Edward Whittemore - Jericho Mosaic

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The stunning conclusion to Edward Whittemore’s Jerusalem Quartet: The remarkable story of an Israeli agent who infiltrates Syrian intelligence, keying victory in the Six Day War. Yossi is an ideal agent for the Mossad—an Iraqi Jew, an idealist, and a charming loner, fluent in Arab dialects. Tajar, a brilliant agent, recruits and manages Yossi, code-named “the Runner.” Thus begins the longest-running and most successful operation in the history of Israeli intelligence. Yossi’s cover is Halim, a Syrian businessman who has returned home from Buenos Aires and whose charm inspires high-level friendships. His reputation leads to an opportunity that he can’t refuse: Tajar becomes a double agent infiltrating Syrian intelligence.
Meanwhile, in the desert oasis of Jericho, Abu Musa, an Arab patriarch, and Moses the Ethiopian, meet each day over games of shesh-besh and glasses of Arak to ponder history and humanity. We learn about the friendship of Yossi’s son, Assaf, an Israeli soldier badly wounded during the Six Day War, and Yousef, a young Arab teacher who, in support of the Palestinian cause, decides to live as an exile in the Judean wilderness.

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Bell wasn't sure what Abu Musa meant by his allusion to Yousef's shadow in the moonlight, which of course he never did see. As well as he knew Abu Musa, the old Arab's elliptical desert imagery could still elude him sometimes. He said as much now.

Abu Musa sighed again and gripped his hands more tightly together. Oh well, he said, it's just that for most of us life is such an ordinary matter. Day in and day out that's what we know, a persistent ordinariness which is sometimes tedious but which is also reassuring in the end. For some, though, it's not that way and so it may be with our Yousef. I would rather that he still be flesh and blood and not a shadowy promise of redemption that lives in the moonlight of people's dreams. Oh yes, I would dearly prefer it but I am but one man with my own hopes, and you are, and Yousef I fear has gone beyond all this and become something else to many people. Become what? A myth in the hills? A myth of the desert up there? Perhaps, and perhaps even a holy man of sorts. . . . To my mind a holy man who drinks is fine. The drinking merely means he is still a man while pursuing his holiness, a sensible approach to an admirable vocation. And I don't mean to say Yousef sought what he has become. He was always a modest and well-balanced young man and I don't believe for a moment he had this in mind when he went into the desert. But this is five years later, and don't you realize what it has cost him to live alone up there in eternity?

Abu Musa sadly shook his head.

Everything, he said. Quite simply it has cost him his whole life. And I don't mean he has gone mad, although it must be like that in a way, existing as he does in another time and dimension, on a different planet circling a different sun, lost somewhere in the stars. . . .

Abruptly Abu Musa reached out and clutched Bell's good hand in both of his own. He held on tightly, tears in his eyes.

Don't wish too hard for what cannot be, he said. It's good and right for a holy man to believe more than the rest of us, that's what makes him what he is. And you believe in Yousef because you love him and have always loved him, ever since he was a child wrapping his arms around your knees to hold himself up. But you must accept the fact that Yousef is gone and will never come back. Never. He couldn't even if he wanted to.

He's elsewhere now and the villagers in the hills have their beautiful dream of him, a dream of hope and freedom and redemption. Their Yousef now. Not ours. . . .

Abu Musa still gripped Bell's hand, overcome with sadness. In the silence that followed, Moses the Ethiopian slowly lumbered to his feet and rearranged his bright yellow robes with great ceremony. Just as slowly he seated himself again on his bench and fell to studying the shesh-besh board.

A dream such as that, he murmured to himself, must also have been known in those villages two thousand years ago, when Jesus stood on the Mount of Temptation and turned his back on Jericho. But perhaps that's always so in a place as ancient as this, where memories and oranges ripen inseparably in the sun.

