Patrick Flanery - Absolution

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Absolution: краткое содержание, описание и аннотация

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In this stunning literary debut, Patrick Flanery delivers a devastating and intimate portrait of post-apartheid South Africa, and the perils of taking sides when the sides are changing around you.
Told in shifting perspectives,
is centred on the mysterious character of Clare Wald, a controversial writer of great fame, haunted by the memories of a sister she fears she betrayed to her death and a daughter she fears she abandoned. Clare comes to learn that in this conflict the dead do not stay buried, and the missing return in other forms-such as the small child present in her daughter's last days who has reappeared, posing as Clare's official biographer. Sam Leroux, a South African expatriate returning to Cape Town after many years in New York, gradually earns Clare's trust, his own ghosts emerging from the histories that he and Clare begin to unravel, leading them both along a path in search of reconciliation and forgiveness.

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Lionel had handed me the bag that contained everything I owned.

‘You’ll call us if you need anything, if it doesn’t work out,’ he said. I nodded and said goodbye. I hadn’t known them long enough to feel anything at the parting, except a kind of hope that I wouldn’t need to call on them, that everything with my aunt would be perfect.

They sat in the car watching as I walked up the street and knocked on Ellen’s door. Before I went inside, I turned back to look. Lionel waved, Timothy turned over the engine and they drove off. I’ve never seen them again.

*

I rely on the satnav to direct me through the swirl of Gauteng roads, the N1 to the N12 and into central Johannesburg on the M1, then off and up leafy Jan Smuts Avenue, past the zoo, left at the Goodman Gallery and onto Chester Road, then right at 1st Avenue and a hundred metres further up on the left side. Despite the rush-hour traffic I’m in front of the house in dizzying time and find that when I finally let go of the steering wheel my hands are shaking and I’m out of breath.

From the street the house is invisible: the property appears to be nothing but a white wall concealing a forest of trees with a gate on the left side protecting a long brick-paved driveway. Halfway up the street there’s a small wooden shed, just large enough for one person, where a private security guard sits on a black plastic conference chair twenty-four hours a day, monitoring the whole block, from Chester up to 7th Avenue.

I buzz the intercom at the entrance and Jason, Sarah’s colleague, lets me in; the last three Africa correspondents for the paper have occupied this ersatz Cape Dutch house. ‘It’s what Americans prefer,’ Jason says, handing over a ring with no less than thirty keys on it and showing me around. ‘Big, old, high ceilings, high walls, heavy security, nice area. You’ll be fine here.’ There’s a garden cottage at the back, once intended for a live-in maid, which Sarah will use as an office, and a shiny black SUV that comes with the job. Jason gives me the names and cell numbers for the domestic worker and the gardener, the utility and telecoms account numbers and passwords, the password and emergency number for the security company, a list of decent restaurants in the area, and a whole booklet of information pertaining to security — where it’s safe to go, where it isn’t. Nowhere, according to the pamphlet, is especially safe to walk alone, even in the daytime. Drive if at all possible, and tell someone where you’re going, when you expect to arrive, and when you’ll be back. This seems excessive to me, but then I’ve never lived in Johannesburg and can only go by the stories I’ve heard. Jason points out the panic buttons — at least one in every room, sometimes two or three — and gives me two mobile panic buttons on lariats that Sarah and I can wear around our necks.

‘You should wear these at all times,’ he says, ‘because you just never know when the woman who comes to the gate selling mealies might actually be a man in a fat suit with a gun. You don’t want to end up murdered in your bed. Change the passwords regularly. Rose has worked for me four of the last five years and I’d trust her with my life. Andile, the gardener, you have to watch like a hawk, but as long as he comes on a day that Rose is here she’ll do that for you and you won’t have to worry. But you’re a local, I hardly need to tell you all this.’

I offer to drive Jason to the airport, but he’s already arranged a car service, and half an hour after arriving I’m left alone in this luxury bunker. Growing up I could never have imagined that I’d live like this, with staff (even if part-time), two cars, a swimming pool, and security as extensive and high-tech as anything Greg has in Cape Town.

I order a pizza — ‘Never let a delivery man in, always take the food through the slot in the gate,’ Jason warned me — and then phone Sarah before she leaves for the airport. We’ve adjusted to these separations, though in the past it’s always been her work that has taken her away from home instead of mine, and that’s only going to continue once she arrives. After the holidays she’ll be off to Angola for two weeks to cover the oil industry; Nigeria after that, Sierra Leone, and no telling where else. She’s braver than I am, so I know I don’t need to worry about how she’ll adjust to living here. Given the work, she’s unlikely to be in Johannesburg more than half the year.

With the TV news in the background, I get online to look at the profiles of my new colleagues at the university. Like the jobs I’ve had before, this is only a fixed-term position. Sarah’s is the job that matters, at least for now, and the one that determines where we live and for how long.

On a whim, I search the university site for anyone named Timothy or Lionel. Not knowing their surnames, I’ve been looking for likely Lionels and Timothys over the years, but there are countless people with the same first names in the archive of TRC testimony — the first place I thought to search — and none of them seems to match the little I know about either of the men or their activities.

There’s a hit in the Anthropology Department for a Professor Lionel Jameson. I click on the link for his staff profile. When his picture comes up, I know at once it’s the right man.

Sarah’s flight is delayed so I wait at the Woolworths in the concourse of shops between the International and Domestic Terminals. I order a bran muffin and coffee and sit at the long white communal table, my back to the entrance.

After a few sips of the coffee, a hand reaches into my space, dropping a tattered rectangle of brown cardboard next to the saucer. I look up to see a giant scarecrow of a man who doesn’t make eye contact with me, but just stands there. In a scrawl of Afrikaans on one side and broken English on the other, the slip explains that he is deaf and needs money. I’m short on cash, so I give him a five-rand coin, dropping it into his hand, which stretches out the moment I reach for my wallet. A look of disappointment flashes across his face when he registers what the coin is, like he can’t believe I’d be giving him so little. He doesn’t thank me, still won’t even look at my face — does nothing to acknowledge the coin apart from appearing crestfallen. Without bothering anyone else, he walks out of the store, and as he goes I see that his jeans are completely sodden and stained. He’s doubly incontinent, and only then do I smell it, as he’s walking away, unharassed by the security guard. The jeans are frayed to above the ankles and his shoes are both missing the heel and quarter, the entire back part of the shoe, so they’re more like clogs, flapping and thwacking the floor with each step. I watch him leave and go back to eating my twenty-rand bran muffin, which tastes like the best muffin I’ve ever had and has been served with a ramekin of grated cheddar cheese and an individual pot of jam. I wonder in a surge of irritation why the guard, a plump uniformed woman who seems aware of nothing in particular except the romance novel she’s reading, failed to stop the man from coming in to bother paying customers. I’m outraged, and just as suddenly I can’t believe that I’m outraged, and then I become outraged at my own outrage. I worry that Sarah will regret moving here the minute she’s off the plane and we’re surrounded by men offering to help us, to show us the way, to carry our bags: a minefield of opportunists, the genuinely desperate and the criminal.

Sarah finally arrives and when I see her come through the doors from customs I feel a flood of relief to be with her again. I hate these separations because they always remind me of other separations. Men offering taxis and directions begin to swarm. I pull us out of the melee to a quieter corner. She kisses me and I try to feel calm, but I can’t help looking past her to be sure no one swipes the luggage.

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