Daniel Galera - Blood-drenched Beard

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From Brazil’s most acclaimed young novelist, the mesmerizing story of how a troubled young man’s restorative journey to the seaside becomes a violent struggle with his family’s past
— So why did they kill him?
— I’m getting there. Patience, tchê. I wanted to give you the context. Because it’s a good story, isn’t it?
A young man’s father, close to death, reveals to his son the true story of his grandfather’s death, or at least the truth as he knows it. The mean old gaucho was murdered by some fellow villagers in Garopaba, a sleepy town on the Atlantic now famous for its surfing and fishing. It was almost an execution, vigilante style. Or so the story goes.
It is almost as if his father has given the young man a deathbed challenge. He has no strong ties to home, he is ready for a change, and he loves the seaside and is a great ocean swimmer, so he strikes out for Garopaba, without even being quite sure why. He finds an apartment by the water and builds a simple new life, taking his father’s old dog as a companion. He swims in the sea every day, makes a few friends, enters into a relationship, begins to make inquiries.
But information doesn’t come easily. A rare neurological condition means that he doesn’t recognize the faces of people he’s met, leading frequently to awkwardness and occasionally to hostility. And the people who know about his grandfather seem fearful, even haunted. Life becomes complicated in Garopaba until it becomes downright dangerous.
Steeped in a very special atmosphere, both languid and tense, and soaked in the sultry allure of south Brazil, Daniel Galera’s masterfully spare and powerful prose unfolds a story of discovery that feels almost archetypal — a display of storytelling sorcery that builds with oceanic force and announces one of Brazil’s greatest young writers to the English-speaking world.

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I don’t know what you’re talking about.

He gets up, goes to the wardrobe in the bedroom, and rummages through the contents of a box until he finds the folded piece of paper. He hesitates for a moment. Part of him doesn’t want to show her and would rather tear it up, throw it in the trash, and change the subject. But another part remembers that nothing can be erased. You can’t pretend that something doesn’t exist.

He goes back into the living room and hands it to Viviane. She reads it quickly and looks up with an expression of confusion and disappointment.

Is this a joke? I didn’t know what you had written here.

But you remember that you dated and signed it, don’t you?

Now I do, but what the fuck? If you knew that we were going to break up, if you knew that one day I’d show up to tell you I was pregnant, why didn’t you say so then? Why didn’t you do something?

I did everything I could. Maybe it feels like nothing to you, but I did everything I could. It wasn’t a lot. There wasn’t a lot I could do. I knew it wouldn’t make any difference.

She walks over, hands the paper back to him, and sits on the sofa.

I really don’t like this. What did you do it for? Seriously, what was your intention? To be able to say “I told you so” or “I knew it” or something like that? Does it make you somehow superior to me? Superior to your brother? Do you know everything that’s going to happen to everyone? Who do you think you are?

No. That’s not it. I think I wrote it down more to assure myself that I wasn’t crazy. So that when it happened, I’d know that I really had seen what was to come. And that there was nothing I could have done. Or you.

Or Dante.

Dante too.

But why did you let me go, then? Why didn’t you try to keep me in Porto Alegre? Why didn’t you come with me?

You know the story as well as I do, Viv.

No, I don’t. You’re the one who knows everything. Help me out here, because I don’t get it. I don’t know how you see things. I don’t know what you’re doing now.

Dante decides to move to São Paulo, and a month later you get a work offer there. You’d dreamed of it for a long time, to get you out of that suffocating little backwater, as you used to say, like a house with a low ceiling that forced you to stoop. And you were right. For someone like you, Porto Alegre is small. I couldn’t go with you at the time because I was training for the Ironman in Hawaii. Which was my dream . There was no way I could just stop and move to São Paulo out of the blue. Then Dante goes and gets a huge apartment somewhere or other and invites us to go and live with him in the beginning, and you ask me if I’d mind if you went on ahead. If I’d mind . Which was the same as asking my permission. I think that was when I saw everything. It was pretty easy to see. Everything that was taking shape at that moment in time, forgetting the little stories we make up in our heads, our desires, the things we’d like to happen, just looking at reality, every single thing had a consequence. It wasn’t a puzzle. Because I knew Dante liked you.

