David Unger - The Mastermind

But Juancho is no liberal hero. He does not believe in social welfare, or that the government should be doing anything to correct the injustices in society. In this, his thoughts mirror Guillermo’s, but his ideas are expressed with much less hostility. At best, government should be a referee to make sure the capitalist system functions properly, and that no single corporation can establish a monopoly. Taxes should be kept at a minimum, just high enough to fund the necessary departments of government: the military, the police, fire, sanitation, airport management, earthquake relief. The private sector should be in charge of everything else, even schools and parks. He will never vote for anyone who is overly progressive, criticizes the military, or attacks right-wing governments. Like most Guatemalans, he does not want to dirty his hands to ensure the enforcement of his ideas. He believes that honesty and transparency in government are important. No one should be asked to do things that are counter to the principals of God and country, and certainly not under-the-table work. He is a decent Guatemalan who believes that corruption is a worm that can pervade all walks of life and needs to be extracted. But he is not a fighter or whistle-blower.

So just as Guillermo and Rosa Esther are returning from New York, Juancho decides on a change of life. He purchases a hectare of land on a sloping plateau in San Lucas Sacatepéquez, about twenty-five kilometers from Guatemala City. Unlike Guillermo, he does not want to become a gentleman or corporate farmer. He wants nothing to do with corruption and illegal activities. He wants to work the earth with his own hands and have it produce bounty.

Juancho buys two hundred three-year-old avocado saplings and hires Marco Zamudio, an agronomist and botanist, to help him start an avocado farm. The soil in San Lucas is rich, the weather temperate. He and Marco embark on an ambitious grafting program, which allows them to reduce the period of juvenile growth and to spur the development of the fruit in half the normal time. So within two years, the saplings will begin to bear fruit. By the fifth year, if all goes as planned, the land will be producing ten tons of avocados — sweet and fresh and untainted — which Juancho hopes to sell to supermarkets and high-end restaurants in Guatemala City and Antigua, and possibly even export to the United States.

But one Wednesday Juancho is driving his truck from his house to the farm in San Lucas. Suddenly he loses control of the pickup, goes off the road, bounces over a gutter that is more like a trench, and slams right into a sprawling rubber tree on the side of the road. His head collides with the steering wheel. Juancho has apparently suffered a heart attack, and is dead on impact. The heart attack must have been strong, sudden, and severe. He is only twenty-six years old.

Guillermo is among the first to get a call from Frida. He is in anguish over his friend’s death. It’s not only the loss of friendship, which has been sidelined, but the awareness of how quickly things can change. Life is ephemeral, like cigarette ash or pollen carried off by a gust of wind, leaving nothing behind. He is troubled by the suddenness of Juancho’s death. He doesn’t want to appear paranoid, but he does wonder if his friend really had a heart attack or if he was killed as punishment for being unwilling to do something illegal at his job at the Banurbano.

A wake is held in the Funerales Reforma a few blocks north of Calle Montufar in Zone 9 on the following Saturday. The casket is left open for viewing, but something has gone wrong with the embalmment of the body. Noses start twitching and hands cover faces. An odd odor floats in the room, like a cloud. People cough and put handkerchiefs to their mouths. The stench is awful.

Since everyone is too polite to say anything, it is a ghastly wake. And while Juancho’s two-year-old son is running around, as if his father’s casket were a big wooden mansion atop a table, Frida is beside herself in grief. She knows something has gone wrong with the embalming but she is unwilling to address the problem, for fear of creating a disturbance. She is more concerned with when the priest will arrive to direct the services, since he is an old family friend traveling all the way from San Salvador. It is a long trip that can become longer with mountain mud slides.

Rosa Esther accompanies Guillermo to the wake, but she provides him little solace. She finds the viewing macabre, especially with the peculiar mixture of decomposing flesh and formaldehyde in the air. She is grateful that she never took the steps to convert to Catholicism. She is suddenly repelled by the pomp, by the eerie rituals, and yearns for the simplicity of the Union Church. At one point, her hand grazes Guillermo’s shoulders. It is a tender touch. For an instant they look at one another the way they did when they first met. He reaches out to grab her hand, but she merely nods and walks back to her seat.

When the priest finally arrives a half hour later, there’s a collective sigh of relief. Instead of wearing a full-length black cassock, he is dressed in dark pants and a black shirt with a white collar. A simple red cross dangles from his neck. He is young, even handsome, and looks something like a beatnik. He touches his nose nervously and confers with the director of the funeral home. The mourners observe how he keeps nodding his head.

He immediately approaches the coffin and closes it, draping the top with a small sacramental cloth he has brought with him, which depicts an embroidered, mostly naked red-and-blue Christ lying on a yellow mattress. He whispers a few prayers under his breath, then asks the attendees if anyone would like to say something.

It is midafternoon, and everyone is tired, hungry, and impatient after the long wait. A few family members say kind, innocuous words amid tears, but there is a sense of futility and hollowness in the air. Words cannot undo the deed. Juancho’s death seems so unnecessary, so premature, so incongruent; no kidnapping, no mugging, no nothing to awaken political speculation or thoughts of bribery. A death without the violence that now characterizes daily life in Guatemala seems too simple to get worked up about.

When the speeches end Juancho’s mother asks the priest if he can deliver her son his last rites.The priest grabs her hand and says that extreme unction is only for the gravely ill or the very recently departed, before the soul goes to heaven. He assumes that Juancho was a good Catholic and there is no need to question whether he was penitent for his sins or not. He is already in a state of grace.

Juancho’s mother is distraught and a bit confused by the priest’s trenchant comments. She leans more heavily on her daughter-in-law’s shoulder, using it mostly as a crutch.

The priest finally realizes he must say something meaningful and kind to comfort the attendees. He calls the mourners around the coffin and initiates the Prayer for the Dead.

The weeping of the crowd is widespread and audible.

* * *

By the time the mourners head for the Cementerio General for the burial it is nearly three o’clock. The clouds are low, almost touching the tops of the trees. It is cold and raining.

If the mood was undeniably dreary at the Funerales Reforma, it is downright grim at the cemetery. Fully three-quarters of the mourners have decided to opt for lunch and skip the burial, and there are barely a dozen people, all under umbrellas, to witness Juancho’s descent into the ground.

On the drive home Guillermo is utterly depressed. His parents are gone, he feels lost without his wife’s love and companionship, and now his best friend, who countered his increasingly strong diatribes against the liberal government, is dead.

He finds it increasingly difficult to believe that Juancho had a heart attack while driving. Something or someone else must have been behind his death.