William Kennedy - Billy Phelan's Greatest Game

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The second novel in William Kennedy’s much-loved Albany cycle depicts Billy Phelan, a slightly tarnished poker player, pool hustler, and small-time bookie. A resourceful man full of Irish pluck, Billy works the fringes of the Albany sporting life with his own particular style and private code of honor, until he finds himself in the dangerous position of potential go-between in the kidnapping of a political boss’s son.

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The scar grew behind Martin, its center becoming the most brilliant of all possible whites. Martin saw to it that the animal-child was seated on the chair beside the hotel bed in a typical spectator’s position.

The animal-child watched the cleansing siege of the taboo, unaware the maternal flame was flirting blindly with his presence. The divine figure saw too late the advent of love’s flaming embrace, and he ignited with a rasping, crackling brilliance. He tried to scream but the sound caught in his immaterial throat, and he was suddenly ashes, a spume of sooty flakes flying upward. To heaven? To hell?

Martin ejaculated with an onrush of benediction.

Aware that Melissa had been shorted on the significance of the moment, Martin manipulated her vigorously into a writhing, low-level ecstasy. This, she sadly admitted, was the only estate she could inhabit since her hysterectomy four years before. When her ovaries were taken from her, something else went with them. Oh, she could approach climax, almost peak. But there was a point beyond which nothing would take her. She had tried. Oh, how she had tried. Poor little one. And now she gave what could be given, took what must be taken. Her explanation sounded vaguely biblical to Martin, as if she read Saint Augustine hopefully every time the nuances flooded her cave.

Yet Martin could not escape the notion that his presence here at this altar of hand-me-down flesh was in some way therapistic, that he was expected to remantle the wings of Melissa’s passion, that his time with her a decade ago had been as maleficent for her as it had for him, that she was searching in his flaming ashes for a new display of her own lost fireworks. They’re not really all gone, are they, Daddy?

He rubbed, oh, how he rubbed. She tried, oh, how she tried.

But when she exploded it was only with exhaustion, to save her heart’s wearying ventricle.

They dressed and rested and poured new champagne, and Melissa ate a piece of melon standing up. Martin sat on the sofa trying to understand the meaning of what he had just gone through. He was unable to grasp the significance of so many people suddenly webbed in the same small compass of events. He dismissed coincidence as a mindless explanation of anything. Was it his mind discovering patterns that had always existed but that he, in his self-absorption, had never noticed? But how? He was a fairly perceptive man. More than that, he was foresightful. Even now he had the impulse to call the newspaper, for what reason he did not know. Emory would not be in yet, and he had no reason to speak with anyone else.

He went to Melissa’s bedroom and sat on the rumpled bed, still damp with drops of love and loathing, and asked the hotel operator to ring the Times-Union. When Madge, the crone, answered, all he could think to ask was whether anyone had left him a message. “Yes,” said Madge, “some bozo named Franny Phelan called. He’s in jail and wants you to bail him out.”

Martin went back to the couch.

“Did you ever hear my father speak of having a gift of foresight, or anything comparable?” he asked Melissa.

“I remember he was superstitious,” she said. “He used to throw salt over his shoulder when it spilled and he had a lucky pair of pants. They were green with small checks. I can still see them. He almost never wore them except when he needed money, and he swore that when he put them on, money started to trickle in. We were standing in the middle of Fourteenth Street one afternoon and he was wearing a blue suit and he didn’t have enough money to buy our lunch at Luchow’s. ‘Nobody knows I need money,’ he said. ‘How could they? I don’t have my green pants on.’ We went to his rooms and he put the pants on, and the next day he got a bank draft in the mail for eleven hundred dollars from a producer.”

Martin felt a lazy rapture come over him looking at Melissa, the golden bird of paradise. Yet, he resented the intimacy such a story reflected, and the pain it caused his mother in her grave. It was the first time he’d ever heard of clairvoyance in anyone else in the family. But Martin quickly decided his father, through telepathy with the producer, learned of the money on the way and put on the green pants as a way of turning the vision into something magical but not quite serious. It was not the same gift as his own. No.

“You’re going now, aren’t you?” Melissa said.

“I had a call at the paper. An old neighbor of mine’s in jail and wants my help.”

“I could tell by your face you were going to leave me.”

“What is it? Do you want to talk? I don’t have to go right this minute.”

“I don’t see you in ten years and you pop in and use me like a Klondike whore.”

“Use you? Klondike?” Martin’s fingers still ached from the reciprocal friction.

“You drink my champagne and eat my food and exploit my body and leave me alone with my energy. You use me.” She hurled a croissant at him. It missed him and bounced off a lampshade.

“You crazy bitch,” he said. “You’re as crazy as my mother.”

He pulled her robe off her shoulders, pinning her arms to her side. Then he dragged her to the floor and undid his trousers.

How do I use thee? Let me count the ways. As a sacred vessel to be violated. As a thief of Holy Writ. As the transcendent trinity: Melissa-Katrina-Marina, which my father discovered and loved; which I now love. As my father immortalized them all, like the figures on the Grecian urn, so do I now perceive them in all their lambent lunacy. Seeing with my father’s eyes and knowing how he was victimized by glory and self-absorption, I now forgive the man his exorbitant expectations, his indifference, his absence. Once forgiven, it is a short walk to forgive myself for failing to penetrate such passionate complexity as his. Forgiving myself, I can again begin to love myself. All this, thanks to the use of the fair Melissa.

As he pronged the dying fire, Martin sensed the presence of his parents in the room, not as flaming balls of tow this time, but as a happy couple, holding hands and watching him do diddle with Melissa for them, just as he had once done proud piddle for them in his personal pot. Clearly, they saw him as the redeemer of all their misalliances, the conqueror of incoherence, the spirit of synthesis in an anarchic family. Martin, in the consanguineous saddle, was their link with love past and future, a figure of generational communion, the father of a son en route to the priesthood, the functioning father of the senile Edward. More than that he had, here, obviously become his own father. He was Edward, son of Emmett Daugherty, father of Martin Daugherty, grandfather of Peter Daugherty, and progenitor of the unchartable Daugherty line to come. Lost son of a lost father, he was now fatherhood incarnate.

Perceiving this, he spent himself in Melissa’s ravine of purification.

“You are my yum-yum,” she said to him, wholly flattened, the corners of her mouth yanked downward by unseen powers at the center of the earth. She stroked the fluids at the center of herself and sucked the mixture off her middle finger, evoking in Martin a ten-year-old memory of the same act performed at the Hampton. Moved profoundly both by the act and the memory, he loathed himself for his own psychic mendacity, for trying to persuade himself he had other than venereal reasons for jingling everybody’s favorite triangle.

Hypocrite!

Lecher!

My boy!

Fifteen

Billy found Martin in the news coop of police headquarters playing knock rummy with Ned Curtin, the Times-Union’s police reporter. Martin saw Billy and nodded. Then he drew a card and knocked. Ned Curtin slid a dime to him across the desk.

“How come he called you?” Billy said when Martin came out to meet him. They walked together up the stairs, Billy still smelling the pine disinfectant he always associated with this building. Billy had been here only once, five years ago, for dealing cards on Orange Street. He’d been hired by a punk who said he had Bindy’s okay to run the game, but didn’t, so they pulled everybody in and held them an hour here and then let the players go. But they kept the punk, who had to pay up and do a night in jail.

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