Edward Aubyn - The Patrick Melrose Novels - Never Mind, Bad News, Some Hope, and Mother's Milk

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NATIONAL BESTSELLER An
 Best Book of the Year

Best Book of the Year
“The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England.” —Alice Sebold, author of
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—
,
,
, and
, a Man Booker finalist—to coincide with the publication of
, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery.
, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel,
opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel,
, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted
, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

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‘And,’ he said, clasping his lapels with mayoral solemnity, ‘last but not least, through the dark shadow, if I might put it thus, of our grief for the passing away of David Melrose.’

How long had he been in the bathroom? It seemed like a lifetime. The fire brigade would probably be forcing the door down soon. Patrick started to clear up hastily. He didn’t want to put the shell of the Black Beauty into the waste-paper basket (paranoia!) and so he forced the two halves of the empty capsule down the basin plughole. How was he going to explain his reanimated state to Anne? He splashed some cold water on his face and left it ostentatiously dripping. There was only one thing left to do: that authentic-sounding flush with which every junkie leaves a bathroom, hoping to deceive the audience that crowds his imagination.

‘For God’s sake,’ said Anne when he got back to the drawing room, ‘why don’t you dry your face?’

‘I was just reviving myself with a little cold water.’

‘Oh yeah?’ said Anne. ‘What kind of water was that?’

‘Very refreshing water,’ he said, wiping his sweaty palms on his trousers as he sat down. ‘Which reminds me,’ he said, getting up immediately, ‘I’d love another drink if I may.’

‘Sure,’ said Anne resignedly. ‘By the way, I forgot to ask, how is Debbie?’

The question filled Patrick with the horror which assailed him when he was asked to consider another person’s feelings. How was Debbie? How the fuck should he know? It was hard enough to rescue himself from the avalanche of his own feelings, without allowing the gloomy St Bernard of his attention to wander into other fields. On the other hand the amphetamines had given him an urgent desire to talk and he couldn’t ignore the question entirely.

‘Well,’ he said from the other side of the room, ‘she’s following in her mother’s footsteps, and writing an article about great hostesses. Teresa Hickmann’s footsteps, invisible to most people, glow in the dark for her dutiful daughter. Still, we should be grateful that she hasn’t modelled her conversational style on her father’s.’

Patrick was momentarily lost again in the contemplation of his psychological state. He felt lucid, but not about anything, except his own lucidity. His thoughts, anticipating themselves hopelessly, stuttered in the starting blocks, and brought his feeling of fluency dangerously close to silence. ‘But you haven’t told me,’ he said, tearing himself away from this intriguing mental stammer and at the same time taking his revenge on Anne for asking him about Debbie, ‘how is Victor?’

‘Oh, fine. He’s a grand old man now, a role he’s been training for all his life. He gets a lot of attention and he’s lecturing on Identity, which, as he says, he can do with his eyes closed. Did you ever read Being, Knowing, and Judging ?’

‘No,’ said Patrick.

‘Well, I must give you a copy, then,’ said Anne, getting up and going to the bookshelves. She took out what looked to Patrick like a tiresomely thick volume from among half a dozen copies of the same book. He liked slim books which he could slip into his overcoat pocket and leave there unread for months. What was the point of a book if you couldn’t carry it around with you as a theoretical defence against boredom?

‘It’s about identity, is it?’ he asked suspiciously.

‘All you’ve ever wanted to know but never dared to formulate precisely,’ said Anne.

‘Goody,’ said Patrick, getting up restlessly. He had to pace, he had to move through space, otherwise the world had a dangerous tendency to flatten itself and he felt like a fly crawling up a windowpane looking for a way out of its translucent prison. Anne, thinking he had come to fetch it, handed him the book.

‘Oh, eh, thank you,’ he said, leaning over to kiss her quickly, ‘I’ll read it very soon.’

He tried to stuff the book into his overcoat pocket. He had known it wasn’t going to fit. It was completely fucking useless. Now he had to carry this stupid fat book round with him everywhere. He felt a wave of violent rage. He stared intensely at a waste-paper basket (once a Somalian water jug) and imagined the book spinning towards it like a Frisbee.

‘I really ought to be going now,’ he said curtly.

‘Really? Won’t you stay to say hello to Victor?’

‘No, I must go,’ he said impatiently.

‘OK, but let me give you Samantha’s address.’

‘What?’

‘The party.’

‘Oh, yes. I doubt I’ll come,’ said Patrick.

Anne wrote down the address on a piece of paper and handed it to Patrick. ‘There you are.’

‘Thank you,’ said Patrick abruptly, flicking up the collar of his overcoat. ‘I’ll call you tomorrow.’

‘Or see you tonight.’

‘Maybe.’

He turned around and hurried towards the door. He had to get outside. His heart seemed to be about to leap out of his chest, like a jack-in-the-box, and he felt that he could only force the lid down for a few seconds more.

‘Goodbye,’ he called from the door.

‘Goodbye,’ said Anne.

Down in the sluggish airless lift, past the fat moronic doorman, and into the street. The shock of standing again under the wide pale sky, completely exposed. This must be what the oyster feels when the lemon juice falls.

Why had he left the shelter of Anne’s flat? And so rudely. Now she would hate him forever. Everything he did was wrong.

Patrick looked down the avenue. It was like the opening shot of a documentary on overpopulation. He walked down the street, imagining the severed heads of passers-by rolling into the gutter in his wake.

4

HOW COULD HE THINK his way out of the problem when the problem was the way he thought, Patrick wondered, not for the first time, as he slipped reluctantly out of his overcoat and handed it to a brilliantined red-jacketed waiter.

Eating was only a temporary solution. But then all solutions were temporary, even death, and nothing gave him more faith in the existence of an afterlife than the inexorable sarcasm of Fate. No doubt suicide would turn out to be the violent preface to yet another span of nauseating consciousness, of diminishing spirals and tightening nooses, and memories like shrapnel tearing all day long through his flesh. Who could guess what exquisite torments lay ahead in the holiday camps of eternity? It almost made one grateful to be alive.

Only behind a waterfall of brutal and pleasurable sensations, thought Patrick, accepting the leather-clad menu without bothering to glance up, could he hide from the bloodhounds of his conscience. There, in the cool recess of the rock, behind that heavy white veil, he would hear them yelping and snarling confusedly on the river bank, but at least they couldn’t tear out his throat with the fury of their reproach. After all, the trail he’d left was not hard to follow. It was littered with the evidence of wasted time and hopeless longing, not to mention those bloodstained shirts, and the syringes whose spikes he had bent in a fit of disgust and then unbent again for one last fix. Patrick drew in his breath sharply and folded his arms over his chest.

‘A dry martini. Straight up, with a twist,’ he drawled. ‘And I’m ready to order.’

A waiter was coming right on over to take his order. Everything was under control.

Most people who were withdrawing and speeding, jet-lagged and cudgelled by Quaaludes, might have lost their interest in food, but Patrick found that all his appetites were operational at all times, even when his loathing of being touched gave his desire for sex a theoretical complexion.

He could remember Johnny Hall saying indignantly of a girlfriend he had recently thrown out, ‘She was the kind of girl who came over and ruffled your hair when you’d just had a fix of coke.’ Patrick had howled at the horror of such a tactless act. When a man is feeling as empty and fragile as a pane of glass, he does not want to have his hair ruffled. There could be no negotiation between people who thought that cocaine was a vaguely naughty and salacious drug and the intravenous addict who knew that it was an opportunity to experience the arctic landscape of pure terror.

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