Bharati Mukherjee - The Middleman and Other Stories

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Bharati Mukherjee's work illuminates a new world of people in migration that has transformed the meaning of "America." Now in a Grove paperback edition, The Middleman and Other Stories is a dazzling display of the vision of this important modern writer. An aristocratic Filipina negotiates a new life for herself with an Atlanta investment banker. A Vietnam vet returns to Florida, a place now more foreign than the Asia of his war experience. And in the title story, an Iraqi Jew whose travels have ended in Queens suddenly finds himself an unwitting guerrilla in a South American jungle. Passionate, comic, violent, and tender, these stories draw us into the center of a cultural fusion in the midst of its birth pangs, yet glowing with the energy and exuberance of a society remaking itself.

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Pam’s left for California. She wants to do some modelling, she says. She says when she comes into her share of the insurance money she’ll open a yoga-cum-aerobics studio in Hollywood. She sends me postcards so naughty I daren’t leave them on the coffee table. Her mother has withdrawn from her and the world.

The rest of us don’t lose touch, that’s the point. Talk is all we have, says Dr. Ranganathan, who has also resisted his relatives and returned to Montreal and to his job, alone. He says, whom better to talk with than other relatives? We’ve been melted down and recast as a new tribe.

He calls me twice a week from Montreal. Every Wednesday night and every Saturday afternoon. He is changing jobs, going to Ottawa. But Ottawa is over a hundred miles away, and he is forced to drive two hundred and twenty miles a day. He can’t bring himself to sell his house. The house is a temple, he says; the king-sized bed in the master bedroom is a shrine. He sleeps on a folding cot. A devotee.

* * *

There are still some hysterical relatives. Judith Templeton’s list of those needing help and those who’ve “accepted” is in nearly perfect balance. Acceptance means you speak of your family in the past tense and you make active plans for moving ahead with your life. There are courses at Seneca and Ryerson we could be taking. Her gleaming leather briefcase is full of college catalogues and lists of cultural societies that need our help. She has done impressive work, I tell her.

“In the textbooks on grief management,” she replies — I am her confidante, I realize, one of the few whose grief has not sprung bizarre obsessions—“there are stages to pass through: rejection, depression, acceptance, reconstruction.” She has compiled a chart and finds that six months after the tragedy, none of us still reject reality, but only a handful are reconstructing. “Depressed Acceptance” is the plateau we’ve reached. Remarriage is a major step in reconstruction (though she’s a little surprised, even shocked, over how quickly some of the men have taken on new families). Selling one’s house and changing jobs and cities is healthy.

How do I tell Judith Templeton that my family surrounds me, and that like creatures in epics, they’ve changed shapes? She sees me as calm and accepting but worries that I have no job, no career. My closest friends are worse off than I. I cannot tell her my days, even my nights, are thrilling.

She asks me to help with families she can’t reach at all. An elderly couple in Agincourt whose sons were killed just weeks after they had brought their parents over from a village in Punjab. From their names, I know they are Sikh. Judith Templeton and a translator have visited them twice with offers of money for air fare to Ireland, with bank forms, power-of-attorney forms, but they have refused to sign, or to leave their tiny apartment. Their sons’ money is frozen in the bank. Their sons’ investment apartments have been trashed by tenants, the furnishings sold off. The parents fear that anything they sign or any money they receive will end the company’s or the country’s obligations to them. They fear they are selling their sons for two airline tickets to a place they’ve never seen.

The high-rise apartment is a tower of Indians and West Indians, with a sprinkling of Orientals. The nearest bus stop kiosk is lined with women in saris. Boys practice cricket in the parking lot. Inside the building, even I wince a bit from the ferocity of onion fumes, the distinctive and immediate Indianness of frying ghee , but Judith Templeton maintains a steady flow of information. These poor old people are in imminent danger of losing their place and all their services.

I say to her, “They are Sikh. They will not open up to a Hindu woman.” And what I want to add is, as much as I try not to, I stiffen now at the sight of beards and turbans. I remember a time when we all trusted each other in this new country, it was only the new country we worried about.

The two rooms are dark and stuffy. The lights are off, and an oil lamp sputters on the coffee table. The bent old lady has let us in, and her husband is wrapping a white turban over his oiled, hip-length hair. She immediately goes to the kitchen, and I hear the most familiar sound of an Indian home, tap water hitting and filling a teapot.

They have not paid their utility bills, out of fear and the inability to write a check. The telephone is gone; electricity and gas and water are soon to follow. They have told Judith their sons will provide. They are good boys, and they have always earned and looked after their parents.

We converse a bit in Hindi. They do not ask about the crash and I wonder if I should bring it up. If they think I am here merely as a translator, then they may feel insulted. There are thousands of Punjabi-speakers, Sikhs, in Toronto to do a better job. And so I say to the old lady, “I too have lost my sons, and my husband, in the crash.”

Her eyes immediately fill with tears. The man mutters a few words which sound like a blessing. “God provides and God takes away,” he says.

I want to say, But only men destroy and give back nothing. “My boys and my husband are not coming back,” I say. “We have to understand that.”

Now the old woman responds. “But who is to say? Man alone does not decide these things.” To this her husband adds his agreement.

Judith asks about the bank papers, the release forms. With a stroke of the pen, they will have a provincial trustee to pay their bills, invest their money, send them a monthly pension.

“Do you know this woman?” I ask them.

The man raises his hand from the table, turns it over and seems to regard each finger separately before he answers. “This young lady is always coming here, we make tea for her and she leaves papers for us to sign.” His eyes scan a pile of papers in the corner of the room. “Soon we will be out of tea, then will she go away?”

The old lady adds, “I have asked my neighbors and no one else gets angrezi visitors. What have we done?”

“It’s her job,” I try to explain. “The government is worried. Soon you will have no place to stay, no lights, no gas, no water.”

“Government will get its money. Tell her not to worry, we are honorable people.”

I try to explain the government wishes to give money, not take. He raises his hand. “Let them take,” he says. “We are accustomed to that. That is no problem.”

“We are strong people,” says the wife. “Tell her that.”

“Who needs all this machinery?” demands the husband. “It is unhealthy, the bright lights, the cold air on a hot day, the cold food, the four gas rings. God will provide, not government.”

“When our boys return,” the mother says. Her husband sucks his teeth. “Enough talk,” he says.

Judith breaks in. “Have you convinced them?” The snaps on her cordovan briefcase go off like firecrackers in that quiet apartment. She lays the sheaf of legal papers on the coffee table. “If they can’t write their names, an X will do — I’ve told them that.”

Now the old lady has shuffled to the kitchen and soon emerges with a pot of tea and two cups. “I think my bladder will go first on a job like this,” Judith says to me, smiling. “If only there was some way of reaching them. Please thank her for the tea. Tell her she’s very kind.”

I nod in Judith’s direction and tell them in Hindi, “She thanks you for the tea. She thinks you are being very hospitable but she doesn’t have the slightest idea what it means.”

I want to say, Humor her. I want to say, My boys and my husband are with me too, more than ever. I look in the old man’s eyes and I can read his stubborn, peasant’s message: I have protected this woman as best I can. She is the only person I have left. Give to me or take from me what you will, but I will not sign for it. I will not pretend that I accept.

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