Viet Nguyen - The Sympathizer

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A profound, startling, and beautifully crafted debut novel,
is the story of a man of two minds, someone whose political beliefs clash with his individual loyalties.
It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong.
is the story of this captain: a man brought up by an absent French father and a poor Vietnamese mother, a man who went to university in America, but returned to Vietnam to fight for the Communist cause. A gripping spy novel, an astute exploration of extreme politics, and a moving love story,
explores a life between two worlds and examines the legacy of the Vietnam War in literature, film, and the wars we fight today.

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Q. Who called it the movie theater?

A. The policemen.

Q. Why is it called the movie theater?

A. When foreigners visit, the room is a movie theater.

Q. And when foreigners are not visiting?

A. .

Q. And when foreigners are not visiting?

A. Interrogations are done there.

Q. How are interrogations done?

A. There are so many ways.

Q. What is one example?

One example! There were so many to choose from. The telephone call, of course, and the plane ride, and the water drum, and the ingenious, scarless method involving pins, paper, and an electric fan, and the massage, and the lizards, and the spot burns, and the eel. None of them were written in the book. Even Claude did not know their origins, only that they had been practiced long before his entry into the guild. (This is going on for far too long, said the crapulent major. He’s had enough. No, said Sonny. He’s really sweating now. We’re starting to get somewhere!)

Q. Who was in the movie theater?

A. The three policemen. The major. Claude.

Q. Who else was in the movie theater?

A. Me.

Q. Who else was in the movie theater?

A. .

Q. Who else—

A. The communist agent.

Q. What happened to her?

How could he have forgotten the agent with the papier-mâché evidence in her mouth? His own name was written on the list of policemen she had been trying to swallow when she was caught. Watching her in the movie theater, he was certain that she was unaware of his true identity, though he was the one who had passed the list to Man. But the agent, being Man’s courier, knew who Man was. She lay in the center of the capacious room, naked on a table covered with a black rubber sheet, hands and feet roped to the table’s four legs. The movie theater was lit only by overhead fluorescent lighting, its blackout curtains puckered shut. Pushed haphazardly against the walls were gray metal folding chairs, while in the back of the room stood a Sony movie projector. On the opposite wall the movie screen served as the backdrop, from where Claude watched by the projector, of the agent’s interrogation. The crapulent major was in charge, but having abdicated his role to the three policemen in the movie theater, he sat watching from a folding chair, his face unhappy and sweating.

Q. Where were you?

A. With Claude.

Q. What did you do?

A. I watched.

Q. What did you see?

Later, sometime in the bright future, the commissar would play the patient a tape recording of his answer, though he had no memory of the tape recorder’s presence. Many people who heard their voices on tape thought that they did not sound like themselves, which they found disturbing, and he was no exception. He heard this stranger’s voice say, I saw everything. Claude told me that this was nasty business, but that I had to see it. I said, Is this really necessary? Claude said, Talk to the major. He’s in charge. I’m just the adviser. So I went to the major, who said, There’s nothing I can do about it. Nothing! The General wants to know how she got the names and he wants to know now. But this is wrong, I said. Don’t you see? This doesn’t need to be done. The major sat there and said nothing, and Claude, standing by the movie projector, was also silent. Just give me some time alone with her, I said to the three policemen. Although the Americans called our policemen white mice because of their white dress uniforms and hats, none of these three were mouselike. They were average specimens of national manhood, slim and gaunt with deeply tanned skin from riding in jeeps and on motorcycles. Instead of head-to-toe dress whites, they wore field uniforms of white shirts and light blue pants, their light blue caps doffed. Just give me a couple of hours with her, I said. The youngest policeman snorted. He just wants first dibs. I turned red with fury and shame, and the oldest policeman said, The American’s not worrying about this. Neither should you. Here, have a Coke. In the corner was a Frigidaire full of soda, and the oldest policeman, who already had an open bottle in his hand, pressed it into mine before ushering me to the chair next to the major. I sat down and the fingers of my hand, holding the ice-cold bottle, began to go numb.

Please, sirs! cried the agent. I’m innocent! I swear! That explains why you got a list with all those policemen’s names on it? said the youngest. You just found that lying around somewhere and then got so hungry you had to try to eat it? No, no, sobbed the agent. She needed a good story to cover herself but for some reason she could not come up with it, not that any story could divert the policemen. All right, said the middle-aged one, unbuckling his belt and unzipping his pants. He was already erect, his eleventh finger protruding from his boxers. The agent moaned and turned her eyes away to the other side of the table, only to find the youngest policeman standing there. Having already dropped his pants, he was pumping himself furiously with one hand. Sitting behind him, all I saw were the sunken cheeks of his naked buttocks, as well as the horror in the agent’s eyes. She saw that this was not an interrogation but a sentence, written by the policemen with the instruments in their hands. The oldest, who must have been a father, was fondling the stubby length of the ugliest part of most adult male bodies. This was fully evident to me now that the youngest policeman had turned in profile, bringing himself closer to the agent’s face. Come on, take a look, he said. He likes you! The three engorged members differed in length, one pointing up, another down, the third bent to the side. Please don’t do this! the agent cried, eyes shut and head shaking. I beg you! The oldest policeman laughed. Look at that flat nose and dark skin. She’s got some Cambodian in her, or maybe Cham. They’re hot-blooded.

Let’s start easy, the middle-aged policeman said, climbing up awkwardly onto the table between her legs. What’s your name? She said nothing, but when he repeated the question, something primitive awoke in her, and when she opened her eyes to look at the policeman, she said, My surname is Viet and my given name is Nam. For a moment, the three policemen were speechless. Then they burst into laughter. This bitch is asking for it, said the youngest. The middle-aged one, still laughing, ponderously lowered himself onto the agent as she screamed and screamed. Watching the policeman grunting and pounding, and the other two shuffling around the table with their pants around their ankles, ugly knees exposed, it seemed to me that they were, after all, mice, gathered around a block of cheese. My countrymen never understood the concept of a queue, no one wanting to be at the end of a line, and as these three mice jostled one another and obstructed my view, all I could see were their sweaty nether regions and the agent’s thrashing legs. She was no longer screaming becaus she no longer could, the youngest policeman having silenced her. Hurry up, he said. What’s taking so long? I’ll take as long as I please, said the middle-aged one. You’re enjoying yourself with her anyway, aren’t you? (Stop talking about this! cried the crapulent major, clapping his hands over his eyes. I can’t look!) But we were helpless except to watch as the middle-aged policeman at last convulsed with a tremendous spasm. Pleasure of this degree should always be kept private, unless everyone was participating, as in a carnival or an orgy. Here, the pleasure was hideous to those who only looked. My turn, said the youngest, detaching himself from the agent, who was able to scream once more until the oldest took the youngest policeman’s place, silencing her. What a mess, said the youngest, hiking up his shirt. He took his position on the table, undeterred by the mess, and even as the middle-aged policeman zipped up his pants over the frizzy toupee crowning his deflated self, the youngest began repeating his predecessor’s motions, reaching, in a few minutes, the same obscene conclusion. Then it was the oldest policeman’s turn, and when he climbed onto the table, he left me an unimpeded view of the agent’s face. Although she was now free to scream, she no longer did, or no longer could. She was staring directly at me, but with the screws of pain tightened on her jaws and eyes, those screws that turned ever more, I had the feeling she did not see me at all.

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