Jeffery Allen - Rails Under My Back

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"Will put Allen in the company of writers such as James Joyce, August Wilson, and Ralph Ellison." — The Philadelphia Inquirer.
When it was first published fifteen years ago, Jeffery Renard Allen's debut novel, Rails Under My Back, earned its author comparisons to some of the giants of twentieth-century modernism. The publication of Allen's equally ambitious second novel, Song of the Shank, cemented those lofty claims. Now, the book that established his reputation is being restored to print in its first Graywolf Press edition. Together, the two novels stand as significant achievements of twenty-first-century literature.
Rails Under My Back is an epic that tracks the interwoven lives of two brothers, Lucius and John Jones, who are married to two sisters, Gracie and Sheila McShan. For them, their parents, and their children, life is always full of departures; someone is always fleeing town and leaving the remaining family to suffer the often dramatic, sometimes tragic consequences. The multiple effects of the comings and goings are devastating: These are the almost mythic expression of the African American experience in the half century that followed the Second World War.
The story ranges, as the characters do, from the city, which is somewhat like both New York and Chicago, to Memphis, to the West, and to many "inner" and "outer" locales. Rails Under My Back is a multifaceted, brilliantly colored, intensely musical novel that pulses with urgency and originality.

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Then you have to shoot the same shot six, seven, eight times. Stupid. They can never get it right.

I try to do my job.

Waste a whole day. Time is money.

She finished her glass. Well, guess I’ll be going. She aimed the stemmed glass at his chest.

He took it. Sat it next to the unfinished bottle. How about another glass?

No. One is fine.

He studied her face. It’s been a pleasure.

Same here.

You got any other—

A video later in the week.

Good, good. He tried to light another cigarette. The match wavered from side to side in his unsteady hand. Any plans for tonight?

Not really. I mean—

Oh, don’t explain. I just thought I’d ask. We’ve been working together how many years now? Six? Seven?

Ten.

Ten?

Uh huh.

Ten?

Yes.

That long?

She nodded.

Are you sure?

Yes.

Time flies.

So they say.

And I hardly even know you.

I got a man. Her words pushed his face back. She hadn’t said it. Some forceful other had taken control of her mouth.

Pardon?

She snorted. Let me put it this way. My granddaddy, well, my great-granddaddy — he used to say, Never chase two rabbits at the same time.

Rabbits? His small forehead was lined up with her lips. She considered putting a hot glob of spit there. You don’t understand. I—

Wait. Jus wait. She shoved her palms at him. I already told you, I gotta man.

Hey, you got me wrong. His chin was so thrust forward that the muscles in his neck stood out. I was just tryin to—

Whatever.

He dropped his head. She studied him. His head, cow-bent in shame — I’m sorry — chewing the cud of his words. He eased his head up. Their eyes held for a moment.

Look, I’m sorry.

No, I understand.

I’m really sorry. One of those days. I have some things on my mind. Deathrow. I didn’t mean to snap at you.

Hey — he stubbed out his cigarette in the jar lid — it’s okay. He stepped into touching distance. We all have bad days.

For a moment she did not answer. She crossed to a window overlooking the curved lake and the city’s charted skyline. I’m sorry. She watched the bronze world outside the window.

Hey, it’s okay. Tell you what, let me give you a few. On the house. Your boyfriend would like them.

Thanks. You’ve done enough.

Please, allow me.

No, really.

Are you sure?

Yes.

Well, enjoy your day.

Thanks. I will. She faced him.

If you don’t mind my asking, what’s your boyfriend’s name?

Clarence.

Clarence. Well, tell Clarence I said hello.

SHE ROLLED LIKE COAL from the oven of the building into fierce afternoon light. Unclean light. The sun immobile in the sky. Yellow-red-white fault-finding color. Nothing to fear. Unlike some models’, her deep black skin suffered no aging in the light. The sidewalk gripped her feet with concrete hands. Her legs said stop, sit down, lie down, go to bed — right here in the crowded street. She heard a gurgling in the depths under the sidewalk. Long ago, she had studied a map of the city’s lower parts, the sewage system with its drainage lines and tunnels. The hollow skeleton beneath the city’s concrete-and-steel skin. She could smell heat rise from her body, buttered with sweat.

