Christopher Sorrentino - The Fugitives

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From National Book Award finalist Christopher Sorrentino, a bracing, kaleidoscopic look at love and obsession, loyalty and betrayal, race and identity, compulsion and free will… Sandy Mulligan is in trouble. To escape his turbulent private life and the scandal that’s maimed his public reputation, he’s retreated from Brooklyn to the quiet Michigan town where he hopes to finish his long-overdue novel. There, he becomes fascinated by John Salteau, a native Ojibway storyteller who regularly appears at the local library.
But Salteau is not what he appears to be — a fact suspected by Kat Danhoff, an ambitious Chicago reporter of elusive ethnic origins who arrives to investigate a theft from a nearby Indian-run casino. Salteau’s possible role in the crime could be the key to the biggest story of her stalled career. Bored, emotionally careless, and sexually reckless, Kat’s sudden appearance in town immediately attracts a restive Sandy.
As the novel weaves among these characters uncovering the conflicts and contradictions between their stories, we learn that all three are fugitives of one kind or another, harboring secrets that threaten to overturn their invented lives and the stories they tell to spin them into being. In their growing involvement, each becomes a pawn in the others’ games — all of them just one mistake from losing everything.
The signature Sorrentino touches that captivated readers of Trance are all here: sparkling dialogue, narrative urgency, mordant wit, and inventive, crystalline prose — but it is the deeply imagined interior lives of its characters that set this novel apart. Moving, funny, tense, and mysterious,
is at once a love story, a ghost story, and a crime thriller. It is also a cautionary tale of twenty-first century American life — a meditation on the meaning of identity, on the role storytelling plays in our understanding of ourselves and each other, and on the difficulty of making genuine connections in a world that’s connected in almost every way.
Exuberantly satirical, darkly enigmatic, and completely unforgettable,
is an event that reaffirms Sorrentino’s position as an American writer of the first rank.

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Nice little foxhole there to climb into. Twenty years, and you know the way Indians died off, pickling themselves with hair tonic and smoking their lungs black with tax-free cigarettes and stuffing their arteries with trans fats. Who’d be left to remember who had been where? She liked, too, the Boy’s Book litany of romantic occupations, the sorts of jobs that she could see a predelinquent Saltino thrilling to in his cot in Darkest Brooklyn. There had to be a thousand of these storytellers plying their trade around the Great Lakes, each with some mythically gritty background, like you couldn’t strum a guitar or shake a rattle if you programmed computers or adjusted insurance claims. Not all of them pretended to be Indians, though that wasn’t unheard of either. It was just another of the hustles that Indian culture had been reduced to. Blankets, pots, storytelling, casino gambling. It amused her that it was the last that struck so many people as being particularly profane. She looked at the picture of Salteau, banging that drum with the palm of his hand. There were the acne scars. She straightened three fingers and, joining them, rapidly drummed them against her open mouth: woo woo woo woo woo woo woo woo!

9

S HEassembled him piece by piece, out of scraps, a flyer here, listings of some town’s Weekender coverage there. She came across a dozen pictures on Flickr of a performance he’d given in Manistee. She almost wished, just to be able to feel surprised, that she didn’t already know what the pictures themselves, and their captions, told her: John Salteau, Manistee, June 2007. That was all. Crowds and sunshine. Baseball caps, T-shirts tucked neatly into creased, acid-wash jeans. White sneakers. She went to Borders and read children’s books on Native American legends. Atrocious books, really, all pretending to a kind of overarching wisdom about life and death, a native understanding of the delicate communion between man, nature, and spirit; standard stuff. Just once she’d like to read a story about some hunter getting his face ripped off by a grizzly. The best Indian story she’d ever heard had to do with a captured Oglala Sioux who’d laughingly denigrated his torturers’ mothers, sisters, and daughters while they sliced off his nose, his ears, gouged out his eyes. That wasn’t in any of these books, though. But it wasn’t as if anyone actually reviewed Salteau, i.e., discussed what he said, sang, or danced critically or in any kind of detail. Uniformly, the news items were of the “and a good time was had by all” variety, touching equally on the storytelling, the candle-dipping, the cherry pie, the weather. She worried that Nables’s doubts were quietly being vindicated. What exactly did she want out of this? She sucked hard on a nicotine lozenge, shoved her hair out of her face. Corroboration might be key. She ogled the pictures on Flickr hungrily but discovered that the disguise he’d assembled was impregnably generic, a particularly colorful piece of clip art. That she could know without confirmation was the investigative challenge that she was encountering for the first time in her career. She had Becky’s claims, but she doubted somehow that Becky would go on the record. She kept digging around, unearthing endless discrete information. Magic of the Internet: a trillion “facts,” zero cohesion. Or, rather, total cohesion: the Internet managed to atomize the patterns of individual lives into their endlessly replicable fractal components; the announcements, the rosters, the rankings, the professional listings, the genealogical discussions, the court decrees, the quotes, the miniature scandals, the obits, all the endless vanities gratified by the free availability of massive server racks in climate-controlled facilities.

