Gilbert Sorrentino - Aberration of Starlight

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Aberration of Starlight: краткое содержание, описание и аннотация

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Set at a boardinghouse in rural New Jersey in the summer of 1939, this novel revolves around four people who experience the comedies, torments and rare pleasures of family, romance and sex while on vacation from Brooklyn and the Depression. Billy Recco, an eager ten-year-old in search of a father. . Marie Recco, nèe McGrath, an attractive divorcèe caught between her son and father, without a life of her own. . John McGrath, dignified in manner yet brutally soured by life, insanely fearful of his daughter's restlessness. . Tom Thebus, a rakish salesman who precipitates the conflict between Marie's hopes and her father's wrath.
We follow these individuals through the events of thirty-six hours, culminating in Tom's disastrous near seduction of Marie. As the novel's perspective shifts to each of these characters, four discrete stories take form, stories that Sorrentino further enriches by using a variety of literary methods—fantasies, letters, a narrative question-and-answer, fragments of dialogue and memory. Strong and unforgettable, each voice is compelling in itself, yet in the end is only part of a complex, painful pattern in which dreams go unfulfilled and efforts unrewarded.
What emerges is a sure understanding of four people who are occasionally ridiculous, but whose integrity and good intentions are consistently, and tragically, frustrated. Combining humor and feeling, balancing the details and the rhythms of experience, Aberration of Starlight re-creates a time and a place as it captures the sadness and value of four lives. It is widely considered one of Sorrentino's finest novels.

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A nice friend?

Ja. The nice gentleman with the moustache? And a pipe he smokes? 10Mr. Teebus? 11

Oh, Mr. Thebus.

Ja. Excuse me. Sometimes my English.

Well yes, but. Mr. Thebus is not really my friend, I mean my friend alone — I mean he always, you always see him playing croquet with Poppa. They’re really serious about their game of croquet. 12

Ah?

Yes. Yes. I mean, you watch Poppa play most of the time, don’t you? It seems that way. 13I mean, you see … him and Tom …

This is a game I love watching. A nice and calm gentleman’s game. It is good for the nerves, ja? Better than a hundred doctors. And it, ah, it reminds me of Otto. God bless him.

Well. Otto. Well you know the old saying, six of one and half a dozen of the other. 14Anyway, Mr. Thebus and Poppa really hit it off, I mean he’s our friend. Poppa thinks the world of him.

Ah? Oh ja. A gentleman.

And Mr. Thebus has taken a great shine to Billy too, you know. So of course, we talk about him —Billy. And if we take a little walk once in a while it’s no skin 15off anyone’s nose. Is it?

It is good to have this friend. What is so nice, so very very nice is what a good man and regular sport is your poppa. He don’t mind it a bit to be left all al — to be, have his nice privacy for a few hours, ja? Dear, believe you me, your poppa knows you are still a young woman. Ja!

A young woman? I don’t know really what … Tom and I have taken two walks, three, three walks. And one night we went to get clams for everybody at Harry and Mary’s. 16And Peggy Copan came along.

Ah, ja. How nice! How good to have nice friends your age — and one that your poppa likes so much, ja? A croquet player and everything.

I mean it’s just, well. Well, God, anybody can make friends with Tom, 17Helga.

Ja. With Tom. What a gentleman, so handsome. And so polite and full of fun. And with his nice little shiny car. So sporty.”

Yes.

I don’t want to tell tales but Frieda told me he had some unhappy things at home? Some trouble, his wife? Ja?

He’s … I think, he’s divorced. He never mentions it. To any of us. Has he ever mentioned it, ah, to you …?

Ach! Me? I hardly know the gentleman except to say good morning and once and a while watching him play croquet with your poppa. It reminds me so of poor Otto to watch the men play croquet. God bless him. Mr. Thebus don’t talk to me.

Yes, well, I don’t know anything about his personal business. He’s just a good friend and that’s fine with me, and that’s that.

Ja. Dear Marie, listen to a piece of advice? Divorce, in this day and age, so what? Not one soul has ever spoke a word about yourself for instance. Ja! They haven’t got anything for you but a good word. Mr. Thebus nobody knows about but I don’t ever hear a word either.

I don’t even know, Helga, if the gentleman is divorced.

