John Domini - Earthquake I.D.

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Naples is an urban hive that has suffered many an earthquake over the centuries. The next such shakeup provides Domini with his premise. An American family, Jay and Barbara Lulucita and their five children, are something like innocents abroad. In the naive belief that they can help, they come to this crime-riddled and quake-broken city, which in recent years has also suffered another upheaval, namely, the impact of the illegal immigrants pouring in from Africa. There’s a child faith-healer, rather a New Age version of the classic Catholic figure. There’s an unnerving NATO officer, forever in the same outfit yet forever in disguise. 
 renders an Italy complex and exact.

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“So you murdered him,” the husband said. “And today, I mean, you come here ready to kill a few more. This is how you save your soul?”

The wife broke into the staring match. “Fond,” she asked, “what about you? “What do you think you look like, holding a gun on you own brothers?”

Balefully the clandestino leader met her gaze, saying nothing. His head tottered above Barbara like a weight about to drop. Nonetheless she let her irritation show, lifting her hand from the kidnapper’s gun-barrel, spelling out her point: what Jay was telling his two muggers applied equally to Fond and his crew. “You talk about spectacle, think about this one. Think about what it would look like, if you put a bullet in another poor boy from the South.”

Actually she couldn’t say where the whiter scippatoro came from. In New York she would’ve guessed he was Puerto Rican, with zits like those, with that single wooly eyebrow over a sleepless stare.

“We shoot or we don’t shoot,” the darker one repeated. “As you desire.”

The mother began to give her dress a tug, then dropped her hand, frowning. Enough with fretting over the clothes she wore, the dreary old bindings. “Fond,” she went on, “just relax and let me handle this.”

She faced the femmy of the two and extended her hand, palm up. “As I desire?” she said. “All right, give me the gun.”

Taken aback, looking to his companion, the man showed her an elaborate earring. Wavy silver strands in a jellyfish design, too delicate for such a hole in the wall.

“You want to wash your soul clean?” She stepped closer.

“Barb,” said Jay.

“Let me handle this.”

The queen was looking over Fond and his backups, his glance nervous and the others likewise twitchy.

“Absolution,” Barbara said, “isn’t that what you want?” She ventured a smile. “You want to wash away the bad old past, so your soul can be renewed, you can be born again — isn’t that it? Okay, let’s start. Why don’t you tell me your name?”

Over his revolver, the lithe young man began to blink back tears. He choked out, “Men say I am The Moll.”

“The Moll?” Barbara’s smile changed shape. “Where did you learn gangster slang from a hundred years ago?”

“It’s the cinema,” said Fond, “the gigantic prayer that crosses every border.”

“The Moll has committed great sin ,” said the scippatoro with the gun. “Sin against the miracolosi .”

“Only the miracolosi ,” said the other, “wash clean our—”

“You guys,” Barbara said. “Think about it. Look at this family, and think about that ‘great sin.’ You’ve been stalking us all this time. You know we’re doing fine.”

“But you are to divorce!”

The little guy was quite the package, wasn’t he? A whore with a bleeding heart, a trembling gun, and all their secrets. “Mama santa, Papa santa , you divorce.”

The Jaybird was the first to object—“Forget about it!”—and the mother began to say the same, making the sort of denials that her husband had back in Roebuck’s office. Well…there’d been strains, between she and Jay, a lot of stress…But this felt like the wrong tack to take, a smear of hypocrisy across a conversation that should be entirely frank and aboveboard. Barbara fell silent and once more took in the whole group, jittery, dusty, the crossed beams of their flashlights looking like they’d lost juice. Fond’s Albanian appeared the most dangerous, both arms raised, both hands on his gun. He paid no mind to Jay’s weapon at his head. And the other two were ready to jump in wherever they’d do the most damage. Barbara looked away, finding the deepest dark she could beyond everyone’s scowling heads, then hefted chest and shoulders in a Neapolitan shrug. She admitted that for some time she’d believed that she and Jay had to divorce.

“I’m saying, I wanted to end everything. How long did it go on, a month?”

Jay could recognize the right move when he heard it, though Barb couldn’t think of what she was saying, unvarnished and from the heart, as a “move.” Anyway the big man held his peace. Barb kept her eyes on The Moll but noticed that the Albanian had slackened a bit; his aim was lower. “But those hard feelings between my Jay and me,” she went on, “it’s history. It’s ancient history, the divorce.”

Waving towards her husband — her hand open, slow, harmless — she asserted that the renewed connection between them was obvious. “If we were still at each other’s throats,” Barbara said, “wouldn’t that come out now?” She worked to keep her English free of therapy-speak, telling the former stickup man to think about the anger in this hole. “The tension, Moll. Tension like this, now, I’m saying if Jay and I still wanted to divorce, you’d be hearing it.”

The scippatori appeared to get the point, their shared glances crackling, their appraisals of the Jaybird easy to read. The husband reached out to Barbara, the fingers of his free hand finding her panties’ waistband at first touch and lingering there, another good move that wasn’t a move. When Barb asked if Jay’s attackers believed her, she wouldn’t take a simple nod for an answer. She figured everyone in the three-thousand-year-old quarry needed to hear one of these two say yes, out loud, to the preservation of the marriage. Indeed, as soon as The Moll acknowledged that la Mama was right, his words halting but unmistakable, the Shell member still holding a gun relaxed visibly. His aim sagged another notch. The other Crab soldier meantime went back on his heels, and Barbara knew what to do next.

She started by asking the same thing her husband had asked Fond — whether the scippatori realized the kind of firepower likely be waiting upstairs.

The Moll looked a little offended. “For sure. The cavalry to the rescue.”

The cavalry? Where did he get this stuff? “Yes, that’s right.”

“But we have a gat. We will defend you, everywhere, down here and—”

“Stop, don’t. Wait.” Barbara ran another check around the group, making sure of Fond in particular. She declared that she was going to get something from her purse. “And you all know,” she said, “I don’t carry a weapon.” The clandestino leader waggled his head, perhaps giving her the go-ahead. Barb bent and pulled out her passport.

“Here you go.” She held the blue booklet out to The Moll. “You take the passport, and I get your weapon.”

The mugger’s stare was so bewildered, and his friend bubbled so excitedly ( “Mille Euro, mille !”), that at first Barbara didn’t notice Jay speaking up behind her. The husband grew noisy, he even jerked his gun-hand a time or two, and he didn’t bother with simple English. The first words Barbara heard had to do with debts. “Any tourist off a cruise ship,” Jay was saying, “could tell you:” the scippatori carried the debt; they’d struck the first blow. At this Barb started to object, but Jay kept on, talking over her — he knew his Owl Girl. He knew she wasn’t on a cruise. “For you, I mean, this is all about the lost sheep.” For her, what these two outcasts had done back at the beginning of June didn’t matter. “It’s, hey, we forgive our debtors.”

Barb heard him, the need in him. She didn’t interrupt as the husband went on more quietly, acknowledging that one way or another, a passport with a woman’s name would be useful for The Moll. Jay could see that. He’d had his eyes opened here in Naples, and he could see as well that the scippatori had been victims themselves. “Must’ve gotten a pretty bad smacking around, these two, working with old Silky.

“Owl, I mean, I’m with you that far. I guess I can go along with you. It’s a plan.”

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