Alexandra Kleeman - You Too Can Have a Body Like Mine

I curled up on my side and I tried to smile the beautiful woman’s glowing, contented smile. I pretended I felt full and warm and that I had a whole living dove in my belly, looking elegant and soft. The dove was in there, but I wouldn’t hurt it — just hold it, keep it safe inside me. I pretended C was next to me, watching over my body, making certain that nobody could steal my face for as long as he was looking at it. I remembered B’s eye pointed up beneath my gaze, small and immobile and unprotected, with the lid slid all the way back. It was about the size of a thumb, from nail to first joint. My hand twitched. I was digging my two thumbs into the middle of a Kandy Kake, deep into the dark, oily center and pulling it apart. Soon the center would be surface, quivering under air. I could feel myself falling asleep, the sort of sleep you fall backward into, a sleep that feels like water rising higher and higher inside your head until it pushes at the backs of your eyes and the inside of your temples. A Kandy Kake is just like an eye, I thought, and that was the last thing I thought before I was asleep.

In the middle of the night I woke up to a soft hand stroking my hair, but I was hollowed out, exhausted, and I fell back asleep before I could ask who it was.

A MOUTH WAS A MEANSinto a person, but it also offered one of the neatest ways out. Whatever entered that slick passage immediately began pushing through to the other side, emerging unrecognizable and many steps removed from itself. A mouth glistened with saliva, ninety-eight percent water and two percent suspended particles, which made it slick, odorous, corrosive. In my saliva and my boyfriend’s rested enzymes that would break carbohydrates into sugars and fats as soon as food touched the inner walls of the oral cavity. Digestion begins inside the oral cavity, read the biology textbook I used in high school, in a section titled “How Do You Eat Meat?” What this meant was: Even if C loved me, even if he cared for me, even if he saw me as an equal and wanted only the best for me in my life, when he kissed me a part of him worked blindly to undo my body. When I put my own mouth on him, the material in my body sized up the material in his, checked to see if it was food or something other, something indigestible that would never truly penetrate.

I stared up into C’s mouth, pink and wet and blackening as it deepened inch by inch into throat. Saliva pooled at the inner rim of his fleshy lower lip. On my back and facing the ceiling, I felt his body settle over me, pressing into my skin like a fist into dough. I was malleable and easily shaped, I was substance all the way through: no pockets of air, no hollow for the soul to fit in. Any lacuna that took a place in me was opened and filled at once by the same thing, so that hunger and its solution occurred simultaneously, barely leaving any sort of gap for desire to take place. I was solid, bounded on all sides, and when I reached for him I felt his own solidity, wider and less bony than my own, larger and different in shape, like a couch or an automobile. I tightened my hand on his shoulder and the skin underneath gave a little. It made little divots under my fingers that I grabbed into more sharply for traction. I slid my hand down. I hooked the thumb into his armpit for a better grip. The way my hand struggled showed me that he was unlike the handle of a hammer or a knife: he was not made for my grasp, not designed with me in mind. It slipped around beneath my palm, it was too large to hold. The repetitive motions of my hips slipped away from me, no longer controlled through thought. It was just like lying down in a boat and staring up, feeling your whole body move with the movement of something else.

As the music that emanated from the television set grew louder and faster and more robust, C began to take a more decisive attitude toward my body. He grabbed my left leg below the knee and swiveled it around like a massive joystick, trying to push it back toward my ear. He put the heel of his hand on my thighs and leaned in, pushing against the club end where femur met hip.

“My legs don’t work that way,” I said, trying to find an angle that hurt less.

“What?” he said with a note of surprise, maybe just surprise that I was talking.

“It’s not comfortable,” I said.

He continued to press into me the same way he had before. My leg was a lump of hurt, the joint burned. I tried to wriggle my hips, but I was wedged in. He pried his weight deeper into me, placing a hand flat on my jaw for leverage.

“They don’t go back at that angle,” I added, trying to explain it more precisely.

“Oh,” he said. “Sorry. I just thought. .”

He trailed off, looking over to my left, where the TV was glowing with pornographic scenes that I had forgotten were playing. C removed his hand from my leg and placed it back on the mattress. On-screen, the skinny, beige body of a ponytailed woman lay collapsed like a folding chair. The bright rectangle was filled with the bodies of others, doing the sorts of things we were doing, but under better lighting. Their genitals appeared first attached to their bodies and so small that you could cover them with a fingertip, then grew large enough to fill the entire screen. The oversize organs that were being pictured now had no body attached and therefore were bodies in themselves. Hairless and smooth, they lapped like faces with rudimentary mouths, speaking in a language that lay outside of my hearing. These part-faces had a way of interacting that was gentle and tactile, like the jellyfish I had seen on nature documentaries. The one swallowed the other up again and again, the other pulled away, creating a space between, then closed it again just as quickly. As I watch them draw their invertebrate torsos toward and away from each other, any sexual intent attributed to their motion would have seemed like pure projection.

When we first met, I hadn’t really understood why C liked to have sex and watch porn at the same time. My first thought was that it was instructional, a sort of hint he was trying to give me. I tried to make sure that I was always in a position where I could see the TV, where I could shadow the woman or women on-screen. I arranged myself the way they did, I tried to move through the positions when they did. But he never seemed to map himself to anyone up there, and when I tried to he’d rearrange me, destroying the resemblance. Then I thought it might be like background music or the radio when you’re cooking dinner, or an attempt to cover up the sounds of our sex with sounds of the sex of strangers. But in the end I decided that it had to do with the thinness of the present. At any given present moment a person was doing one thing, maybe three things. They were lying down, and they were reading a sentence, and possibly they were thinking about what they were doing. Or they were reaching for someone’s shoulder, and noticing a mole on someone’s back, and feeling their own breath leave their chest. Any piece of time is lonely and pale in isolation, and moments resemble other moments, so that sometimes you feel that you are a memory being called to mind by someone else.

I saw him look to the TV screen as soon as we had spent too long doing the same thing, and I thought I recognized something in him that I had seen in myself. He was thickening the moment by laying fantasy upon reality upon fantasy. Any two people stuck to each other in the present made for a wasteland. He was repopulating the act so that we would not be so alone in it together.

In a similar way, I sometimes thought of a specific scenario to fill up the residual mental spaces that the act never seemed fully able to occupy on its own. In this scenario, C and I are together and about to turn on the TV and take all of our clothes off when suddenly there’s a knock on the door. We go over to see who it is, and when we open the door we find all of my ex-boyfriends outside, smiling and greeting us warmly. I recognize every one of them, and they haven’t changed a bit. They’ve all brought gifts: nice bottles of wine or a six-pack, boxes of filled chocolates, peanut brittle, or a fruit basket full of really lovely ripe pears, all russet-blushed green.