Zakhar Prilepin - Sin

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Sin: краткое содержание, описание и аннотация

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Zakhar Prilepin’s novel-in-stories,
, has become a literary phenomenon in Russia, where it was published in 2007. It has been hailed as the epitome of the spirit of the opening decade of the 21st century, and was called “the book of the decade” by the prestigious Super Natsbest Award jury.
In the episodes of Zakharka’s life, presented here in non-chronological order, we see him as a little boy, a lovelorn teenager, a hard-drinking grave-digger, a nightclub bouncer, a father, and a soldier in Chechnya.
offers a fascinating glimpse into the recent Russian past, as well as its present, with its unemployment, poverty, violence, and local wars — social problems that may be found in many corners of the world.
Zakhar Prilepin presents these realities through the eyes of Zakharka, taking us along on the life-affirming journey of his unforgettable protagonist.

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The crow fell silent, and the nanny goats were driven home.

I walked through the village, past the school with its sad yellow sides, shedding fine flakes of peeling plaster. The janitor was smoking by the school, and the tiny light flickered.

It flickered like a heart that was pumping blood for the last time.

The cigarette butt flew into the grass, flashing bright red.

I returned to the village shop, stumbling over stones on the dark road, already trembling and chattering with my remaining milk teeth. The white square on the door could not be made out.

“Keep away,” I said in a whisper and placed my palm to the place where the square had been.

“I’ve come home, Sasha.”

“I called you.”

“Sasha, I can’t stand this, share it with me.”

“No, Zakharka.”

At home, my mother washed me in a basin with warm, foamy water.

“We played hide and seek, Mama.”

“Did they find you?”

“No. Just once.”

Tea and yellow butter, cold as if it had been cut out of a patch of sunlight on the morning water. I’ll have another sandwich. And more milk in my tea.

“Mama, I want to tell you about the game.”

“Just a second, son.”

And another glass of tea. And three sugar cubes.

“Where are you going, Mama? I want to tell you now…”

But she’s gone.

Then I’ll build a house out of the sugar cubes.

Sashka’s parents thought that he had gone to stay with his grandma. His grandma thought that he had gone home to his parents. There were no telephones in the country back then, no one rang anyone.

He hid in a fridge — an empty freezing chamber that stood by the village shop. A battered cable led from the shop to the fridge.

The fridge didn’t open from the inside.

They looked for Sasha for two days, and his grandma came to me. I didn’t know what to say to her. The Chebryakovs were summoned to the police station.

Early Monday morning, Sashka was found by the school janitor.

The boy had pushed his arms and legs against the door of the fridge. Tears were frozen on his face. His square mouth, showing a bitten-through, icy tongue, was open.

In other words…

Poems by Zakharka

* * *

In the treetops the dew
is beating its wings,
the breathing greenery
lowers its face,
the blackness of wet
berries lightly drowses —
rains have rocked them
to sleep in their cradle.

In the reflection through eyelids
cracked open, half waking,
there was a mist; and the earth,
and damp berries,
and the grass underfoot,
pockmarked from cold,
caressed me, pretending
to be the Homeland.

* * *

I’ve already lived more than once,
but I dare not live any longer.
Either sensual passion
or a foolish idea
to live it out hindered me
from gathering up the rest of the crumbs.
And sweet snow fondled
the roads of fir.

Forgive me, father, that
I had no desire
to catch with my hot mouth
the last breath.
The gift of fate, alas,
I did not preserve, or show it affection,
and did not hold life
by its slippery wrists.

Without lamentation or rage,
I fell to earth unripe.
The soul yet once more
easily said farewell to the body.
Speech cannot contain
the time and distance
from such short meetings
and frequent partings.

I’ve lived so often, that
I forgot places and dates.
And to recall all that
makes no sense here.
In the world wars
I didn’t manage to age —
I perished in two of them
And I will be there for the third.

* * *

As fingernails grow after death,
so my feeling for you,
with all the undernail dirt
when life’s time span runs out
will not stop its motion.

Do not fear — if the autumn is long,
it will not be eternal;
in fact,
this is just what you have to fear.

December with disfigured face,
and I with icy hands,
And you mixed up in the scent of lilacs,
and with hair the color of wet cherries,
and with other trash,
other junk,
other lies.

* * *

I wanted a cure — too late:
the cough and the cold disappeared.
I’ll call my puppy Bismark,
and pour champagne on the asters.
The path to madness lies close
in January’s dry midday.

The snows on the fir trees have ripened.
Shall we knock them down tonight?
It’s so inexpressibly charming
to look at your legs,
that if one looks past them,
one loses the meaning of vision.

You must have got better,
I don’t remember you this way.
If I couldn’t know at all, but it’s too late.

And if you press your palms
to your eyes, and removing them, look
at the stars — they are like chandeliers.

I mixed all the lines up — what for.
You might just as well
tangle your shoelaces up.
Can’t sleep. In the nooks of the brain
it’s all you; and, counting the minutes,
I lose the count only toward morning…

Failed sonnet

You walked round.
I walked through.
Whispering of feelings,
I hurt my jaw.
I fired shots (here’s the rhyme: without aiming).

You walked in the middle.
I turned the corner.
All feelings are simple:
pencil or charcoal.
Sporadic simplicity —
I was scaring off pride.

But is there a point weaving
speeches about this!
When your hands touched my neck
less often in autumn than my scarf,
from where came the hope
that the rivers would freeze in the winter?

All feelings are simple.
Only poses are complex.
We lived through autumn
to the white payoff.
And the frosts have a scent — of frost.
And the color of rain was terribly rainy.

* * *

I have still lost
the value of my words
so often admitting
dead
made-up
stillborn feelings —
lost them
for which I was punished
by solitude
in another icy january
by salt
by an empty horizon
by snow
by the husky voice
of solitude
depression’s unkempt goblin
misery’s green corner

words are all quite
worthless

never mind

tomorrow morning
a girl with a lazy smile
will look at me in the tram
she won’t like me
but something will interest her
before she leaves the tram
she’ll turn around again
and our eyes will meet

outside
catching up with her
I’ll say
in my home there are many boring books
I also have handcuffs
and some money for a bottle of beer
I’m a poet and also I can
play Vertinsky on the guitar
(your fingers smell of incense)
I can play something about your fingers

* * *

I still hope: like a child
who breaks a vase and freezes in horror
wishing it would come together
by itself and go back to the sideboard.

Reading books, I still dream
and still believe that life
and death will sort things out
and I — alone — will be left innocent.

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