Michael Seidlinger - The Strangest

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The Strangest: краткое содержание, описание и аннотация

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Michael Seidlinger has dared tackle one of the literary classics of the 20th century literature and reimagined it for the 21st: and in Albert Camus’ anti-hero Meursault, at once apathetic and violent, unable to connect with his fellow humans, Seidlinger exhumes a perfect metaphor for the Internet Generation. Zachary Weinham, anchorless in terms of morals and committed to nothing except commenting on comments and their comments etc., finds himself involved in the sinister machinations of Rios, someone he meets in a bar, and allows himself to be set up — whether out of apathy or a desire for self-destruction it’s hard to tell. A murder ensues. Shunned by his friends and associates, not sure of what he has gotten into, Zachary heads for confrontation with society — and his own moral values.
“For a line to exist, it would first have to be crossed.”
"A smart adaptation indeed of a hallowed classic, repositioning it for a grimmer world three-quarters of a century on." "
is a stark and deliberate analysis of life in the 21st Century. Its evaluation of not just social media, but modern presence and its adaptation of what I’ll refer to here as a the new human condition, is, much like Camus’
, authoritative and convincing. Of the string of, or even genre of, contemporary works concentrated on these themes, I found Seidlinger’s
to be, thus far, the most concise and expressive." "[Seidlinger] takes us into the consciousness of a person so withdrawn that he must have some sort of social anxiety disorder; every bit as affectless as Camus’s
, his smartphone is his only lifeline of communication with people, even when they’re right on the subway with him. I like how the author constructs the protagonist’s consciousness, with the integration of social media being elegant and measured, and I particularly like a few pivotal scenes where what is happening is carefully elided by the author — it’s very effective." “Step back Camus, your anti-hero has been fragmented and dispersed via the free-fall of social media. Michael J. Seidlinger’s re-visioning enters the anthropocene without apology or oxygen masks, and asks us to take the trip toward self discovery as if the self was moving particles. A kick-ass ride. A beautiful dismemberment.”
— Lidia Yuknavitch, author of The Small Backs of Children “When I was in high school, I read
in French.
. I was not an A student in French. Maybe a B. Minus. My accent was ‘formidable!’, my grammar and reading comprehension ‘médiocre’. I never looked at that book again, in any language. Now I actually have read Michael Seidlinger’s uniquely compelling
. Am I supposed to now go back read a book of a lesser superlative? This book not only lives up to its title, it does so with impeccable rhythm and a perfectly odd, discomfiting grace befitting of this tale of strangeness updated for our strange present.”
— Elizabeth Crane, author of
“If anyone at any time is in search of a novel that renders the dysphoria and fragmentation experienced by the first generation to live through social media, then he or she should begin with
. Like Camus, Seidlinger does not so much describe anomie as write from it; the result is a strangely resonant book that feels, above all else, honest.”
— Will Chancellor, author of

is a bold and stirring portrayal of the alienation of contemporary life, how technology amplifies our desire for approval and magnifies the horror of others’ judgment.”
— Sarah Gerard, author of
“The world that Michael J. Seidlinger navigates in
is one in which the dying battery of a mobile phone provokes more emotion than a dying tree or child, told by a man whose sole value lies in the affirmation of his online persona, each comment and ‘like’ tallied one by one. Not since Seidlinger’s last book have I encountered the chilling terror of Paul Bowles and his dissonant, virtually toneless minimalism, nor the evisceration of contemporary life that Michel Houellebecq delivers, ruthless as a diamond with a broken heart. Camus himself, I think, would affirm this homage to his famous book, with a solemn nod, perhaps, and the crushing underfoot of his last cigarette. For myself, I’m as nauseated as I am lifted, as redeemed as appalled. If you want a vision of life without a soul yoked to one of ways to smash it, step into this void. The lesson is relatively short, but its benefits are sure to go on and on.”
— D. Foy, author of

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His own father was proud of him.

“Understandably there will be a trial. It will be unavoidable. But Haverly is selecting members of the jury as we speak. He is working to side with the judge. And I am willing to do what it takes to save you from that fate.”

The person people recognize has become the person he thinks he is.

“It is a severe financial commitment but one I am willing to make. Haverly is confident enough that, within a few months, you could be out on bail. This is unheard of, but with the right people on our side, you just might get a second chance.”

Never asks whether or not I am listening.

“You understand what I’m saying, Zachary? You get a second

chance. You can be someone else .”

Never asks whether or not I am even here.

“Look, I am not saying you’re a loser. What I am saying is that it’s looking like you will be portrayed as such. You are talented and capable of living a good life. We all make mistakes. You are capable of a second chance.”

He never asks about me.

He never asks his son if he is okay. It never enters his mind.

The work to be done is the “matter at hand.” I hear what he’s saying, but somewhere it starts to blend in with the noise of the room.

The phone call ends.

I am taken back to my cell.