TEN

Nineteen seventy-three was a disastrous year for the Israelis. With a fearful sense of inevitability, Tajar watched fortune scatter the seasons with an abandon that allowed nothing to go right. To him it was as if some elemental force in the cause of nations had shifted momentum and was driving silent winds across the land, reworking fate and creating new designs for the secret structures of time. After all the years of struggle he sometimes thought he could sense invisible danger as an animal does, and now his very fingers seemed to feel it whispering to him in the glancing touch of a doorknob, in the heavy grip of his crutches, in the worn smooth stones of Jerusalem when he stopped and rested his fingertips on an ancient wall and closed his eyes and listened.

Tajar had a curious experience that spring.

One still Sabbath morning he was lying in his hammock in the clearing beside his low stone house, far back in the overgrown compound where he lived hidden from the world behind a tangle of wild rosebushes and the giant cactus which reared across the entrance of his tumble-down gate. He had a book in his hand but he wasn't reading. He was gazing up at the fresh spring sunshine spilling through the cypress and olive trees, feeling strangely distant from even the slumbering quiet of Jerusalem, when all at once his eye caught the movement of a butterfly shooting past overhead. Another butterfly fluttered quickly by and another, both identical to the first. They were neither large nor small and of commonplace coloring, orange or yellow with black markings.

Again a single butterfly shot past, again followed by a cluster of three or four. He looked more closely and decided the color was definitely orange. Idly he watched the procession of butterflies repeat itself, then suddenly realized it was a procession and wasn't ending.

He sat up in the hammock and stared. Still the butterflies kept coming, dozens of them jerkily fluttering past him on the same course, seemingly caught in a narrow stream of swift-flowing wind. But there was no wind.

The air was utterly still. And the butterflies all came in a line from the same direction, from the far end of the compound where the gate was, skimming along above the rosebushes and shooting over his hammock and flittering away out of sight beyond his house, a steady flow of them on and on, now one or two and now a cluster, not a single butterfly deviating from the mysterious tunnel devised for them through the sunshine.

Tajar was astonished. He had never seen anything like it. For whole minutes the butterflies went shooting by like a flock of migrating birds, hundreds of them bending their erratic flight to a course, then the stunningly beautiful procession ended as abruptly as it had begun. The stream of butterflies vanished and there was not even one stray orange fantasy in the air overhead, fluttering with black markings across the clearing above his hammock, inscrutably pursuing the route from south to north up the length of his compound.

Tajar found it disturbing, unfathomable. Butterflies were notorious for directionless, patternless flight. Where had they come from and why? Where were they going?

The butterflies made Tajar uneasy that spring day. Later he told Anna about it and she too was astonished, though less mystified than he was. To her it seemed only a wondrous and beautiful event, inexplicable certainly, remarkable because it was so far from the ordinary.

But for Tajar this chance glimpse at the incomprehensible counterorder of the universe was truly startling, far more so than any random clash of chaos could have been behind the tangle of wild rosebushes in his walled compound, where a huge ancient cactus guarded the gate with a thousand sharp swords.

***

The major ambition of the Egyptian leader Sadat, as he always said, was to make up for the humiliation suffered by Egypt and the Arabs in the Six-Day War. The war fought in October 1973 did that.

It wasn't a military victory for the Egyptians and the Syrians. After some initial advances on the battlefield the two Arab armies lost. Egypt conquered six miles of desert along part of the Suez Canal and Syria gave ground. Success swung away from the Arabs long before the end of the fighting, when Israeli tanks were twenty-five miles from Damascus and forty-five miles from Cairo. But wars are measured in more than ground, and the Arabs felt triumphant because they proved they could fight. In Israel, there was a brutal end to the euphoria that had followed the Six Days of victory and creation the last time around.

The new war began on the Day of Atonement, the holiest day of the Jewish year. By tradition Yom Kippur marks the day when the ancient Israelites received the second Tablets of the Law and thereby knew they were forgiven for the sin of worshiping the golden calf. It is a day of repentance, of fasting and prayer and meditation, with the intent of receiving the forgiveness of one's fellow man, which in turn will allow the forgiveness of God. It addresses man's weakness and ability to envision the ideal, and celebrates God's help to the penitent.

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