Jeffery Allen - Rails Under My Back

Beulah got Sheila and Gracie a job, their first, in Fulton. Mr. Harrison would drive twenty miles to Houston to pick them up. Drive twenty miles to take them home. Many a Sunday, Beulah, Sheila, Gracie, and R.L. would sup with the Harrisons. Yall welcome here, Mr. Harrison said, from now to Moses. Beulah, Sheila, and Gracie divided up their work. When Sheila and Gracie rested, Beulah would nap in the same bed with the Harrison children. Why, Beulah, you the prettiest nigga I ever seen. The kids would stroke Beulah’s long hair. White men in the town tipped their hats when they saw Beulah. How you today, Miss Beulah? Mr. Harrison owned Fulton. Yall need anything, he said, yall ask. He was always good for an extra five dollars here or there. Mrs. Harrison gave Beulah, Sheila, and Gracie blouses, skirts, and dresses. Shirts, suits, and pants for R.L. Why, R.L., you got the prettiest eyes I ever seen on a nigga. The Harrison boys would take R.L. to the picture show and they would all sit in the white section, rowdy and loud. And when he got older, they took him drinking. Sometimes bring Sam and Dave along. Mr. Harrison found them good jobs at the sawmill.

Beulah moved to Memphis. Once she’d saved enough money, she sent for Sheila, Gracie, and R.L. Beulah met them at the same smoking train station where a few years before they had waved Lula Mae off to New Mexico. Beulah got Sheila and Gracie day work. Each morning, Beulah would send Lula Mae a letter by special mail: Come back to your children. Lula Mae came back. Beulah left for the city.

Two years later, Beulah sent for Sheila. Sheila would always remember the world outside the train window. A kaleidoscope of sounds and color, loose fragments of houses, trees held together with dirty clotheslines and patches of sun-drying laundry. Day rounding into night, then the city, a tapestry of steel and light. Here was where she would live and work, live and work.

The following Monday morning, Beulah took her to meet the Shipcos.

Now remember about the daughter, Beulah said.

Lynn.

Yes, Lynn. Young but nasty. No home training. Take off her panties and let them drop anywhere. The kitchen table. The piano stool. In front of the fireplace. It don’t matter. Nasty. They gave her a chair and with all the usual hospitality offered her a refreshment.

As you know, Miss Dear works for us on Saturday. We wanted her to work the full week, but she is unable to. She is a wonderful woman. She said you were the next-best thing.

Sheila smiled. Beulah taught me everything I know.

Miss Dear probably explained that—

Oh, yes. Beulah told me.

And I will need help preparing Thanksgiving dinner.

Fine.

Are you available Christmas Eve?

Yes.

Philip’s family flies into town.

Napkins folded into crane shapes. Bread loaves like airplane hangars. Sneak a bottle or two of Mogen David into your purse. Your family will drink them — and Crown Royal — on Christmas.

I see.

The Shipcos’ faces told Sheila that they had satisfied their hunger, thirst, and curiosity. Sheila changed clothes and went to work.

SHE PLACED THE HOT IRON on top of the stove to cool. She set about folding the clothes into neat squares. She put the laundry basket into the utility closet. The clothes were clean and neat and permanent.

This was what life had offered and she had accepted. She would hold other jobs briefly, even attend a free, city-sponsored nursing program. But day work was permanent, beyond the whims of bosses and supervisors. Safe from politicians and fluctuations of the economy.

Yes, she had come to work today. What had happened this witnessing morning was nothing to miss work over. City life. I seen worse. A poor excuse to miss work. There’s no water wasted at this well.

You should retire, Porsha said. Ask her for a pension.

I don’t have to ask her. She’ll give me one without my asking.

Well, retire then.

And do what?

Porsha thought for a moment. Spend time with your husband.

Often, she found comfort in the knowledge that Lucifer worked equally hard. They sweated the same sweat. That’s one reason why it was hard knowing that Lucifer had gone to meet John this morning and missed work. Lucifer had put John before his job.

His actions could not change the simple fact, she would forgive Lucifer, as she had forgiven all else, safe in the knowledge that John would be gone with the train’s whistle, but Lucifer would remain, waiting for her in a form she could touch and love.

PORSHA HUGGED HERSELF. Wards Tower — the tallest building in the city — was cold after the outside heat. The metal exterior hid the green insides. Seeding grass edged with blues and lavenders. Red and yellow rose sprouted into petaled life. Peach and pomegranate limbs reached out to touch her. Bark of pomegranate enfolded bark of peach. Scentless green. Real or artificial? These plants and trees had no plastic shine. She inspected them closely, searching for brown edges, signs of decay. Detected a brown spot, here and there. Real to the touch but perfect, too perfect. If it hadn’t been for the walls, you might believe you were strolling through Circle Park. Walls spoke geometrical patterns, petroglyphic figures inlaid with shards of glass, broken tile, and what looked like shining bits of bone and teeth.

She entered the elevator. Selected her floor. The doors hissed closed. She rode the elevator alone. Heard nothing and felt nothing. Came reeling out the elevator under the influence of speed, fifty flights in half the seconds. Brightness blinded her for a moment. One wall of the hall was windows. Outside the windows, sky spread a red song. Sunlight fell in whispers. Booming prisms of sun and shadow below. Birds veered, the moving shadows of their outstretched wings black against the blue water of Tar Lake. The lake rolled like a painted sea. Water echoed in silent, solitary swells. Her raised eye caught a sailboat on water, red sail like a waving handkerchief. She continued down the sun-shafted hall.

The door she needed was the shiniest black, lacquered like a Chinese screen. Eyebrow-pencil rivers. Thin trees with cat-o’-nine branches. Wing-eyed men battling dog-sized dragons. An engraved brass plate: THE RAYMOND OWL STUDIO PHOTOGRAPHY. A tension rode her back. She always felt nervous on an assignment. To relax, she would slide her face behind an imaginary white veil. But why was she nervous now? She and Owl had worked together for years, well over a decade, and they met every week. He always had work for her, even when business was slow. And while the average photographer eyed her through his open fly, Owl was professional, strictly business. Her one complaint: he always misspelled her name on the checks he wrote— Porsche, like the car. She had done some of her best work with him. Like the beach shot. Her body stretched across the horizon with the ocean behind it (Tar Lake, actually). Her body duplicated in numerous poses to cover an entire beach. The best. He had even taken the shots in her first portfolio, fifty soft-focus stills of her breasts, hips, legs, and rear end. She and Owl had a history. But that history didn’t count for much at times like this. She always needed a moment to calm herself before she entered his studio.

The door opened to her shaking touch. The open door magnified the small insides. Lights, reflectors, screens, tripods, backdrops, and props positioned with ritual precision. Each detail bore Owl’s touch. He rarely worked with an assistant. He even did his own hair and makeup.

Porsha?

She recognized Owl’s voice. Yes. It’s me.

Make yourself at home. I’ll be with you in a moment.