Ah, I’m sorry, excuse me, I’m making you mad. Who cares? is what I’m saying. It’s probably my English, ja? He is a fine gentleman, always a smile and a joke and a nice word. Please don’t think I’m a busybody butting in, but a young and attractive woman like you … You need to have some good clean fun, you need to stop worrying and worrying about your poppa.

Worrying about him? What do you mean, worrying about him?

Marie. Dear. Please. You’ll listen to a woman almost old enough to be your mother. I’m not ashamed of my age. I know your poppa for years now. He can take care of himself. He’s the first, the first person to say he wants you to be independent, to do what you like to do. Ja! And he likes, so much, this Mr. Thebus anyway. He must be happy to see you having a nice friend. Ja?

That’s fine, but that’s not the same thing as, yes, I know Poppa really likes Tom, but I do worry about him being left alone even if I just take a little walk after supper to the Hi-Top. 18Poppa needs me.

You are a good daughter, ja. But don’t talk the nonsense to me, please. You think your poppa can’t find people to chat with and pass along the time of day? What do you think your poppa does when you and the girls and all go swimming in the afternoon? What? 19Dear Marie, your poppa knows me years and years. We have a million things to talk about.

Oh, you. Well.

Ja, me. And the other boarders and Frieda and Louis when he comes in for a glass of beer. 20He has his cronies, your poppa. Thank God.

I know he has.

Marie, let me talk plain to you like the nose on your face. I know that you feel at wit ends, ja? A nice gentleman comes along, divorced, all right, all right, let’s just make believe he is, he likes you. You find out he is a very nice and attractive man. He likes your young man of a son. You both have had terrible heartaches, ja? So what is wrong with a quiet stroll once and a while? 21Maybe even he might ask you out in the evening? A dance or a movie date? Marie, dear, your poppa will be fine. He needs some privacy also.

You mean you’ll look after him.

Well. Look after him …

What I mean is, I mean, as long as we’re speaking plain, if you and Poppa, he’s a widower and you … you see what I mean?

Ach, Marie! My God. Poor Otto is not in his grave a year, and your poor mother. God rest their soul. I am talking about chatting. A song on the piano. 22

Of course, I’m sorry I mentioned it. And I’m thankful for your advice, Helga, but Poppa really comes first. A little walk after supper, well… But I’m not going to be, I’m not going to be going here and there, well, you know what I mean.

Of course, ja. But if you want, ja? If you want. An ice cream, a nice Tom Collins. 23Everybody loves your poppa and he wouldn’t be lonesome.

Thank you.

I mean it. I remember Otto used always to say, “Everybody thinks so high of Mr. McGrath.” Otto always said that. “A real gentleman,” he’d say.

Thank you. Otto used to tell me that, too, oh, many times, summers past. I remember he once told me sitting right here the way we are now. Poppa and you walked down to the far meadow to pick blackberries? Was it? 24

I don’t remember this, dear. I don’t think so.

Or when you and Poppa went to get a pitcher of spring water from the old pump behind the church? 25Oh yes, I think that was it, you and Poppa. With the spring water. I remember it. Very well. Momma had gone shopping in Hackettstown.

Well, I … it’s hard to remember such things. So long ago. With Otto on my mind. And your poor momma. Brrr. It is chilly, I think I go in, ja? 26

~ ~ ~

Present a small verbal graph describing the Tom Thebus that existed in Marie’s mind.

A modern Apollo in white ducks; the manly source of aromatic pipe smoke redolent of the exotic; bronzed limbs; a ready laugh; flashing white teeth; very smart; Ronald Colman; sweet on her; a magazine illustration; a small wheel turning; somewhat like the handsome and collegiate teller lost in the mists of time; a man with a secret hurt carefully buried but often apparent in his deepset and poetic eyes; strong and silent; a go-getter; absolute opposite of shanty Irish; possessor of a glamorous and mysterious name; the driver of a glittering and classy car; good family man fatefully thwarted by dark elements beyond his control; expansive personality; singing, head high, down the road of life; a real gentleman.

On what foundation was Marie’s personality built?

The young daughter as white goddess; sudden onslaught on the ego with the arrival of maturity; subsequent decay of the invented white-goddess state, also known as the gift that maims.

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