Christopher Sorrentino - The Fugitives

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The Fugitives: краткое содержание, описание и аннотация

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From National Book Award finalist Christopher Sorrentino, a bracing, kaleidoscopic look at love and obsession, loyalty and betrayal, race and identity, compulsion and free will… Sandy Mulligan is in trouble. To escape his turbulent private life and the scandal that’s maimed his public reputation, he’s retreated from Brooklyn to the quiet Michigan town where he hopes to finish his long-overdue novel. There, he becomes fascinated by John Salteau, a native Ojibway storyteller who regularly appears at the local library.
But Salteau is not what he appears to be — a fact suspected by Kat Danhoff, an ambitious Chicago reporter of elusive ethnic origins who arrives to investigate a theft from a nearby Indian-run casino. Salteau’s possible role in the crime could be the key to the biggest story of her stalled career. Bored, emotionally careless, and sexually reckless, Kat’s sudden appearance in town immediately attracts a restive Sandy.
As the novel weaves among these characters uncovering the conflicts and contradictions between their stories, we learn that all three are fugitives of one kind or another, harboring secrets that threaten to overturn their invented lives and the stories they tell to spin them into being. In their growing involvement, each becomes a pawn in the others’ games — all of them just one mistake from losing everything.
The signature Sorrentino touches that captivated readers of Trance are all here: sparkling dialogue, narrative urgency, mordant wit, and inventive, crystalline prose — but it is the deeply imagined interior lives of its characters that set this novel apart. Moving, funny, tense, and mysterious,
is at once a love story, a ghost story, and a crime thriller. It is also a cautionary tale of twenty-first century American life — a meditation on the meaning of identity, on the role storytelling plays in our understanding of ourselves and each other, and on the difficulty of making genuine connections in a world that’s connected in almost every way.
Exuberantly satirical, darkly enigmatic, and completely unforgettable,
is an event that reaffirms Sorrentino’s position as an American writer of the first rank.

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Kat had questions: Did the casino call the police? How did the cashier tell him the tally every single day if he was sometimes gone for days at a time? Where would he usually go after he’d picked up the money? Who is Argenziano? Did Saltino actually work at the casino? What was his title? Could she tell her a little more about operations inside the cage? What made her certain it was Saltino at the fair? But Becky had started to get a little hazy, digressive. She slurred a bit, as if she’d been drinking steadily throughout the conversation.

“So why’d you come to me with this?” Kat asked.

“Well, for one I just got sick to death of the bullshit. Thieves on thieves on thieves on thieves. And you’re a reporter. I figured on you still being at the Free Press, but that’s OK. Maybe if Chicago ain’t interested you can pass it on to one of your old friends down in Detroit. And for another I kind of thought you’d be into it. I figured you of all people would be real curious about why anyone’d want to be an Indian.”

“What’s that supposed to mean?”

“Just messing with you.”

“It doesn’t mess with me,” said Kat. “I know what you think, what you’ve always thought. It’s not true. I just have a different kind of life.”

This was something Becky had always tweaked her about, another reason Kat had fallen out of touch. It wasn’t Kat’s fault. She hadn’t done anything to promote misconceptions about her identity. The opportunity to “confess” never came up. People made assumptions and who were you to correct them? If you did, half the time it meant answering dumb questions and confronting the weirdest of notions, the most ridiculous of which had to do with your familiarity with electricity, running water, eating utensils, etc.; the most innocuous of which had to do with spirit names, ghost winds blowing across the prairie, totems appearing, glowing, from out of the virgin dark of another new midnight deep in the forest primeval; and the most repulsive of which were simply repulsive. At the U of M she’d avoided the Native American Student Association like the plague; two reps turned up at her dorm room in South Quad and she told them no thanks. People got the idea that she was maybe Filipina, or Vietnamese, or Chinese, sometimes Latina, nobody asked point-blank, some people probably knew or guessed but never said anything; it was all fine with her either way. Then she left school and entered the zone of adulthood, jarring-enough transition; instant intimacy sheared away and replaced by endless prolonged acquaintanceship, people asked what she did and where’s the copier toner and have you seen that movie; she dyed her hair blond for eight months on a whim and so she was white, an olive-skinned white, maybe one of those Puerto Rican girls who smell of peroxide; then she dyed it back to her normal color and the guessing game began all over again — Asian? South Asian? North African? — but somewhere along the line the Indian had been washed away, and if the subject never came up, she wasn’t going to raise it, wouldn’t apologize for not having hair down to her ass or Sacheen Littlefeather braids, for not wearing denim and buckskin everything, for not being overtly spiritual, for not having huge gaudy enameled silver jewelry and beaded belts, for not cashing her welfare checks at the liquor store and for not having stood in line for free cheese.

