Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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This was a new world, full of dolphins that slid up the coastline in shining arcs. Jude loved the wedges of pelicans ghosting overhead, the mad dig after periwinkles that disappeared deeper into the wet sand. He kept count in his head when they hunted for them, and when they came home, he told his mother that they had dug up 461. She looked at him unblinking behind her glasses and counted the creatures aloud.

When she finished, she washed her hands for a long time at the sink. “You like numbers,” she said at last, turning around.

“Yes,” he said. And she smiled and a kind of gentle shine came from her that startled him. He felt it seep into him, settle in his bones. She kissed him on the crown and put him to bed, and when he woke in the middle of the night to find her next to him, he tucked his hand under her chin where it stayed until morning.

He began to sense that the world worked in ways beyond him, that he was only grasping at threads of a far greater fabric. Jude’s mother started a bookstore. Because women couldn’t buy land in Florida for themselves, his uncle, a roly-poly little man who looked nothing like Jude’s father, bought the store with her money and signed the place over to her. His mother began wearing suits that showed her décolletage and taking her glasses off before boarding the streetcars, so that the eyes she turned to the public were soft and somewhat misty. Instead of singing Jude to sleep as she had in the snake house, she read to him. She read Shakespeare, Hopkins, Donne, Rilke, and he fell asleep with their cadences and the sea’s slow rhythm entwined in his head.

Jude loved the bookstore; it was a bright place that smelled of new paper. Lonely war brides came with their prams and left with an armful of Modern Library classics, sailors on leave wandered in only to exit, charmed, with sacks of books pressed to their chest. After hours, his mother would turn off the lights and open the back door to the black folks who waited patiently there, the dignified man in his watch cap who loved Galsworthy, the fat woman who worked as a maid and read a novel every day. “Your father would squeal. Well, foo on him,” his mother said to Jude, looking so fierce she erased the last traces in his mind of the tremulous woman she’d been.

One morning just before dawn, he was alone on the beach when he saw a vast metallic breaching a hundred yards offshore. The submarine looked at him with its single periscope eye and slipped silently under again. Jude told nobody. He kept this dangerous knowledge inside him where it tightened and squeezed, but where it couldn’t menace the greater world.

Jude’s mother brought in a black woman named Sandy to help her with housework and to watch Jude while she was at the store. Sandy and his mother became friends, and some nights he would awaken to laughter from the veranda and come out to find his mother and Sandy in the night breeze off the ocean. They drank sloe gin fizzes and ate lemon cake, which Sandy was careful to keep on hand, even though by then sugar was getting scarce. They let him have a slice, and he’d fall asleep on Sandy’s broad lap, sweetness souring on his tongue and in his ears the exhalation of the ocean, the sound of women’s voices.

At six, he discovered multiplication all by himself, crouched over an anthill in the hot sun. If twelve ants left the anthill per minute, he thought, that meant 720 departures per hour, an immensity of leaving, of return. He ran into the bookstore, wordless with happiness. When he buried his head in his mother’s lap, the women chatting with her at the counter mistook his sobbing for sadness. “I’m sure the boy misses his father,” one lady said, intending to be kind.

“No,” his mother said. She alone understood his bursting heart and scratched his scalp gently. But something shifted in Jude; and he thought with wonder of his father, of whom his mother had spoken so rarely in all these years that the man himself had faded. Jude could barely recall the rasp of scale on scale and the darkness of the cracker house in the swamp, curtains closed to keep out the hot, stinking sun.

But it was as if the well-meaning lady had summoned him, and Jude’s father came home. He sat, immense and rough-cheeked, in the middle of the sunroom. Jude’s mother sat nervously opposite him on the divan, angling her knees away from his. The boy played quietly with his wooden train on the floor. Sandy came in with fresh cookies, and when she went back into the kitchen, his father said something so softly Jude couldn’t catch it. His mother stared at his father for a long time, then got up and went to the kitchen, and the screen door slapped, and the boy never saw Sandy again.

While his mother was gone, Jude’s father said, “We’re going home.”

Jude couldn’t look at his father. The space in the air where he existed was too heavy and dark. He pushed his train around the ankle of a chair. “Come here,” his father said, and slowly the boy stood and went to his father’s knee.

A big hand flicked out, and Jude’s face burned from ear to mouth. He fell down but didn’t cry out. He sucked in blood from his nose and felt it pool behind his throat.

His mother ran in and picked him up. “What happened?” she shouted, and his father said in his cold voice, “Boy’s timid. Something’s wrong with him.”

“He keeps things in. He’s shy,” said his mother, and carried Jude away. He could feel her trembling as she washed the blood from his face. His father came into the bathroom and she said through her teeth, “Don’t you ever touch him again.”

He said, “I won’t have to.”

His mother lay beside Jude until he fell asleep, but he woke to the moon through the automobile’s windshield and his parents’ jagged profiles staring ahead into the tunnel of the dark road.

The house by the swamp filled with snakes again. The uncle who had helped his mother with the bookstore was no longer welcome, although he was the only family his father had. Jude’s mother cooked a steak and potatoes every night but wouldn’t eat. She became a bone, a blade. She sat in her housedress on the porch rocker, her hair slick with sweat. He stood near her and spoke the old sonnets into her ear. She pulled him to her side and put her face between his shoulder and neck and when she blinked, her wet eyelashes tickled him, and he knew not to move away.

His father had begun, on the side, selling snakes to zoos and universities. He vanished for two, three nights in a row, and returned with clothes full of smoke and sacks of rattlers and blacksnakes. He’d been gone for two nights when his mother packed her blue cardboard suitcase with Jude’s things on one side and hers on the other. She said nothing, but gave herself away with humming. They walked together over the dark roads and sat waiting for the train for a long time. The platform was empty; theirs was the last train before the weekend. She handed him caramels to suck, and he felt her whole body tremble through the thigh he pressed hard against hers.

So much had built up in him while they waited that it was almost a relief when the train came sighing into the station. His mother stood and reached for Jude, and he smiled into her soft answering smile. Then Jude’s father stepped into the lights and scooped him up. His body under Jude’s was taut.

His mother did not look at her husband or her son. She seemed a statue, thin and pale. At last, when the conductor said “All aboard!” she gave an awful strangled sound and rushed through the train’s door. The train hooted and slowly moved off. Though Jude shouted, it vanished his mother into the darkness without stopping.

Then they were alone, Jude’s father and he, in the house by the swamp.

Language wilted between them. Jude was the one who took up the sweeping and scrubbing, who made their sandwiches for supper. When his father was gone, he’d open the windows to let out some of the reptile rot. His father ripped up his mother’s lilies and roses and planted mandarins and blueberries, saying that fruit brought birds and birds brought snakes. The boy walked three miles to school where he told nobody he already knew numbers better than the teachers. He was small, but nobody messed with him. On his first day, when a big ten-year-old tried to sneer at his clothes, he leapt at him with a viciousness he’d learned from watching rattlesnakes and made the big boy’s head bleed. The others avoided him. He was an in-between creature, motherless but not fatherless, stunted and ratty-clothed like a poor boy but a professor’s son, always correct with answers when the teachers called on him, but never offering a word on his own. The others kept their distance. Jude played by himself, or with one of the succession of puppies that his father brought home. Inevitably, the dogs would run down to the edge of the swamp, and one of the fourteen- or fifteen-foot alligators would get them.

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