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Tessa Hadley: Clever Girl

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Tessa Hadley Clever Girl

Clever Girl: краткое содержание, описание и аннотация

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Clever Girl New York Times Married Love The London Train Like Alice Munro and Colm Tóibin, Tessa Hadley brilliantly captures the beauty, innocence, and irony of ordinary lives — an ability to transform the mundane into the sublime that elevates domestic fiction to literary art. Written with the celebrated precision, intensity, and complexity that have marked her previous works, is a powerful exploration of family relationships and class in modern life, witnessed through the experiences of an English woman named Stella. Unfolding in a series of snapshots, Tessa Hadley’s moving novel follows Stella from the shallows of childhood, growing up with a single mother in a Bristol bedsit in the 1960s, into the murky waters of middle age. Clever Girl

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She must be asleep in my bedroom, next door. I hadn’t made much noise, unlocking and stumbling in on the end of my ribbon, but I imagined the effect of it rolling out from me like waves towards the bedroom door and pressing through it; the bed — my bed — creaked and sighed in its intimately known voice. Someone stirred, rolled over — the style was alien in our home, uninhibited and loose and large. Then a growling, deep-throated rumble, one of those satisfied private noises from the borders of sleep, was unmistakably a man’s. I was appalled, invaded. I might have thought he’d murdered my mother and taken her place if I hadn’t heard afterwards her own neat little squeak, sleepy and humorously protesting. He was in there with her; they were drifting together into wakefulness. But what life did my mother share with an unknown man? Who knew her this well, apart from me — to share her sleep with her? I had never thought of bed before as anything but an innocent place.

In a daze of rage I stepped over to the table, felt in Mum’s handbag for her purse, slipped the worn clasp, and helped myself to her change — not all of it, two half-crowns and a sixpence and a few pennies and halfpence. I had never done such a thing before, or even dreamed of it. I couldn’t remember why my right hand was clenched awkwardly shut; when I unlocked my fingers my palm was grooved with the impress of the sharp edges of the buckle. I put back Mum’s purse, tipped the coral button and the buckle on to the table and left them there. Disgust made me deft and bold; I exited as soundlessly as if I’d never been inside the room.

My hands tasted of hot copper from the pennies. I knew where to wait, five minutes’ walk along the road from our house, because I caught this bus with Mum every Saturday afternoon, to go to the stables where I had my riding lesson. Only the number 83 called at this stop outside the high wall, topped with broken glass stuck into cement, of a red-brick factory which made brake linings (I pictured these as brilliant coloured, silky). The bus company’s yellow tin sign on its concrete post seemed for a long while a forlorn flag announcing nothing, and I felt conspicuous though no one passed except the milkman, his bottles jostling and chiming.

But an 83 did come. I paid the conductor and he didn’t question me, dropping the money in his leather bag and winding my ticket from the machine slung across his shoulder. I had to change in the city centre to go to Keynsham; for a long time this second bus sat without a driver while I waited inside, the only passenger, too agonised with shyness to get out and ask when it would leave. I was hungry by this time for my breakfast. We began our slow progress eventually, through the suburbs to the outskirts of the city. Everything I saw from my window at the front on the upper deck, where my mother never wanted to sit — boys setting out a cricket game on a recreation ground, the bombed-out shell of a church with the grass neatly mown around it, car showrooms with plate-glass windows — looked more real, dense with itself, because I saw it alone. When I stepped down at last at my destination from the platform of the bus, I snuffed up triumphantly the perfumes of manure and of clogged, rotten ditches overgrown with brambles, rejoicing at the crunch under my sandals of dried mud grown with sparse grass, set in its deep ruts and tyre tracks, whose forms I broke as I trod.

