Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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‘You obviously don’t shop at Le Vrai Pâtisserie,’ said Ann, carrying the cakes and tea into the drawing room.

‘If we can’t control our conscious responses, what chance do we have against the influences we haven’t recognized?’

‘None at all,’ said Anne cheerfully, handing him a cup of tea.

Patrick let loose a curt laugh. He felt detached from what he had been saying. Perhaps the Quaaludes were beginning to make a difference.

‘Do you want a cake?’ said Anne. ‘I bought them to remind us of Lacoste. They’re as French as … as French letters.’

‘That French,’ gasped Patrick, taking one of the millefeuilles out of politeness. As he picked it up, the cake oozed cream from its flanks, like pus dribbling from a wound. Christ, he thought, this cake is completely out of control.

‘It’s alive !’ he said out loud, squeezing the millefeuille rather too hard. Cream spurted out and dropped on to the elaborate brass surface of the Moroccan table. His fingers were sticky with icing. ‘Oh, I’m sorry,’ he mumbled, putting the cake down.

Anne handed him a napkin. She noticed that Patrick was becoming increasingly clumsy and slurred. Before he had arrived she was dreading the inevitable conversation about his father; now she was worried that it might not take place.

‘Have you been to see your father yet?’ she asked outright.

‘I did see him,’ said Patrick without hesitation. ‘I thought he was at his best in a coffin – so much less difficult than usual.’ He grinned at her disarmingly.

Anne smiled at him faintly, but Patrick needed no encouragement.

‘When I was young,’ he said, ‘my father used to take us to restaurants. I say “restaurants” in the plural, because we never stormed in and out of less than three. Either the menu took too long to arrive, or a waiter struck my father as intolerably stupid, or the wine list disappointed him. I remember he once held a bottle of red wine upside down while the contents gurgled out onto the carpet. “How dare you bring me this filth?” he shouted. The waiter was so frightened that instead of throwing him out, he brought more wine.’

‘So you liked being with him in a place he didn’t complain about.’

‘Exactly,’ said Patrick. ‘I couldn’t believe my luck, and for a while I expected him to sit up in his coffin, like a vampire at sunset, and say, “The service here is intolerable.” Then we would have had to go to three or four other funeral parlours. Mind you, the service was intolerable. They sent me to the wrong corpse.’

‘The wrong corpse!’ exclaimed Anne.

‘Yes, I wound up at a jaunty Jewish cocktail party given for a Mr Hermann Newton. I wish I could have stayed; they seemed to be having such fun…’

‘What an appalling story,’ said Anne, lighting a cigarette. ‘I’ll bet they give courses in Bereavement Counselling.’

‘Of course,’ said Patrick, letting out another quick hollow laugh and sinking back into his armchair. He could definitely feel the influence of the Quaaludes now. The alcohol had brought out the best in them, like the sun coaxing open the petals of a flower, he reflected tenderly.

‘I’m sorry?’ he said. He had not heard Anne’s last question.

‘Is he being cremated?’ she repeated.

‘Yes, that’s right,’ said Patrick. ‘I gather that when people are cremated one never really gets their ashes, just some communal rakings from the bottom of the oven. As you can imagine, I regard that as good news. Ideally, all the ashes would belong to somebody else, but we don’t live in a perfect world.’

Anne had given up wondering whether he was sorry about his father’s death, and had started wishing he was a little sorrier. His venomous remarks, although they could not affect David, made Patrick look so ill he might have been waiting to die from a snakebite.

Patrick closed his eyes slowly and, after a very long time, slowly opened them again. The whole operation took about half an hour. Another half an hour elapsed while he licked his dry and fascinatingly sore lips. He was really getting something off that last Quaalude. His blood was hissing like a television screen after closedown. His hands were like dumbbells, like dumbbells in his hands. Everything folding inward and growing heavier.

‘Hello there!’ Anne called.

‘I’m so sorry,’ said Patrick, leaning forward with what he imagined was a charming smile. ‘I’m awfully tired.’

‘Maybe you ought to go to bed.’

‘No, no, no. Let’s not exaggerate.’

‘You could lie down for a few hours,’ Anne suggested, ‘and then have dinner with Victor and me. We’re going to a party afterward, given by some ghastly Long Island Anglophiles. Just your kind of thing.’

‘It’s sweet of you, but I really can’t face too many strangers at the moment,’ said Patrick, playing his bereavement card a little too late to convince Anne.

‘You should come along,’ she coaxed. ‘I’m sure it will be an example of “unashamed luxury”.’

‘I can’t imagine what that means,’ said Patrick sleepily.

‘Let me give you the address anyhow,’ Anne insisted. ‘I don’t like the idea of your being alone too much.’

‘Fine. Write it down for me before I go.’

He knew he had to take some speed soon or involuntarily take up Anne’s offer to ‘lie down for a few hours’. He did not want to swallow a whole Beauty, because it would take him on a fifteen-hour megalomaniac odyssey, and he didn’t want to be that conscious. On the other hand, he had to get rid of the feeling that he had been dropped into a pool of slowly drying concrete.

‘Where’s the loo?’

Anne told him how to get there, and Patrick waded across the carpet in the direction she had indicated. Once he had locked the bathroom door Patrick felt a familiar sense of security. Inside a bathroom he could give in to the obsession with his own physical and mental state which was so often compromised by the presence of other people or the absence of a well-lit mirror. Most of the ‘quality time’ in his life had been spent in a bathroom. Injecting, snorting, swallowing, stealing, overdosing; examining his pupils, his arms, his tongue, his stash.

‘O bathrooms!’ he intoned, spreading out his arms in front of the mirror. ‘Thy medicine cabinets pleaseth me mightily! Thy towels moppeth up the rivers of my blood…’ He petered out as he took the Black Beauty from his pocket. He was just going to take enough to function, just enough to … what had he been about to say? He couldn’t remember. My God, it was short-term memory loss again, the Professor Moriarty of drug abuse, interrupting and then obliterating the precious sensations one went to such trouble to secure.

‘Inhuman fiend,’ he muttered.

The black capsule eventually came apart and he emptied half the contents onto one of the Portuguese tiles around the basin. Taking out one of his new hundred-dollar notes, he rolled it into a tight tube and sniffed up the small heap of white powder from the tile.

His nose stung and his eyes watered slightly but, refusing to be distracted, Patrick resealed the capsule, wrapped it in a Kleenex, put it back in his pocket and then, for no reason he could identify, almost against his will, he took it out again, emptied the rest of the powder onto a tile and sniffed it up as well. The effects wouldn’t last so long this way, he argued, inhaling deeply through his nose. It was too sordid to take half of anything. Anyhow, his father had just died and he was entitled to be confused. The main thing, the heroic feat, the proof of his seriousness and his samurai status in the war against drugs, was that he hadn’t taken any heroin.

Patrick leaned forward and checked his pupils in the mirror. They had definitely dilated. His heartbeat had accelerated. He felt invigorated, he felt refreshed, in fact he felt rather aggressive. It was as if he had never taken a drink or a drug, he was back in complete control, the lighthouse beams of speed cutting through the thick night of the Quaaludes and the alcohol and the jet lag.

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