Then she discovered that Salteau had a regular gig at a public library in Cherry City. Twenty-minute drive from Manitou Sands, some balls. A storm system was lacing North Dakota and Minnesota with snow, snow measured in feet, and was heading southeast, so Kat arranged her trip literally on the go, making the plane reservations via phone as she took a cab to her place to pack an overnight bag. She was worried that the airport in Cherry City might close, that he might disappear for real. It was a possibility. She asked the cab to wait for her.

Justin behaved with calm agitation after she entered the apartment, following her from room to room and wringing his hands. Who ever would have thought that she’d pray there wouldn’t be conversation? The dream of her life, growing up with a grandfather who might say three dozen words to her in a day, was to hear talk all the time, no haven’t-had-my-coffee-yet, no just-let-me-relax — and now silence suited her at home. Silence was peace. What a life. There’s always the door, Kat, she said to herself. Take down a bigger bag and pack it with more things and don’t come back. Justin followed her around and then parked himself on the threshold of the sunporch, cruciform, one hand gripping either side of the broad frame in which the flung-open double doors were hung, his back to the bright little unheated room. He watched her as she moved around the apartment, swiftly gathering her things. Didn’t even need a bigger bag. The days of the steamer trunk were over. Just needed her phone, her laptop, a wallet full of cards, and she could begin a new life this afternoon if she wanted. Nothing had to tie her to a place or to a past. She knew that. Personal history was a string of numbers. The days of the orally preserved reputation were over. The numbers just had to add up to something neither delinquent nor criminal and match the name. Who cares who had done what to whom? The days of the small town were over. It just took a plane ticket to discover that the balm of night could make anyplace feel like home. Home was within the pages of the right magazine. Your authority derived from the story you recognized to be about yourself. You adopted it, told it, then found other people who told the same story. The days of evading witnesses were over. The witnesses eliminated themselves; faded into the fabric of new jobs, new cities, new pastimes, new friends; multiple vectors diverging from a common originating point. The days of people were over. It was a vast democratic plurality of groups out there — political parties, associations, alumni, fans, account holders, veterans, employees, signatories, professions, and end users. Join and vanish. Learn the secret handshake, get the secret haircut. Try to be a person and you realized just how alone you really were. The only thing to do was to break away, shed what marked you before you were shed and disowned.

She didn’t see how making any big gestures would help now, though. The days of big gestures were over too, for her, at least. Big gestures were a threat after a certain age, the destabilizing activity of dangerous people. At her stage of life, everything was about — the jargon rhapsodized about — incremental growth and change. Any duplicity could be rationalized and explained away by the exhibition of some painstakingly acquired sophistication: a degree, a job, a cause, a taste for vintage vinyl. She’d been absolutely ruthless to Danhoff, kind man that he was, leaving without warning and then serving him with papers, and the nicely stage-managed theme of that betrayal had been “Outgrowing the Older Man.” To Danhoff, yeah, it probably had seemed like a big gesture, but that was her particular shot at incremental growth and change, and his friends had forgiven her almost as lavishly as they’d pitied him. Familiar soap story, a woman figuring out on the wing what marriage actually meant to her, free to discard her superseded choice. The common perception of her purity of motive had been established by her disinterest in pursuing her legal right to their community property, though the Craftsman house she’d kindly ceded to him must have been the coldest of comforts.

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