Yuck. I need a bath.

Two tall stacks pumped metal steam in thick clouds that thinned and streamed a white message high above the rooftops: BATH. Ah yes, of course. Why hadn’t she thought of it? The New Cotton Rivers’s bathhouse. She dragged her stinking body there.

Once inside, she presented her membership card and found a cubicle. She quickly undressed. Eased the fresh shroud over her head and pulled it over her work-slick body. Her shroud ran silk against her exploring fingers. It was soft and loose. Brushed against the tops of her bare black feet. She tiptoed across the marble floor to the chapel.

The New Cotton Rivers believed that the body must be heard. You must rub Christ right into your bones so the flesh can sing praise. The Prophet 1 Faith Stimulator — patent pending — was the machine he had invented for this purpose.

The white-gloved attendant taped a black cross over each eyelid. The crosses felt like fingers, touching her, caressing, probing. Each cross transmitted three thousand biblical pulses a second. The attendant attached a crystal crown and made sure that it fit snugly around her forehead. Holding the sleeve of her robe, he guided her across the white tile to the freshly drawn bath. The water appeared still, motionless, but her feet entered and spoke of bubbling warmth.

She lowered herself slowly into the perfumed waters — frankincense and myrrh — careful not to disturb the crystals at the bottom. Crystal serves to stabilize and balance our energetic system. It has positive and negative poles. It orients us more than guides us, concentrates the attention and drives our spirit to God.

Wine?

Yes, please.

Red or white?

Zinfandel. If you have it.

I’m sure we do. One moment please.

She drew up her legs, a bird with folded wings. The attendant returned shortly with her glass.

Thank you.

Enjoy.

Once the attendant left, she disrobed.

Toes arched on the white porcelain knobs, she studied her steepled knees. Her skin tingled in the touching water. She felt the sweet solid flesh of her own bones. Wet pressure enveloped her whole body, squeezing the breath from her lungs. A pain shot through her, and another and another, then a distant echo of the first, contracting and expanding in slowly accelerating rhythm. Mercury, her blood rose and sunk, rose and sunk. Warmth spread below her waist and relaxed the knot in her belly. A familiar feeling. When she got her period, she would sit in a tub of hot water all day to cool her joints.

Clean reflections played over her dark thighs.

Little Sally Walker

Sitting in her saucer

Weeping and crying for someone to love her

Rise, Sally, rise

Wipe ya weepin eyes

Put ya hands on ya hips

And let ya backbone slip

Shake it to the east

Ah, shake it to the west

Shake it fo the one you love the best

She saw blood beneath the water and thought the soap had cut her. She tried to use her washcloth as a sponge. Squeezed it in between her legs. Red roots extended beneath the water.

Lula Mae!

The roots lengthened.

Lula Mae!

Girl, hush all that screamin. Lula Mae shut the door behind her. What’s wrong wit you. She approached the tub. The blood reflected on her white face. That’s when Porsha knew, the blood belonged to her as wind belonged to sail.

We better get ready to go up to the Rexall, Lula Mae said. She untied her headscarf and thrust it at Porsha. Here, this a clean rag. I jus put it on. Dam your blood.

картинка 5

WHITE LIGHT FELL gray as new rust on the sidewalk. The crowd swept her along, a cork in the current. A wind blew now but she could not tell from which direction. Something long and wet pushed up her arm and licked her elbow. Scat! The dog trotted off, trailing the red leash of his tongue. The dome of Union Station rose up ahead, surrounded by its shops and stores, a tidy sweep of stone. Her shadow ran two straight lines along the marble walls of the station, veined green and black.

The earth is the Lord’s and the fullness thereof, the world and all that dwell therein.

What you say? The cashier spoke from the glass wicket. Light flooded it. The cashier moved as if swimming.

Told you

I got a right

I got a right

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