Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk: краткое содержание, описание и аннотация

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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Oh, God, thought Patrick, this is where I want to be buried.

‘We were just tawking about how parents sometimes don’t know how to express their love,’ lisped Eddy.

‘Well, I guess I wouldn’t know about that,’ said Marianne with a cute smile.

Her back as curved as a negress’s, she walked towards the drinks tray with awkward and hesitating grace, as if she were a mermaid only recently equipped with human legs, and helped herself to a glass of champagne.

‘Does anybody wanna a glass of this,’ she stammered, craning her neck forward and frowning slightly, as if the question might contain hidden depths.

Nancy declined. She preferred cocaine. Whatever you said about it, it wasn’t fattening. Eddy accepted and Patrick said he wanted whisky.

‘Eddy hasn’t really gotten over his father’s death,’ said Nancy to nudge the conversation on a little.

‘I never really told my fawther how I felt,’ explained Eddy, smiling at Marianne as she handed him a glass of champagne.

‘Neither did I,’ said Patrick. ‘Probably just as well in my case.’

‘What would you have said?’ asked Marianne, fixing him intently with her dark blue eyes.

‘I would have said … I can’t say…’ Patrick was bewildered and annoyed by having taken the question seriously. ‘Never mind,’ he mumbled, and poured himself some whisky.

Nancy reflected that Patrick was not really pulling his weight in this conversation.

‘They fuck you up. They don’t mean to but they do,’ she sighed.

‘Who says they don’t mean to?’ growled Patrick.

‘Philip Larkin,’ said Nancy, with a glassy little laugh.

‘But what was it about your father that you couldn’t get over?’ Patrick asked Eddy politely.

‘He was kind of a hero to me. He always noo what to do in any situation, or at least what he wanted to do. He knew how to handle money and women; and when he hooked a three-hundred-pound marlin, the marlin always lost. And when he bid for a picture at auction, he always got it.’

‘And when you wanted to sell it again you always succeeded,’ said Nancy humorously.

‘Well, you’re my hero,’ stammered Marianne to her father, ‘and I don’t want to get over it.’

Fucking hell, thought Patrick, what do these people do all day, write scripts for The Brady Bunch ? He hated happy families with their mutual encouragement, and their demonstrative affection, and the impression they gave of valuing each other more than other people. It was utterly disgusting.

‘Are we going out to dinner together?’ Patrick asked Marianne abruptly.

‘We could have dinner here.’ She swallowed, a little frown clouding her face.

‘Would it be frightfully rude to go out?’ he insisted. ‘I’d like to talk.’

The answer was clearly yes, as far as Nancy was concerned, it would be frightfully rude. Consuela was preparing the scallops this very minute. But in life, as in entertaining, one had to be flexible and graceful and, in this case, some allowances should be made for Patrick’s bereavement. It was hard not to be insulted by the implication that she was handling it badly, until one considered that his state of mind was akin to temporary insanity.

‘Of course not,’ she purred.

‘Where shall we go?’ asked Patrick.

‘Ah … there’s a small Armenian restaurant I really really like,’ Marianne suggested.

‘A small Armenian restaurant,’ Patrick repeated flatly.

‘It’s so great,’ gulped Marianne.

12

UNDER A CERULEAN DOME dotted with dull-gold stars Marianne and Patrick, in a blue velveteen booth of their own, read the plastic-coated menus of the Byzantium Grill. The muffled rumble of a subway train shuddered underfoot and the iced water, always so redundant and so quick to arrive, trembled in the stout ribbed glasses. Everything was shaking, thought Patrick, molecules dancing in the tabletop, electrons spinning, signals and soundwaves undulating through his cells, cells shimmering with country music and police radios, roaring garbage trucks and shattering bottles; his cranium shuddering like a drilled wall, and each sensation Tabasco-flicked onto his soft grey flesh.

A passing waiter kicked Patrick’s box of ashes, looked round and apologized. Patrick refused his offer to ‘check that for you’ and slid the box further under the table with his feet.

Death should express the deeper being rather than represent the occasion for a new role. Who had said that? The terror of forgetting. And yet here was his father being kicked around by a waiter. A new role, definitely a new role.

Perhaps Marianne’s body would enable him to forget his father’s corpse, perhaps it contained a junction where his obsession with his father’s death and his own dying could switch tracks and hurtle towards its new erotic destination with all of its old morbid élan. What should he say? What could he say?

Angels, of course, made love without obstruction of limb or joint, but in the sobbing frustration of human love-making, the exasperating substitution of ticklishness for interfusion, and the ever-renewed drive to pass beyond the mouth of the river to the calm lake where we were conceived, there would have been, thought Patrick, as he pretended to read the menu but in fact fixed his eyes on the green velvet that barely contained Marianne’s breasts, an adequate expression of the failure of words to convey the confusion and intensity he felt in the wake of his father’s death.

Besides, not having fucked Marianne was like not having read the Iliad – something else he had been meaning to do for a long time.

Like a sleeve caught in some implacable and uncomprehending machine, his need to be understood had become lodged in her blissful but dangerously indifferent body. He would be dragged through a crushing obsession and spat out the other end without her pulse flickering or her thoughts wandering from their chosen paths.

Instead of her body saving him from his father’s corpse, their secrets would become intertwined; half the horizon formed by his broken lip, half by her unbroken lips. And this vertiginous horizon, like an encircling waterfall, would suck him away from safety, as if he stood on a narrow column of rock watching the dragging water turn smooth around him, seeming still as it turned to fall, falling everywhere.

Jesus, thought Marianne, why had she agreed to have dinner with this guy? He read the menu like he was staring at a ravine from a high bridge. She couldn’t bear to ask him another question about his father, but it seemed wrong to make him talk about anything else.

The whole evening could turn into a major drag. He was in some drooling state between loathing and desire. It was enough to make a girl feel guilty about being so attractive. She tried to avoid it, but she had spent too much of her life sitting opposite hangdog men she had nothing in common with, their eyes burning with reproach, and the conversation long congealed and mouldy, like something from way way way back in the icebox, something you must have been crazy to have bought in the first place.

Vine leaves and hummus, grilled lamb, rice, and red wine. At least she could eat. The food here was really good. Simon had brought her here first. He had a gift for finding the best Armenian restaurants in any city in the world. Simon was so so clever. He wrote poems about swans and ice and stars, and it was tough to know what he was trying to say, because they were so indirect without really being very suggestive. But he was a genius of savoir faire, especially in the Armenian-restaurant department. One day Simon had said to her in his faintly Brooklyn stammer, ‘Some people have certain emotions. I don’t.’ Just like that. No swans, no ice, no stars, nothing.

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