What I’m thinking now is that it was a long way for my mother to bring me on the bus every Saturday, just for me to have the riding lessons I yearned and pleaded for. No doubt there was an element of snobbery and aspiration in her determination to get me to the lessons, and to pay for them — just as there was in her wanting me to go to the High School. (We fought about these aspirations, later.) For all I know she was imagining Elizabeth Taylor and National Velvet. But it was still a long way to Keynsham and back on her only free day of the week (on Sundays we went for dinner to one of my uncles’ houses). She had to get all her shopping done on Saturday mornings. What did she do while I lumbered around the paddock on the backs of the fat little ponies, Dozey and Boy and Melba and Star and Chutney? I think she brought her library book with her (Erle Stanley Gardner or Georgette Heyer or Harold Robbins). I think she boiled the stable girls’ electric kettle and made herself instant coffee, and that in fine weather she sat reading and smoking on one of those folding wooden chairs on the collapsing verandah that ran along the end of the pavilion (as we grandly called it — it was really more like an overgrown garden shed). Mostly it wasn’t fine weather, and she must have stayed inside where it stank of leather tack and pony nuts and where in winter they lit a fumy paraffin heater. She took no interest in the horses and wouldn’t go near them.

She waited after the lesson when I was allowed to groom Star, going at him with the body brush, lifting his mane to work underneath, releasing the potent musk smell of his sweat, dusty and greasy. Kissing his nose I made contact, through the hot pelt grown close like stubbly chenille on the hard bone of his skull, with that urgent wordless horse life which moved me so inexpressibly. And then we set out home again on the two buses.

The stables were at the back of a grand half-ruined old house where nobody lived; the couple who ran them had a ramshackle bungalow in the grounds. Jilly was fierce, lean and sun-dried; Budge (their surname was Budgen) tubby and uneasily jovial. They were both perpetually distracted in an aura of money-anxiety and failure; even though the place must have run itself, pretty much. They had to buy the feed and equipment but most of the work was done for free by a clique of girls fanatical about horses. The great prize was to be allowed to ride the ponies bareback to the field after the lessons were over. These girls were older than I was, thirteen or fourteen, and I was in awe of their swagger and their loud talk about feed supplements and gymkhanas (a lot of this was wishful thinking — we didn’t go to many gymkhanas). Their ringleader was Karen, decisive and devoid of humour, with a stubby neat figure, startling light blue eyes, and a stiff mass of curls the non-colour of straw. She lived locally and seemed to spend all her time at the stables, although I suppose she must have gone to school. It was impossible to imagine Karen compliant in a classroom — her independent competence seemed so sealed and completed.

Karen was in charge by herself that Saturday morning when I arrived; she had taken the ponies down to the field and was in the middle of mucking out. Wiping sweat from her forehead on to her sleeve, she peered at me, frowning: I wasn’t supposed to arrive until hours later. And she must have registered that I came for the first time without my mother, though she didn’t comment. I babbled something about wanting to come up early, to help out; she swept me with her focused, narrow glance, summing me up.

— You can help with this lot.

She handed me one of the stiff brooms we used to clear out the filthy straw from the stalls. I didn’t have my stable clothes on but in the abandonment of today it didn’t matter. With Mum’s money I had bought chocolate and an orange drink at the shop across the road from where the bus stopped, so I wasn’t hungry any longer and I set to work energetically. Soon I stripped off my jumper. Karen and I settled into a companionable unspeaking rhythm of labour and procedure. I loved the noise of the bristles hissing against the cobbles in the wet from the hose. The forbidden nursery stench of horse shit and piss was gagging, overwhelming; there was a triumph in getting so deep into muck, then resurfacing into an order where all the stalls were spread with clean straw and all the hay-nets full. I suppose as little girls we were excited by the ponies’ shamelessness, which was also innocent; and by the matter-of-fact way we were thrust up against their gargantuan bodily functions, cheerfully chaffing and scolding them for it. We couldn’t help seeing the male ponies’ penises, sometimes extended in arousal — the older girls joked about their ‘willies’, but joking couldn’t encompass the naked enormity, appalling, stretching imagination and inhibition. Sometimes as you led the ponies back into a stall where you’d just put out clean bedding, they pissed into it voluptuously.

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