“You went off the reservation, that’s for sure,” said Becky.

картинка 11

LATER, KAT SATin the living room breathing hard. There was a good reason she wasn’t in touch with Becky: it upset her. She thought about what had come out of her mouth, unsummoned: I ain’t Mrs. Danhoff no more. When’s the last time she used a construction like that? Was that “Indian”? Or just bad English? Or something else entirely?

8

A FTERmeeting Argenziano, Kat spent the night in Cherry City at a motel near the airport. She ate food from Chili’s out of an insulated foam box. These boxes invariably held out a promise, a promise that was never broken, of a gelid and congealed unappetizingness, a promise that seemed inherent in their awkward unbalanced heft, their spongy texture. The room smelled strongly of barbecue sauce. She closed the lid. The perforated lip that fitted over the tab had broken and the lid kept springing back up. She tried to get it to stay shut. The box wasn’t quite strong enough to support the weight of the Bible she placed on it to hold it shut. She thought about testing objects of varying weight, different combinations of them, but the idea brought her back to the essential unimportance of the task. It was just a way she had of thinking about her surroundings to comfort herself. For instance, she thought like this when she and Justin argued: thought, then, of straightening pictures and evening the spines of the books on the shelves; of centering objects on the coffee table. She was still kind of listening to Justin, kind of, but it was someplace else to be, something else to be doing other than being jammed at the end of the couch or on a corner of the bed, pinned down in whatever position she’d occupied when he decided to strike. Some people, no doubt, thought of a distant beach or a favorite city, slipped away to some Old Quarter of the mind, but she wasn’t interested in a complete removal, only in vaulting back into the everyday. She wanted to be sipping wine while holding a bitter nicotine lozenge in her mouth, reviewing the copy she’d written that day, futzing with it, one hand lazily typing in minor corrections, the fingers of the other loosely gripping the stem of her glass. She wanted to be attacking the unremovable stain on the front right burner. Evening those spines, pulling the books flush against the edge of the shelf, Justin going on and on about whatever she’d done lately that had disappointed and upset him. They were everyday tasks, built up out of nothing and into the world of routine.

She was done eating this stuff and wanted to drink her second bottle of beer, but she knew he’d call soon and she wanted to save it to relax with, after. He would relax as they talked, thawing whatever stanchion of icy tension had formed in him over the course of his day. She might have called him, but she didn’t feel like it. She pushed the box aside (the lid bouncing) and placed her computer before her on the table. Within fifteen minutes she understood that while transfer pricing ordinarily was something she’d probably have to ask one of the financial reporters about, in this case it seemed very likely that the strict definition of the term did not apply to the joint practices of South Richmond Consultants and the Northwest Michigan Band of Chippewa Indians. If she had correctly interpreted Argenziano’s off-the-record hypothetical, Saltino was a bagman, just as Becky had told her.

The phone rang and she talked to Justin by the light from the bathroom, sitting on the floor next to the bed. The room seemed no more strange to her in semidarkness than it did fully lighted. She heard the muffled voices of people in neighboring rooms, water rushing through pipes, the engines of late-arriving jets falling toward the runway. The mean, scarred carpet underfoot felt as if it had been laid directly over poured concrete. She could still taste and smell barbecue sauce. She fixed the full bottle of beer, unopened and beaded with sweat, with her gaze. Justin talked.

“I get the edits back and he says you didn’t talk about the décor. Day core? I’m writing about food, I thought. He’s, they want to know where they’re eating, you’re sending them out to the West Loop, bla bla bla. I’m all, this is Chicago. We’re talking about people who at least want to be hip enough to not worry if there are red leather banquettes like at the fucking Pump Room. Come on please. They know they’re not on Rush Street. He says Rob Itzik writes about the day core . Rob Itzik.” Rob Itzik wrote the restaurant column for the Sun-Times . “Rob Itzik writes like a fucking used-car salesman. And I don’t know shit about day core . Just food . It’s the food section. You want someone to write about day core, put it in the day core section. So he says, the condescending hack, he, he, he gives me tips. Tips. These are just some words you can use, he says. He says, storefront. He says, homespun. He says, cozy. He says, romantic. Homespun. What does this even mean? A shawl? How does this correspond to what’s on the plate? And then. Then the piece de resistance. We finally get past the fucking furniture and he goes, so why did you write about these dishes? Why didn’t you write about the country ribs? That’s the specialty. And I’m, everybody’s written about the country ribs. The country ribs were practically on the cover of Time . Hello! This is the mind of a guy who says homespun . I honestly don’t know if I can do this anymore. I honestly don’t.”

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