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Mischa Berlinski: Fieldwork

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Mischa Berlinski Fieldwork

Fieldwork: краткое содержание, описание и аннотация

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A daring, spellbinding tale of anthropologists, missionaries, demon possession, sexual taboos, murder, and an obsessed young reporter named Mischa Berlinski. When his girlfriend takes a job as a schoolteacher in northern Thailand, Mischa Berlinski goes along for the ride, working as little as possible for one of Thailand's English-language newspapers. One evening a fellow expatriate tips him off to a story. A charismatic American anthropologist, Martiya van der Leun, has been found dead — a suicide — in the Thai prison where she was serving a fifty-year sentence for murder. Motivated first by simple curiosity, then by deeper and more mysterious feelings, Mischa searches relentlessly to discover the details of Martiya's crime. His search leads him to the origins of modern anthropology — and into the family history of Martiya's victim, a brilliant young missionary whose grandparents left Oklahoma to preach the Word in the 1920s and never went back. Finally, Mischa's obssession takes him into the world of the Thai hill tribes, whose way of life becomes a battleground for two competing, and utterly American, ways of looking at the world. Vivid, passionate, funny, deeply researched, and page-turningly plotted, is a novel about fascination and taboo — scientific, religious, and sexual. It announces an assured and captivating new voice in American fiction. Fieldwork

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The story didn't surprise me: I remembered Wim telling me about his job at the embassy. Every day, he had told me, a worried parent called him from Amsterdam looking for a detective to help track down a child lost in the island rave culture; or a textile importer from Utrecht would call, asking him to recommend a crackerjack accountant to go over a potential business partner's books. Offering advice to Dutch people on how to get things done in Thailand was his specialty. Once, he told me, he had even helped a circus in Maastricht get an export permit for an elephant.

"Of course I said yes," Josh said.

That's why I always call Josh when I'm in Bangkok. Things like this really happen to him.

"So I give this woman in Holland a buzz before I go up to Chiang Mai," Josh continued. "She doesn't know anything. Last time she saw her niece, the niece was a little girl. Hadn't spoken to her in years. She hadn't gotten a letter from her in over ten years, not since she went to prison. In any case, she was from a distant branch of the van der Leun family. The niece grew up in California, had been there since she was little and was now an American. Before she went to jail, she lived in a village out near the Burmese border. You know that area? Southeast of Mae Hong Son?"

"Not really," I said.

" Nobody lives out there but the tigers. What was she doing out there? The aunt in Holland, she doesn't know. I figure she's one of those kids, got caught up in drug smuggling. ‘How long was she up there?' I ask. Turns out the niece's been in Thailand since forever. Maybe since the seventies. And she's no kid, the woman's over fifty years old. Strange , I think. ‘When's your niece getting out of prison?' I ask. Long pause on the phone. ‘Fifty years,' the aunt says. ‘So what's your niece doing in prison?' Long pause on the phone. Like she doesn't want to tell me. ‘She is a murderer,' the woman finally says, in a thick Dutch accent. What do you say to that? I said, ‘Who'd she kill?' Long pause on the phone. She doesn't know. That's all this Elena van der Leun can tell me. She wants me to go and tell her niece that her uncle is dead."

Josh paused as the waiter arrived at our table with a steaming cauldron of tam yam guum . The young waiter lit a paraffin candle under the tureen, and Josh served me and then himself. The soup was, as Josh had promised, delicious, delicately flavored with lime, cilantro, ginger, and lemongrass; the shrimp, which that very morning had been frolicking in the Gulf of Thailand, were huge and tender, with an explosive touch of sea salt. Josh ate the very hot soup with vigorous splashing movements of his spoon, and only when he had finished his first bowl and was reaching to refill it did he pick up the story again.

Several weeks after his talk with Elena van der Leun, Josh found himself in the waiting room of Chiang Mai Central Prison. Josh told me that he had been in Chiang Mai for three or four days, enjoying the luxury of his expense account, before he finally steeled himself to the task at hand: Josh was a generous man, but he did not like to be presented too directly with the misery of others, a squeamishness which made him regret having accepted Wim's offer. He had dreaded the visit, and day after day had done no more than note the location of the prison on the map, then distract himself from his unpleasant chore with a stiff drink, then another, after which the days dissolved into a blur. The morning of his prison visit, realizing that he could put off his errand no longer, he had awakened early and dressed himself neatly. He wore linen slacks and a white shirt, which when he left the hotel was crisply pressed but by the time he arrived at the prison was damp with sweat. A low sky like wet cement hid the hills which ring Chiang Mai.

