Ivan Klima - My Golden Trades

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One of the last artistic expressions of life under communism, this novel captures the atmosphere in Prague between 1983 and 1987, where a dance could be broken up by the secret police, a traffic offense could lead to surveillance, and where contraband books were the currency of the underworld.

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window for ages, staring down towards the tracks and waiting for a train to appear. Then, when I heard the puffing of the enormous machine in the distance and saw the approaching plume of smoke — and when it was dark outside the smoke was full of swirling sparks as tiny as stars in the sky that glowed and then died — I was gripped by a blissful sense of expectation, as though I were supposed to leave on that train, or as though I were expecting a visitor to arrive on it, perhaps from the heavens themselves, from where the train always seemed to emerge. At the time I did not know of those other freight trains that, on narrow, normal and wide-gauge tracks carried, and would continue to carry throughout most of my life, uncountable numbers of people whom She and her beaters and followers had singled out as victims.

The moment Pavel stepped into the car, he started telling us what had just happened to him, things that to him seemed incomprehensible. Then he stopped. It occurred to him that perhaps it might be better to remain silent about it all in front of my daughter. My daughter, in rather rough terms, reassured him that on the contrary, she found such experiences entertaining; at least they made up, in part, for the ruined evening. She unbuttoned her coat to reveal her ball gown.

I would like to have told my friend something of my wartime experiences, because they had helped me to understand many of the events that came later. I would like to have told him that I had learned how the persecution of a select sample of victims gave Her several advantages. Not only did it arouse fear among other innocent people, but it also gave those who were not included in the sample a sense of satisfaction that they were considered worthy of

trust. I would like to have mentioned how this even encouraged the most anxious of citizens to lend a hand, at least in the most inconspicuous of ways, to Her efforts so that with the passage of time remaining silent about Her work became second nature, an understandable and forgivable vice. I could have gone on to suggest that persecution of the innocent also satisfied a degenerate passion that circulates in the blood of many of Her assistants. However, the white and yellow car I could see behind us distracted me.

Before the war, the famous Helada company made soap. Into the long boxes containing their soap, they put pictures of steam and diesel locomotives. They issued an album with spaces into which you were supposed to stick the pictures. I owned the album and gradually filled the spaces in it. When I leafed through the book before going to sleep and saw locomotives in colours I'd never seen them in, locomotives with magnificent red wheels or with blue or green flanks, I was overwhelmed. And I imagined that I was the one who was allowed to move the rods and levers that controlled them.

I drove Pavel and his wife to the nearest health clinic. The yellow and white striped car that had followed us all the way like a faithful hyena parked by the curb behind me. Now that I was no longer distracted by driving, I could observe its crew. There were four of them. The man sitting next to the driver was saying something into his walkie-talkie. When he finished talking, he and the rest of them were obviously waiting for an answer. I imagined I could hear a hollow, loud-speaker voice coming from inside their car. Then one of the men got out, walked around my car and rapped on my window.

I opened it, and he asked to see my documents. My driver's licence was almost new, and the vehicle registration was in order, as was the car. He produced a breathalyser, and I blew into the tube, certain that not the tiniest drop of alcohol was circulating in my blood. He noted my innocence, even thanked me and said goodnight before returning to his car, from where he must have reported the results of his investigation by radio.

My collection was almost complete; I was only missing two cards, both of express-train locomotives. One was called The Mikado, the other was nicknamed Passepartout. Their stats were printed in my album, but I had no idea what noble shapes and outlines distinguished them from the rest. What good is an incomplete collection? Whenever I opened the album, I saw only those two empty spaces crying out to be filled. We had enough soap at home to last for at least three years. I couldn't get the missing pictures by trading for them at school, so I had already given up hope when our grocer invited me behind the counter and allowed me to open the soap boxes until I found the two missing engines.

The unusual pleasure of being behind a counter was even greater than the joy of at last finding the pictures I needed. I sensed, although I had no way of appreciating my discovery yet, that the man behind the counter, no matter how deeply he might bow to his customers, possessed the power to satisfy people's needs and desires. And anyone who has such power is like a king.

My first encounter with a real engine driver happened not long ago. He brought me a message from a friend of mine who lived outside Prague. The message vouched for its bearer, Martin B., and asked me to lend him something good to read.

Martin B. was not the kind of man I had imagined in my childhood commanding an enormous engine. He seemed too slight, too young, and moreover he was dressed in jeans.

We talked about folk singers. He was proud of his tape collection of protest songs by singers who were mostly silenced, and of his collection of books by banned authors. He or his friends copied out these books by themselves. I expressed surprise that someone so young would devote his time to copying out books by unknown authors.

'You have to do something!' This was the hope that encouraged him and told him his actions had meaning. I nodded and asked him how he liked his work.

My question surprised him. He had never wanted to be an engine driver.

I said that as a boy, I had, very much. What had he wanted to be, then?

He laughed. The only thing he could remember was wanting to go hunting in Alaska. At school, he had directed a play about Jack London. London could not have imagined how anyone could enjoy doing the same thing all his life. They should allow everyone to do one job for a while, and then to do something completely different, or nothing at all. He said he would happily spend half a year working double shifts on the trains if he could spend the same amount of time wandering about the world.

Would he go to Alaska?

He'd go to Denmark first.

Why Denmark?

Because they have a decent government there, he explained. And you can travel through the whole country by bicycle. After a long fast, you have to begin with small mouthfuls. Besides, Hamlet was prince of the Danes.

I could find no fault with his reasons.

He left with a parcel of extremely hard-to-get books. He said that if I really wanted, he would, as a favour, let me ride with him in the engine and allow me to drive it. Of course it would only be a freight train; someone like him could never get a better position; he was not sufficiently committed politically.

I didn't take his offer seriously, but that night I had a dream. I was walking through a desert landscape on a path between a railway line and a high wall. Suddenly, a gate opened in the wall ahead of me and a hissing steam engine emerged. It cut across my path and stopped in front of me.

I realized that this was the train I'd been waiting for and that I should quickly climb aboard one of its cars. Instead, I stared at the locomotive in fascination. It was a steely blue and it seemed to be very light, as if hollow. The front of it looked like any steam locomotive; smoke was even coming out of the smokestack. But the whole rear section looked like the exposed inside of a large clock. Cog-wheels, large and small, gleamed as though cast from pure gold. Through the small window I saw the engine driver's face, and his hands moving nimbly among the rods and levers. I wanted to call out to him, to ask him to let me climb aboard, but before I could bring myself to do it, the train started up and in an instant disappeared in the distance, leaving me alone by the track.

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