Mischa Berlinski - Fieldwork

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Fieldwork: краткое содержание, описание и аннотация

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A daring, spellbinding tale of anthropologists, missionaries, demon possession, sexual taboos, murder, and an obsessed young reporter named Mischa Berlinski.
When his girlfriend takes a job as a schoolteacher in northern Thailand, Mischa Berlinski goes along for the ride, working as little as possible for one of Thailand's English-language newspapers. One evening a fellow expatriate tips him off to a story. A charismatic American anthropologist, Martiya van der Leun, has been found dead — a suicide — in the Thai prison where she was serving a fifty-year sentence for murder.
Motivated first by simple curiosity, then by deeper and more mysterious feelings, Mischa searches relentlessly to discover the details of Martiya's crime. His search leads him to the origins of modern anthropology — and into the family history of Martiya's victim, a brilliant young missionary whose grandparents left Oklahoma to preach the Word in the 1920s and never went back. Finally, Mischa's obssession takes him into the world of the Thai hill tribes, whose way of life becomes a battleground for two competing, and utterly American, ways of looking at the world.
Vivid, passionate, funny, deeply researched, and page-turningly plotted,
is a novel about fascination and taboo — scientific, religious, and sexual. It announces an assured and captivating new voice in American fiction.
Fieldwork

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Not very long after his encounter with Randy Cooper, David decided to defy his father's unspoken but omnipresent code of personal conduct and go see the English-language movie of the week at the Kamtoey Theater, where was showing an entirely forgettable and now almost entirely forgotten blaxploitation film called Blacula , which the very same Randy Cooper, who brooded over the seventh grade like an incubus, the week before had said was so funny it almost made him piss himself.

Thomas had never specifically told his eldest son that he was not allowed to visit the Kamtoey Theater, but David knew his father was far too subtle a psychological tactician to prohibit outright a forbidden pleasure. Not long after the Walkers arrived in Chiang Mai, Linda-Lee had begun reading Cosmopolitan magazine, which she borrowed monthly from a classmate at school. Thomas didn't tell Linda-Lee that if she looked at that magazine one more time she'd be headed straight to the burning pits of Hell, which in Thomas's mind was not very far from the truth; but when he happened to notice a copy of Cosmo in Linda-Lee's book bag, the fifty-one-year-old Thomas began very publicly to read the magazine himself. Linda-Lee came home from school one day to find her father on the couch absorbed in an article about trimming the pubic regions, and at dinner with the whole family Thomas asked Linda-Lee if she had read that same fascinating article about how to seduce a man in six minutes or less? The funny thing was, Thomas continued, that was precisely how Mom had won his attention all those years ago, and was it working well for Linda-Lee? Linda-Lee went quiet as a puddle of water at the table. The very last thing the fifteen-year-old girl wanted to do was publicly compare her mother's quondam abilities as a seductress with her own. Can you imagine, Thomas went on, that people actually paid attention to this silliness when other people on this planet still lived as slaves? Norma went tsk-tsk wearily, and Grandpa Raymond shook his patriarchal gray head from side to side. You could almost hear the bags under his eyes go swish-swish in disapproval. Linda-Lee wished that the ever-present gaping maw of Hell would swallow her up right then and there.

So to go the Kamtoey Theater, which if discovered would have subjected him to his father's mockery, David was forced to lie to his father, which if discovered would have subjected him to his wrath. In preparation for his first visit to the cinema, David announced to his mother that he had joined the swim club, which met from four to six on Tuesday and Thursday afternoons. (Except at the height of the rainy season, when the pool, for reasons no one could explain, turned a violent cucumber green and widespread student opinion held that to dip so much as a toe in the water would lead to an agonizing death by slow-creeping gangrenous rot, which would pass upward from the feet, if you catch my horrifying drift, a terrible thing which really happened to some poor kid in the tenth grade. In the rainy season, David thought it prudent to play volleyball.) But attendance at athletic clubs was optional, and David explained to the swim teacher that he was expected that evening at a church youth group meeting.

