Viet Nguyen - The Sympathizer

THE COMMISSAR

We are in an impossible situation. The commandant will let you leave only when you redeem yourself. But what about Bon? And even if he can leave, what will you two do?

MYSELF

If Bon can’t leave. . neither can I.

THE COMMISSAR

And so you will die here.

He pressed the barrel of the gun against his head even harder.

THE COMMISSAR

Shoot me first. Not because of my face. I would not die for its sake. I would only exile myself here so that my family need never see this

thing

again. But I would live.

I was no longer my body or myself, I was only the gun, and through its steel came the vibrations of his words, signaling the impending arrival of a locomotive that would crush us both.

THE COMMISSAR

I am the commissar, but what kind of school do I oversee? One in which you, of all people, are reeducated. It is not because you did nothing that you are here. It is because you are too educated that you are being reeducated. But what have you learned?

MYSELF

I watched and did nothing!

THE COMMISSAR

I will tell you what cannot be found in any book. In every town, village, and ward the cadres deliver the same lectures. They reassure those citizens not in reeducation of our good intentions. But the committees and the commissars do not care about remaking these prisoners. Everyone knows this and no one will say it aloud. All the jargon that the cadres spout only hides an awful truth—

MYSELF

I wanted my father dead!

THE COMMISSAR

Now that we are the powerful, we don’t need the French or the Americans to fuck us over. We can fuck ourselves just fine.

The glare above my body was blinding. I was no longer certain whether I could see everything or nothing, and under the heat of the lights my palm was slick with perspiration. My grip on the pistol was slippery, but the commissar’s hands held the barrel in place.

THE COMMISSAR

If anyone besides you knew that I had spoken the unspeakable, I would be reeducated. But it is not reeducation that I fear. It is the education I have that terrifies me. How can a teacher live teaching something he does not believe in? How do I live seeing you like this? I cannot. Now pull the trigger.

I think I said that I would rather shoot myself first, but I could not hear myself, and when I tried to pull the gun away from his head and turn it toward my own, I did not have the strength. Those relentless eyes stared down at me, now dry as bones, and from somewhere deep inside of him came a rumble. Then the rumble burst forth, and he was laughing. What was so funny? This black comedy? No, that was too heavy. This illuminated room allowed for only a light comedy, a white comedy where one could die from laughter, not that he laughed that long. He stopped laughing when he let go of my hand, my arm dropping to my side and the pistol clattering on the cement floor. Behind the commissar, Sonny and the crapulent major stared with longing at the Tokarev. Either one would have been happy to pick it up and shoot me if he could, but they no longer possessed their bodies. As for the commissar and I, we had bodies but could not shoot, and perhaps that made the commissar laugh. The void that had been his face still loomed above me, his hilarity having passed with such rapidity I was not sure I had heard correctly. I thought I saw sadness in that void, but I could not be certain. Only the eyes and teeth expressed any emotion, and he no longer cried or smiled.

THE COMMISSAR

I apologize. That was selfish and weak of me. If I died, you would die, and then Bon. The commandant can’t wait to drag him before the firing squad. At least now you can save yourself and our friend, if not me. That I can live with.

MYSELF

Please, can we talk of this after I sleep?

THE COMMISSAR

First answer my question.

MYSELF

But why?

The commissar holstered his pistol. Then he tied my free hand down once more and stood up. He gazed down on me from a great height, and perhaps it was because of the foreshortened angle, but I saw in his absence of a face something else besides horror. . a faint shadow cast by madness, although perhaps it was merely an ocular effect created by the glare behind his head.

THE COMMISSAR

My friend, the commandant may let you go because you wanted your father dead, but I will let you go only when you can answer my question. Just remember, my brother, that I do this for your own good.

He raised his hand to me in farewell, and on his palm blazed the red mark of our oath. With that, he left. Those are the most dangerous words you can hear, Sonny said, sitting down on the vacated chair. The crapulent major joined him, pushing him aside for room. “For your own good” can only mean something bad, he said. As if on cue, the speakers mounted high in the corners clicked and hummed, the ones I had only noticed when the commissar played for me my own stranger’s voice. The question of what would be done to me was answered when somebody began screaming, and while Sonny and the crapulent major could clap their hands over their ears I could not. But even with ears protected, Sonny and the crapulent major could not endure this screaming for more than a minute, this shrieking of a baby in torment, and in the blink of an eye they, too, vanished.

Somewhere a baby was screaming, its suffering shared with me, who needed no more. I saw myself squeeze my eyes shut, as if that could also squeeze my ears shut. It was impossible to think with the screaming in this examination room, and for the first time in a very long time I wanted something more than sleep. I wanted silence. Oh, please — I heard myself crying this aloud — stop! Then another click, and the screaming ceased. A tape! I was listening to a tape. No baby was being tortured in some nearby chamber, its howls piped into mine. It was just a recording, and for a few more moments I only had to worry about the unceasing light and heat and the rubber band snap of the electric wire against my little toe. But then I heard the click again, and my body clenched in anticipation. Somebody began screaming once more. Somebody was screaming so loudly that I not only lost track of myself, I lost track of time. Time no longer ran straight as a railroad; time no longer rotated on a dial; time no longer crawled under my back; time was infinitely looping, a cassette tape repeating without end; time howled in my ear, screaming with laughter at the idea that we could control it with wristwaches, alarm clocks, revolutions, history. We were, all of us, running out of time, except for the malevolent baby. The baby who was screaming had all the time in the world, and the irony was that the baby did not even know it.

Please — I heard myself again — stop! I’ll do anything you want! How was it that the most vulnerable creature in the world could also be the most powerful? Did I scream like this at my mother? If so, forgive me, Mama! If I screamed, it was not because of you. I am one but I am also two, made from an egg and a sperm, and if I screamed, it must be because of those blue genes gleaned from my father. I saw it now, that moment of my origin, the Chinese acrobat of time bent impossibly back on itself so that I could see the invasion of my mother’s womb by my father’s dumb, masculine horde, a howling gang of helmeted, hell-bent nomads intent on piercing the great wall of my mother’s egg. From this invasion, the nothing that I was became the somebody that I am. Somebody was screaming and it was not the baby. My cell divided, and divided, and divided again, until I was a million cells and more, until I was multitudes and multitudes, my own country, my own nation, the emperor and dictator of the masses of myself, commanding my mother’s undivided attention. Somebody was screaming and it was the agent . I was packed tight into my mother’s aquarium, knowing nothing of independence and freedom, witness by all my senses except the sense of sight to the uncanniest experience of all, being inside another human being. I was a doll within a doll, hypnotized by a metronome ticking with perfect regularity, my mother’s strong and steady heartbeat. Somebody was screaming and it was my mother . Her voice was the first sound I heard when I emerged headfirst, thrust into a humid room as warm as the womb, seized by the gnarled hands of an unimpressed doula who would tell me, years later, how she had used her sharpened thumbnail to slice the tight frenulum holding down my tongue, the better for me to suckle and to talk. This was also the woman who told me, with glee, of how my mother pushed so hard she expelled not only me but also the waste from her bowels, washing me onto the shores of a strange new world in a maternal effluence of blood and excrement. Somebody was screaming and I did not know who it was . My leash was cut and my naked, smeared purple self was turned toward a throbbing light, revealing to me a world of shadows and dim shapes speaking my mother tongue, a foreign language. Somebody was screaming and I knew who it was. It was me, screaming the one word that had dangled before me since the question was first asked — nothing — the answer that I could neither see nor hear until now — nothing! — the answer I screamed again and again and again— nothing! — because I was, at last, enlightened.