’ll be in touch the moment I get back to New York. Bye now.’

Next, he rang Johnny Hall in London to make sure there would at least be something waiting for him when he arrived. The phone rang a few times. Maybe Johnny could meet him at the airport. It rang a few more times. Jesus Christ, he wasn’t in either. It was intolerable.

Patrick tried to hook the phone back, missing several times before he got it on the receiver. He was as weak as a child. Noticing that the syringe was still in the bath he picked it up wearily, wrapped it in loo paper and threw it in the waste-paper basket under the basin.

In the bedroom, Patrick found Rachel stranded on the bed, snoring erratically. If he were in love, he thought. But couldn’t finish. The flame play of disturbed water under a bridge’s arch, a muffled echo, a kiss. Snow sliding from his boots in front of the stove, blood swelling back into his fingertips. If he were in love.

As it was, white-bellied and heavy breathing, she looked to Patrick like a beached whale.

Packing was easy if you rolled everything into one ball, stuffed it in the suitcase, sat on it, and did up the zip. He had to undo the zip again to squeeze Victor’s book in. ‘I think I’m an egg, therefore I am an egg,’ he squealed in Pierre’s French accent. Putting on his last clean shirt, he went back into the bathroom to call the reception.

‘Hello?’ he drawled.

‘Yes, sir, how may I help you?’

‘I’d like a limo at seven thirty, please. A big one with black windows,’ he added childishly.

‘I’ll arrange that for you, sir.’

‘And prepare my bill, will you?’

‘Yes, sir. Shall I send a bellboy to collect your baggage?’

‘In about quarter of an hour, thank you.’ Everything was under control. He finished dressing, put on his eyepatch, and sat in the armchair waiting for the man to collect his bag. Should he leave a note for Rachel? ‘I do not think I shall ever forget our evening together’, or ‘Let’s do this again sometime soon’. Sometimes silence was more eloquent.

There was a faint knock on the door. The bellboy was about sixty, small, bald, and dressed in the hotel’s plainest grey uniform.

‘There’s only one bag.’

‘Roight, sir,’ he said in an Irish accent.

They walked down the corridor, Patrick a little stooped to protect his liver, and lopsided from the pain in his back.

‘Life’s not just a bag of shit,’ said Patrick conversationally, ‘but a leaky one. You can’t help being touched by it, don’t you find?’

‘I believe dat’s what a lot of people feel about it,’ the other man replied in a lilting and agreeable tone. And then he came to a halt and put Patrick’s bag down.

‘And there will be rivers of blood. And de wicked shall be drowned,’ he intoned. ‘Nor shall de high places be spared.’

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