Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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She wouldn’t let him leave her. She dragged him home with her and made him spaghetti carbonara and put clean sheets on the couch for him. Her three cats yowled under the door to her bedroom until she came in with them. In the middle of the night, he woke to find her in her easy chair, clutching her hands, staring at him with glittering eyes. He closed his own and lay stiffly, almost shouting with the agony of being watched so.

He went to see her once a week but refused all dinner invitations. He couldn’t bear the density or lateness of her love. He was in his junior year when her long-percolating illness overcame her and she too left him. Now he was alone.

There was nothing but numbers, then.

Later, there were numbers, the great ravishing machine in the laboratory into which he fed punched slips of paper, the motorcycle Jude rode because it roared like murder. He had been given a class to teach, but it was taken away after a month and he was told that he was better suited for research. In his late twenties, there were drunk and silly girls he could seduce without saying a word, because they felt a kind of danger coiled in him.

He rode his motorcycle too fast over icy roads. He swam at night in bays where great whites had been spotted. He bombed down ski slopes with only a hazy idea of the mechanics of snow. He drank so many beers he woke one morning to discover he’d developed a paunch as big as a pregnant woman’s belly. He laughed to shake it, liked its wobble. It felt comforting, a child’s pillow clutched to his midsection all day long.

By the time he was thirty, Jude was weary. He became drawn to bridges, their tensile strength, the cold river flowing underneath. A resolution was forming under his thoughts, like a contusion hardening under the skin.

And then he was crossing a road, and he hadn’t looked first, and a bread truck, filled with soft dinner rolls so yeasty and warm that they were still expanding in their trays, hit him. He woke with a leg twisted beyond recognition, a mouth absent of teeth on one side, and his head in the lap of a woman who was crying for him, though she was a stranger, and he was bleeding all over her skirt, and there were warm mounds of bread scattered around them. It was the bread that made the pain return to his body, the deep warmth and good smell. He bit the hem of the woman’s skirt to keep from screaming.

She rode with him to the hospital and stayed all night to keep him from falling asleep and possibly going into a coma. She was homely, three years older than he, a thick-legged antiques dealer who described her shop down a street so tiny the sun never touched her windows. He thought of her in the silent murky shop, swimming from credenza to credenza like a fish in an aquarium. She fed him rice pudding when she came to visit him in the hospital and carefully brushed his wild hair until it was flat on his crown.

He woke one night with a jerk: the stars were angrily bright in the hospital window and someone in the room was breathing. There was a weight on his chest, and when he looked down, he found the girl’s sleeping head. For a moment, he didn’t know who she was. By the time he identified her, the feeling of unknowing had burrowed in. He would never know her; knowledge of another person was ungraspable, a cloud. He would never begin to hold another in his mind like an equation, pure and entire. He focused at the part of her thin hair, which in the darkness and closeness looked like inept black stitches in white wax. He stared at the part until the horror faded, until her smell, the bitterness of unwashed hair, the lavender soap she used on her face, rose to him and he put his nose against her warmth and inhaled her.

At dawn, she woke. Her cheek was creased from the folds in his gown. She looked at him wildly and he laughed, and she rubbed the drool from the corner of her mouth and turned away as if disappointed. He married her because, during the night, to not marry her had ceased to be an option.

While he was learning how to walk again, he had a letter from the university down in Florida, making a tremendous offer for his father’s land.

And so, instead of the honeymoon trip to the Thousand Islands, pines and cold water and his wife’s bikini pressing into the dough of her flesh, they took a sleeping train down to Florida and walked in the heat to the edge of the university campus. Where he remembered vast oak hammocks, there were rectilinear brick buildings. Mossy pools were now parking lots.

Only his father’s property, one hundred acres, was overgrown with palmettos and vines. He brushed the redbugs off his wife’s sensible travel pants and carried her into his father’s house. Termites had chiseled long gouges in the floorboards, but the sturdy cracker house had kept out most of the wilderness. His wife touched the mantel made of heart pine and turned to him gladly. Later, after he came home with a box of groceries and found the kitchen scrubbed clean, he heard three thumps upstairs and ran up to find that she had killed a blacksnake in the bathtub with her bare heel and was laughing at herself in amazement.

How magnificent he found her, a Valkyrie, half-naked and warlike with that dead snake at her feet. In her body, the culmination of all things. He didn’t say it, of course; he couldn’t. He only reached and put his hands upon her.

In the night, she rolled toward him and took his ankles between her own. “All right,” she said. “We can stay.”

“I didn’t say anything,” he said.

And she smiled a little bitterly and said, “Well. You don’t.”

They moved their things into the house where he was born. They put in air conditioning, renovated the structure, put on large additions. His wife opened a shop on the ground floor of the one building in town over four stories tall, though she had to drive to Miami and Atlanta to stock it with antiques. He sold his father’s land, but slowly, in small pieces, at prices that rose dizzyingly with each sale. The numbers lived in him, warmed him, brought him a buzzing kind of joy. Jude made investments so shrewd that when he and his wife were in their mid-thirties, he opened a bottle of wine and announced that neither of them would ever have to work again. His wife laughed and drank but kept up with the store. When she was almost too old, they had a daughter and named her after his mother.

When he held the baby at home for the first time, he understood he had never been so terrified of anything as he was of this mottled lump of flesh. How easily he could break her without meaning to, she could slip from his hands and crack open on the floor, she could catch pneumonia when he bathed her, he could say a terrible thing in anger and she would shrivel. All the mistakes he could make telescoped before him. His wife saw him turn pale and plucked the baby from his hands just before he crashed down. When he came to, she was livid but calm. He protested, but she put the baby in his hands.

“Try again,” she said.

His daughter grew, sturdy and blond like his wife, with no flash of Jude’s genius for numbers. They were dry as biscuits in her mouth; she preferred music and English. For this, he was glad. She would love more moderately, more externally. If he didn’t cuddle with her the way her mother did, he still thought he was a good father: he never hit her, he never left her alone in the house, he told her how much he loved her by providing her with everything he could imagine she’d like. He was a quiet parent, but he was sure she knew the scope of his heart.

And yet his daughter never grew out of wearing a singularly irritating expression, one taut with competition, which he first saw on her face when she was a very little girl at an Easter egg hunt. She could barely walk in her grass-stained bloomers, but even when the other children rested out of the Florida sunshine in the shade, eating their booty of chocolate, Jude’s little girl kept returning with eggs too cunningly hidden in the sago palms to have been found in the first frenzy. She heaped them on his lap until they overflowed and shrieked when he told her firmly that enough was enough.

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