Did he ever tell you that?

No, but he’s my brother. And I could see how much you admired him. Especially after he published his book. Or the second or the third, I don’t know. The one that did well. I read that crap. I recognized everyone in it. Friends of mine were characters in it. The only part of our adolescence that he didn’t devour with his fanciful imagination was me. He had the decency to leave me out. All the rest is there. And he calls it fiction.

Well, technically—

But it doesn’t matter. I know you loved me, Viv, but I also know that sometimes you thought I was a thick athlete, uncultured. Which is what I am. A nice guy, a good person, but not an intellectual. Big dick, small mind. When we met, you were only twenty-one, and that was all you wanted. But it got stale. Maybe if I’d been a bit more open-minded. If I’d read the books you’d given me and liked them. If I’d changed over time. If I’d taken an interest in your world. If I’d been a little more like someone I wasn’t. Imagine if I was a writer .

Don’t say that. You’re making light of what I felt for you. What I still feel.

No, I’m not. I know what you felt for me. I felt what you felt for me. I know that in a way you’ve never stopped loving me. But am I wrong? Wasn’t that what was going on when you asked me if I minded?

You’re exaggerating.

Maybe. But I’m exaggerating something real.

She looks at him with an expression not of anger but of animal ferocity, of self-defense, and a single tear escapes her left eye, plops onto her cheek, and falls to the ground as she asks the next question.

So why’d you say you didn’t mind if I went? If you already knew it was going to happen?

Don’t cry, Viv.

I’m not going to cry. Tell me why .

Because I was going to lose you anyway. The only question was how. If I’d held on to you, today I’d be the guy who held you back. And I would have.

Oh, thanks a lot. You’re so nice. What a sacrifice. You thought it best to keep quiet and let me go so you could be the victim. The victim with his ridiculous piece of paper saying I knew it .

I’m not the victim. There’s no such thing.

Maybe I wouldn’t have gone if you’d insisted that I stay.

Don’t fool yourself.

She shakes her head and blows air through her nostrils.

So you knew everything. Well, I didn’t. I didn’t predict that any of it was going to happen. I just fell in love with him. I had no way of knowing that my life was going to become a poor remake of Jules et Jim . You could have told me if you already knew. I’d have prepared myself better. Can I have a glass of water?

He goes into the kitchen and comes back with her water. She drinks it all and holds the glass in both hands so tightly that her knuckles turn yellow, and he is afraid the glass might break.

I should have told you this as soon as I came. Now it’s going to be harder. But I’ll say it. I came to ask if you’d be the godfather.

He takes his eyes off the glass and looks at her. She gives him a little smile.

I don’t think you saw that one coming, did you?

Does he want it too?

It was his idea.

And do you think it’s a good one?

I do.

It sounds completely absurd to me.

Whatever. It’s time we put this all behind us. All this resentment. Your father died, and you guys weren’t even able to give each other a hug at his funeral. Your mother pretends it doesn’t matter, but she’s afraid to broach the subject with you. Dante’s afraid too, but he’s suffered a lot as a result of all this, and he misses you. Everyone’s hurting like hell, and it isn’t necessary. It isn’t worth it . But I’m not afraid to ask you. Because think about it. It’s perfect. Precisely because it sounds absurd. It’s our child. Your nephew. Let’s take the opportunity to move on. We’re young, but we’re grown up. We can still do the right thing and live everything that we still have in front of us without any bitterness. It’s a question of family. We’re a family. I know how much that means to you. Have you thought about it like that?

Stop.

You know I’m right. It’s your resentment that’s stopping you from accepting.

I understand what you’re saying. But I can’t.

You can’t?

I can’t accept.

You’re turning down our invitation to be your nephew’s godfather. Really?

Look. I understand what you’re saying. Imagining it, it really is perfect. But it’s impossible. I can’t pretend it’s possible. I can’t forgive him just like that. You’re out of your minds.

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