"Oh man, I did not want to be there," Josh said. "I got out of that tuk-tuk, told the driver to wait for me, and it was like they were going to lock me up inside, that's what I felt like. Like I was never going to get out of there. Bang! The first gate closes behind me. Bang! The second gate closes behind me. Bang! That's the third gate."

Josh thumped hard on the table with every bang , and the other diners turned their heads.

"You ever been in a Thai jail?" Josh asked.

"No."

"The one here in Bangkok, it's a real shithole," Josh said knowingly. "Not a nice place. But this one in Chiang Mai, it wasn't bad. It wasn't what I expected."

Indeed, he said, the room in which the guards installed Josh could have been the waiting room for any provincial government ministry. Only the bars on the windows and the guard behind the heavy wooden desk betrayed the purpose of the place; that and a pervasive smell of urine and vomit. A large portrait of the king in full military regalia hung next to a clock whose loud ticks echoed through the room with impossible slowness. There were a half-dozen round metal tables, and at each table four plastic stools. Josh settled his tremendous bulk onto a stool much too small for a man of his size.

"I was the only farang in the room," Josh said. "There were just a couple of other people. A few hill-tribers, I don't know, maybe they were Hmong, or Dyalo, I can never remember all the costumes. They had that scared look people down from the hills always have. I remember one of them asked me if I had a cigarette, so I gave him one. There was some guy with tattoos up and down his arms, Buddhist sutras — you know, the way the gangsters have. Scary-looking dude. And some women, Thai women, chatting with each other, but looking around like they didn't want to be there. I guess nobody wants to be there."

Josh sat in the waiting room, which if not as horrible as he had imagined was certainly not cheerful, and reflected on the woman he was to meet. How was he to inform this stranger that her uncle was dead? Was this her last link to the world of the living? Josh wondered: What had brought Martiya van der Leun to this pass? A quick Internet search had revealed nothing about Martiya, and again, Josh thought it strange that anyone could have disappeared so thoroughly; even Josh, hidden as he was in Bangkok, turned up on the Internet if you Googled him, associated with articles he had written, photos he had taken, and the results of a couple of races he had run with the Hash House Harriers in much leaner days.

In the dossier of papers which Elena van der Leun had sent Josh, there was a photograph of Martiya as a young woman. While he sat in the waiting room, Josh pulled the picture out of the dossier and looked it over. The photograph, the only one that Elena could provide, was almost a quarter century old. It showed a slender, small-breasted young woman holding a long knife and leaning over a birthday cake. She was of indeterminate ethnic origin: her cheekbones were high and Asian, but her long black hair was curly and fell over her shoulders and neck. She was not looking straight at the camera, but it was nevertheless possible to see that she had keen, mischievous eyes, light blue and enormously round. Her lips were full and red, and her skin china-pale. It was not a beautiful face, Josh said, but expressive, intelligent, and curious.

"Do you still have the photo?" I interrupted.

"I sent it back to the family," he said. He refilled my drink, and his own.

With thoughts of the woman he was to meet, Josh occupied a half hour until the prisoners were allowed to enter. Then the iron doors of the antechamber swung open, and one by one the women who had been waiting on the other side wandered into the room, where they paired themselves with their guests. In other Thai prisons, Josh knew, the prisoners would have been made to enter the room on their knees as a sign of humility, but not here. The first woman to walk into the room was no older than a girl, a delicate-featured girl who might have been pretty but for the bruises. Wearing light-blue cotton prison pajamas, she spotted the man with the tattoos and raised her hands to him in the traditional Thai bow and nodded slightly. Because he did not rise from his stool, as she approached his table she was forced to bend over to keep her head below his, as good manners demanded. Without a smile or a hint of tenderness, she sat beside him and the two began to talk. Then two women came out hand in hand. They regarded the waiting room with wary eyes. Josh heard a burst of speech in some alien language from the tribeswomen behind him, and the two prisoners replied in the same strange tongue. The visitors and the hosts embraced unabashedly and settled themselves on the plastic stools, sitting cross-legged. They spoke to one another in low, urgent voices.

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