Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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That terror was the price he had to pay for the first heartbreaking wave of pleasure when consciousness seemed to burst out, like white blossoms, along the branches of every nerve. And all his scattered thoughts came rushing together, like loose iron filings as a magnet is held over them and draws them into the shape of a rose. Or – he must stop thinking about it – or like a solution of saturated copper sulphate under the microscope, when it suddenly transforms and crystals break out everywhere on its surface.

He must stop thinking about it – and do it. No! And think about something else. His father’s corpse, for instance. Would that be an improvement? It would get rid of the problem of desire, but hatred could be compulsive too.

Ah, here was the dry martini. If not the cavalry, at least some more ammunition. Patrick drained the cold unctuous liquid in one gulp.

‘Would you care for another one, sir?’

‘Yes,’ said Patrick brusquely.

A more senior waiter in a dinner jacket came over to take Patrick’s order.

‘Tartare de Saumon Cru, followed by the Steak Tartare,’ said Patrick, taking an innocent pleasure in saying ‘tartare’ twice and pleased to be ordering two adult forms of baby food, already cut up and squished together for him.

A third waiter, with a golden bunch of grapes in his lapel, and a large golden wine-tasting cup dangling from a chain around his neck, was only too ready to bring Patrick a bottle of Corton Charlemagne straight away and to open a bottle of Ducru-Beaucaillou for later on. Everything was under control.

No, he mustn’t think about it, or indeed about anything, and especially not about heroin, because heroin was the only thing that really worked, the only thing that stopped him scampering around in a hamster’s wheel of unanswerable questions. Heroin was the cavalry. Heroin was the missing chair leg, made with such precision that it matched every splinter of the break. Heroin landed purring at the base of his skull, and wrapped itself darkly around his nervous system, like a black cat curling up on its favourite cushion. It was as soft and rich as the throat of a wood pigeon, or the splash of sealing wax onto a page, or a handful of gems slipping from palm to palm.

The way other people felt about love, he felt about heroin, and he felt about love the way other people felt about heroin: that it was a dangerous and incomprehensible waste of time. What could he say to Debbie? ‘Although you know that my hatred for my father, and my love for drugs, are the most important relationships in my life, I want you to know that you come in third.’ What woman would not be proud to be ‘among the medals’ in such a contest?

‘Oh, for fuck’s sake shut up,’ mumbled Patrick out loud, drinking his second dry martini with as little restraint as the first. If things went on this way he would have to call Pierre, his truly wonderful New York dealer. No! He wasn’t going to do it, he had sworn that he wasn’t going to do it. 555–1726. The number might as well have been tattooed on his wrist. He hadn’t rung it since September, eight months ago, but he would never forget the bowel-loosening excitement of those seven digits.

Golden Grapes was back, peeling the heavy yellow lead from the neck of the Corton Charlemagne, and cradling the bottle of claret, while Patrick studied the picture of a white chateau under a flat gold sky. Perhaps with these consolations he would not have to score after dinner, thought Patrick sceptically, sucking a sample of Corton Charlemagne into his mouth.

The first taste made him break into a grin of recognition, like a man who has sighted his lover at the end of a crowded platform. Raising the glass again, he took a large gulp of the pale yellow wine, held it in his mouth for a few seconds, and then let it slide down his throat. Yes, it worked, it still worked. Some things never let him down.

He closed his eyes and the taste rippled over him like an hallucination. Cheaper wine would have buried him in fruit, but the grapes he imagined now were mercifully artificial, like earrings of swollen yellow pearls. He pictured the long sinewy shoots of the vine, dragging him down into the heavy reddish soil. Traces of iron and stone and earth and rain flashed across his palate and tantalized him like shooting stars. Sensations long wrapped in a bottle now unfurled like a stolen canvas.

Some things never let him down. It made him want to cry.

‘Would you care to taste the Do-crew Bo-ca-u?’

‘Yes,’ said Patrick.

Golden Grapes poured the red wine into a ludicrously large glass. Even the smell of it made Patrick see things. Glistening granite. Cobwebs. Gothic cellars.

‘That’s fine,’ he said, without bothering to taste it. ‘Pour some now, I’ll drink it later.’

Patrick sank back in his chair. Now that the wine distraction was over, the same question returned: would he go to his dealer after dinner, or to his hotel? Perhaps he could go to see Pierre socially. Patrick yelped with laughter at the absurdity of this pretext, but at the same time he felt a tremendous sentimental desire to see the demented Frenchman again. In many ways Pierre was the person Patrick felt closest to.

Pierre had spent eight years in a lunatic asylum under the misapprehension that he was an egg. ‘For eight fucking years, man,’ he would say, speaking very rapidly in a strong French accent, ‘I thought I was an egg. Je croyais que j’étais un œuf – it’s no fucking joke.’ During this time his deserted body was fed, moved, washed, and clothed by nurses who had no idea that they were ministering to an egg. Pierre was let free to shoot about the world on unfettered voyages, in a state of enlightenment which did not require the crass mediation of words and senses. ‘I understood everything,’ he would say, glaring at Patrick defiantly. ‘ J’avais une conscience totale.

On these voyages, Pierre would occasionally stop by his hospital room and hover with pity and contempt over the as yet unhatched egg of his body. However, after eight years he realized that his body was dying of neglect.

‘I had to force myself back into my fucking body; it was horrible. J’avais un dégoût total.

Patrick was fascinated. It reminded him of Lucifer’s disgust when he had to squeeze himself into the clammy and confining rings of the serpent’s body.

One day the nurses came in with their sponges and their baby food, and found Pierre weak but impatient, sitting on the edge of his bed after almost a decade of inertia and silence.

‘OK, I go now,’ he snapped.

Tests showed that he was perfectly lucid, perhaps too lucid, and so they discharged him from the hospital with relief.

Only a perpetual flow of heroin and cocaine could now sustain a coarse version of his former glorious insanity. He hovered, but not as lightly as before, on the margins between his body and his fatal nostalgia for disembodiment. In his arm a wound like a volcano cone, a scabrous mound of dried blood and scar tissue, rose up from the soft hollow opposite his elbow. It enabled him to drop the thin spike of his insulin syringes vertically into the vein, never digging for a hit, but leaving open this access to his bloodstream, like an emergency runway, always ready for another speedball to relieve the horror of his incarceration in a jaundiced and inhospitable body he could hardly call his own.

Pierre’s routine was perfectly regular. He stayed awake for two and a half days and then, after a big shot of heroin, slept or at least rested for eighteen hours. During his waking periods he sold drugs curtly and efficiently, allowing most of his customers no more than ten minutes in his black-and-white apartment. He also saved himself the inconvenience of people dying in his bathroom by banning injections, a prohibition he soon lifted for Patrick. Throughout the last summer Patrick had tried to keep to the same sleep patterns as Pierre. They often stayed up all night, sitting either side of the horizontal mirror Pierre used as a table, stripped to the waist to save themselves the trouble of rolling their sleeves up and down, shooting up every quarter of an hour and, as they poured with chemical-smelling sweat, talking about their favourite subjects: how to achieve perfect disembodiment; how to witness their own deaths; how to stay in the borderlands, undefined by the identities which their histories tried to thrust upon them; how dishonest and shallow all the straight people were; and, of course, how they could give up drugs if they really wanted to, a condition that had not so far afflicted either of them for very long. Fucking hell, thought Patrick, draining his third glass of white wine and immediately reloading it from the dripping bottle. He must stop thinking about it.

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