With some certainty, I might have imagined the call.

Just like you forget to turn off the lights before leaving the apartment, it’s not really there until you are forced to return. The same thoughts bring me to a revision; I see and hear bits and pieces of the call and by the time I feel sick again, I will already be at the toilet, on my knees, ready to let it go.

I will have saved myself from having to clean up after my sickness.

Save myself from the small messes.

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When there is only you, the cell, and the thoughts that stick around, the simplest changes become the biggest. They become the highlight of a time without beginning or end. They work like a slap on the shoulder, the same slap on the shoulder that should have shaken you free, the gesture that should have made you realize that very little of it was genuine.

Instead it made things blurry.

Guilt is a good cover story. But then someone visits and I don’t have a whole lot to say other than, “Yeah I did it.”

Today she visited me.

I had trouble remembering but the walk to the visitation yard gave me enough time.

Veronica looked like Veronica.

Her enthusiasm was as genuine as ever.

She said, “Hello” like it was a normal occasion. But she never greeted me that way, which made me question whether or not she was only here to see what had happened since the murder.

There were other people, a lot of people, visiting other prisoners, but though I looked and tried to count, I could not settle on a number.

12?

17?

I couldn’t just pick one number.

It might as well have been 100.

A hundred people around me. A hundred people listening, talking about me. My time in the relative isolation of my cell had made me more aware of what I could not be without.

I could not just sit there and listen to Veronica.

I could not listen to her.

This wasn’t a conversation.

I instantly became aware of so many voices, and every voice was an opportunity to look and react before I had a chance to explain myself.

Give me a chance to make a first impression.

Give me a chance to be myself.

But then, all I could think was: if given that chance, what would I say?

Veronica spoke with confidence.

She had been doing better since returning to Elite Aesthetics.

I lowered my head so that others couldn’t see me, only her.

“Are you okay?”

She seemed concerned, but I couldn’t tell if that was genuine or more so just because she was talking to me. She chose to visit me; she has some stake in this conversation. The attention drawn to us is shared. She is as receptive to their looks as I am to my guilt.

When I did speak, she criticized me for sounding different.

“You aren’t making any sense.”

I would repeat myself a number of times but it only made it worse.

Veronica changed the subject.

One of the officers told me I had fifteen minutes left.

It didn’t make a difference.

She continued talking.

I didn’t listen.

They were maybe talking about me.

What could they really say?

The considerations were many but difficult to categorize. Every possibility was as bothersome as the past.

Instantly I became angry at the thought.

They felt that they were allowed to think of me in those terms. It was rash to believe that people had the right to label you as something you weren’t.

No matter if they are right, they could only be wrong.

It wasn’t in their right to make someone out to be something without hearing first what they had to say.

No one is sold based solely on the way they act and look.

But almost as instantly I understood that I was wrong.

It made me feel sick again.

I hoped our time had nearly elapsed.

I heard her grin, as genuine as can be. I could not bear to see their glances, hear them maybe speak about me to each other, so I did my best to focus on her, the only person that may have seen me for who I really am.

Someone that didn’t judge me based on my errors.

Someone that said those words to me and meant it.

She loved me. It could only be the kind of love that exists in the past tense. For her to be genuine, she couldn’t love me now.

Veronica moved on.

I could tell that her visit was her way of making sure she had moved on. By the look of it, it’s simple enough to say she was sure.

There was no talk of the party.

There was no mention of Rios, who, when I tried, could no longer be anything but a name I had heard numerous times. No mention of the past, only the present, and how Veronica had been doing well.

“I got a small promotion! It isn’t much, just a half-dollar, but I’ve never gotten a promotion before. It’s, I don’t know, like Jeffrey’s way of telling me that I’m not going to be fired again. That, I don’t know, I am there to stay. Part of the team. Accepted. You know?”

I’d imagine that I understood, or might have understood.

“It makes me happy.”

She reapplied lipstick. I watched.

I had nowhere else to look.

If I dared look elsewhere, I might actually settle on a number.

If I settled on a number, I had this idea that it might imply that I wanted them to look at me. I refuse to believe this.

She puckered her lips, saw that I had been watching, giggled, and said, “I feel good. I’ve been hanging with some of the other employees. They have this circle of friends that’s just full of creativity. They always have some amazing idea; every night is something new. Like, James, he just, I don’t know, always knows of the latest trends. Everything: New places to eat, new hangouts, concerts. Since being around them, I’ve spent almost every paycheck.”

I thought about the likes.

How many likes she would have attained by being friends with this group.

“But I’ve never been happier!”

I thought about friends and followers I had but couldn’t remember any of their names. I tried but came up with nothing.

It used to be an admirable number.

Every once in a while, Veronica looked down at her phone. She texted and she skimmed messages, catching up, staying caught up.

I watched.

Thought for a second about what I may have been missing.

Without being able to type or talk, all I had now were my thoughts.

All I had now was Meurks.

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