Thus having fashioned himself a solitary afternoon in the hot season, David went to the Kamtoey Theater, by bicycle, directly and absolutely alone, first dodging traffic on the Charoen Muang Road, then over the Nawarat Bridge, crowded with bicycles, motorcycles, trishaws, tuk-tuks, and handcarts piled high with bags of rice and cement, past the aromatic flower market with its mountains of roses, orchids, jasmine, and lilies, then into the old city itself through the Tha Pae Gate. The whole way there, David swore to himself that he would never forget the Dyalo again, not even one time, not when the hills which ringed Chiang Mai were throbbing with demon-besotted Dyalo who needed his personal assistance, whose souls were crying out for liberation — although David did wonder just how two hours of swimming or volleyball, activities which no one disapproved of, would have helped the Dyalo. The question had bothered him enough that he'd asked his grandfather what he should be doing to help the Dyalo if he wasn't going out into the hills and preaching as his dad had done at his age. Grandpa Raymond had nodded in that slow, thoughtful way he had, and said that at the very least, David could pray for the Dyalo. "I take prayer extremely seriously, David. Prayer is often our most effective tool in the Fight." David was impressed by the serious, manly way his grandfather spoke to him, and decided that he could just as well pray for the Dyalo in a movie theater as in a swimming pool.

But the hard truth of the matter was that the very instant David settled himself nervously into the very last row of the Kamtoey Theater, he forgot his vows altogether.

David sat in the red-velvet seat, his heart racing and his skin prickling with a fine nervous sweat. He had a theoretical knowledge of film from his mother, who had told him that a film was like a photograph the size of a wall that moved, but the whole notion struck him as somewhat incredible. He wondered how he would describe the film to his classmates tomorrow. Maybe he would say, "It was so funny I peed myself," although he was not precisely sure how a moving photograph would be that funny, exactly; or he would say, "It was so scary I almost barfed," although again, the connection was obscure, between a picture which moved and the kind of cold terror he had felt when, pulling up the bucket from the well not long before the family left Eden Valley, he had found a cobra spitting back. That discovery had in fact provoked David to vomit.

The more David thought about barfing, the more he felt just a touch queasy. The Thai don't believe a movie should be a barrier to a decent meal and rightly consider popcorn proper fare only for pigs, so generations of cinemagoers had come into the theater laden down with meat-balls and grilled chicken on skewers, soaked with sweet sticky sauces; salted dried fish from the vendors lined up outside the theater; and bowls of noodles drenched in fish sauce, vinegar, sweet kaffir lime, spicy ginger, lemongrass, and galangal, the whole odoriferous concoction to be slurped down all through the show with the aid of chopsticks, whose click-clack against the ceramic bowls could be heard even at moments of highest cinematic tension. The red carpets and thinly upholstered seats had absorbed forty years of spills. The smell was overpowering, although to a nose not distended by guilt and anxiety, not entirely unpleasant. Later in life, David, wandering through the covered spice market or just passing by a street stall, would be instantly transported by a familiar smell back to the Kamtoey Theater and the sweet, illicit afternoons of his adolescence.

David thought about going home. His butt wasn't stapled to the seat. He figured that he had seen enough of the theater to fake it at school from now on, but not so much as to estrange him from his family. That was the hardest thing to explain to the other kids at school, just why he had never been to the movies. He had only recently begun to suspect that his family, in its enthusiasms and convictions, was different from other families; and, indeed, the Walkers lived more intensely in the service of the Lord now than they had even in Eden Valley, treating Chiang Mai as little more than a mirage offered up by the Deceiver to distract them from what they needed to do.

When they had first come to Chiang Mai and all of them were still living in a two-room house lent them by a wealthy Christian tailor, how admirably flexible in the face of adversity the Walkers proved themselves to be! Raymond and Laura were more than seventy years old, Thomas more than fifty, all of those children, not one Walker speaking a single word of Thai, little money, twenty years spent in the deepest jungle— and the only thing the Walkers knew for sure was that they would not forget the Dyalo !

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