Lorrie Moore - 100 Years of the Best American Short Stories

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The Best American Short Stories These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.
Moore writes that the process of assembling these stories allowed her to look “thrillingly not just at literary history but at actual history — the cries and chatterings, silences and descriptions of a nation in flux.” 
is an invaluable testament, a retrospective of our country’s ever-changing but continually compelling literary artistry.
LORRIE MOORE, after many years as a professor of creative writing at the University of Wisconsin — Madison, is now the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University. Moore has received honors for her work, among them the 
 International Fiction Prize and a Lannan Foundation fellowship, as well as the PEN/Malamud Award and the Rea Award for her achievement in the short story. Her most recent novel, 
was short-listed for the 2010 Orange Prize for Fiction and for the PEN/Faulkner Award, and her most recent story collection, 
, was short-listed for the Story Prize and the Frank O’Connor Award.
HEIDI PITLOR is a former senior editor at Houghton Mifflin Harcourt and has been the series editor of 
since 2007. She is the author of the novels 

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Jude’s loneliness grew, became a living creature that shadowed him and wandered off only when he was in the company of his numbers. More than marbles or tin soldiers, they were his playthings. More than sticks of candy or plums, they made his mouth water. As messy as the world was, the numbers, predictable and polite, brought order.

When he was ten, a short, round man that the boy found vaguely familiar stopped him on the street and pushed a brown-paper package into his arms. The man pressed a finger to his lips, minced away. At home in his room at night, Jude unwrapped the books. One was a collection of Frost’s poems. The other was a book of geometry, the world whittled down until it became a series of lines and angles.

He looked up and morning was sunshot through the laurel oaks. More than the feeling that the book had taught him geometry was the feeling that it had showed the boy something that had been living inside him, undetected until now.

There was also a letter. It was addressed to him in his mother’s round hand. When he sat in school dividing the hours until he could be free, when he made the supper of tuna sandwiches, when he ate with his father who conducted to Benny Goodman on the radio, when he brushed his teeth and put on pajamas far too small for him, the four perfect right angles of the letter called to him. He put it under his pillow, unopened. For a week, the letter burned under everything, the way the sun on a hot, overcast day was hidden but always present.

At last, having squeezed everything to know out of the geometry book, he put the still-sealed envelope inside and taped up the covers and hid it between his mattress and box springs. He checked it every night after saying his prayers and was comforted into sleep. When, one night, he saw the book was untaped and the letter gone, he knew his father had found it and nothing could be done.

The next time he saw the little round man on the street, he stopped him. “Who are you?” he asked, and the man blinked and said, “Your uncle.” When Jude said nothing, the man threw his arms up and said, “Oh, honey!” and made as if to hug him, but Jude had already turned away.

Inexorably, the university grew. It swelled and expanded under a steady supply of air conditioning, swallowing the land between it and the swamp until the university’s roads were built snug against his father’s land. Dinners, now, were full of his father’s invective: did the university not know that his snakes needed a home, that this expanse of sandy acres was one of the richest reptile havens in North America? He would never sell, never. He would kill to keep it. Safe and whole.

While his father spoke, the traitor in Jude dreamed of the sums his father had been offered. So simple, it seemed, to make the money grow. Unlike other kinds of numbers, money was already self-fertilized; it would double and double again until at last it made a roiling mass. If you had enough of it, Jude knew, nobody would ever have to worry again.

When Jude was thirteen, he discovered the university library. One summer day, he looked up from the pile of books where he’d been contentedly digging — trigonometry, statistics, calculus, whatever he could find — to see his father opposite him. Jude didn’t know how long he’d been there. It was a humid morning, and even in the library the air was stifling, but his father looked leathered, cool in his sunbeaten shirt and red neckerchief.

“Come on, then,” he said. Jude followed, feeling ill. They rode in the pickup for two hours before Jude understood that they were going snaking together. This was his first time. When he was smaller, he’d begged to go, but every time, his father had said no, it was too dangerous, and Jude never argued that letting a boy live for a week alone in a house full of venom and guns and questionable wiring was equally unsafe.

His father pitched the tent and they ate beans from a can in the darkness. They lay side by side in their sleeping bags until his father said, “You’re good at math.”

Jude said, “I am,” though with such understatement that it felt like a lie. Something shifted between them, and they fell asleep to a silence that was softer at its edges.

His father woke Jude before dawn and he stumbled out of the tent to grainy coffee with condensed milk and hot hush puppies. His father was after moccasins, and he gave Jude his waders and himself trudged through the swamp, protected only by jeans and boots. He’d been bitten so often, he said, he no longer brought antivenom. He didn’t need it. When he handed his son the stick and gestured at a black slash sunning on a rock, the boy had to imagine the snake as a line in space, only connecting point to point, to be able to grasp it. The snake spun from the number one to the number eight to a defeated three and he deposited it in the sack.

They worked in silence all day, and when Jude climbed back up into the truck at the end of the day, his legs shook from the effort it took him to be brave. “So now you know,” his father said in a strange holy voice, and Jude was too tired to take the steps necessary, then, and ever afterward until he was his father’s own age, to understand.

His father began storing the fodder mice in Jude’s closet, and to avoid the doomed squeaks, Jude joined the high school track team. He found his talent in the two-hundred-meter hurdles. When he came home with a trophy from the State Games, his father held the trophy for a moment, then put it down.

“Different if Negroes were allowed to run,” he said.

Jude said nothing, and his father said, “Lord knows I’m no lover of the race, but your average Negro could outrun any white boy I know.”

Jude again said nothing but avoided his father and didn’t make him an extra steak when he cooked himself dinner. He still wasn’t talking to him when his father went on an overnight trip and didn’t come back for a week. Jude was used to it and didn’t get alarmed until the money ran out and his father still didn’t come home.

He alerted the secretary at the university who sent out a group of graduate students to where Jude’s father had been seen. They found the old man in his tent, bloated, his tongue protruding from a face turned black; and Jude understood then how even the things you loved most could kill you.

At the funeral, out of a twisted loyalty for his father, he avoided his uncle. He didn’t know if his mother knew she’d been widowed; he thought probably not. He told nobody at school that his father had died. He thought of himself as an island in the middle of the ocean, with no hope of seeing another island in the distance, or even a ship passing by.

He lived alone in the house. He let the mice die, then tossed the snakes in high twisting parabolas into the swamp. He scrubbed the house until it gleamed and the stench of reptiles was gone, then applied beeswax, paint, polish until it was a house fit for his mother. He waited. She didn’t come.

The day he graduated from high school, he packed his clothes and sealed up the house and took the train to Boston. He’d heard from his uncle that his mother lived there and so he’d applied and been accepted to college in the city. She owned a bookstore on a small, dark street. It took Jude a month of slow passing to gather the courage to go in. She was either in the back, or shelving books, or smiling in conversation with somebody, and he’d have a swim of darkness in his gut and know that it was fate telling him that today was not the day. When he went in, it was only because she was alone at the register, and her face — pouchy, waxy — was so sad in repose that the sight of it washed all thought from his head.

She rose with a wordless cry and flew to him. He held her stoically. She smelled like cats, and her clothes flopped on her as if she’d lost a lot of weight quickly. He told her about his father dying and she nodded and said, “I know. I dreamed it.”

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