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Don DeLillo: Zero K

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Don DeLillo Zero K

Zero K: краткое содержание, описание и аннотация

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The wisest, richest, funniest, and most moving novel in years from Don DeLillo, one of the great American novelists of our time — an ode to language, at the heart of our humanity, a meditation on death, and an embrace of life. Jeffrey Lockhart’s father, Ross, is a billionaire in his sixties, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to a life of transcendent promise. Jeff joins Ross and Artis at the compound to say “an uncertain farewell” to her as she surrenders her body. “We are born without choosing to be. Should we have to die in the same manner? Isn’t it a human glory to refuse to accept a certain fate?” These are the questions that haunt the novel and its memorable characters, and it is Ross Lockhart, most particularly, who feels a deep need to enter another dimension and awake to a new world. For his son, this is indefensible. Jeff, the book’s narrator, is committed to living, to experiencing “the mingled astonishments of our time, here, on earth.” Don DeLillo’s seductive, spectacularly observed and brilliant new novel weighs the darkness of the world — terrorism, floods, fires, famine, plague — against the beauty and humanity of everyday life; love, awe, “the intimate touch of earth and sun.” Zero K

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“You wanted it to happen.”

“We lusted after it. We prayed for it incessantly. It would come from out there, the great expanse of the galaxies, the infinite reach that contains every particle of matter. All the mysteries.”

“Then it happened.”

“Things fall into the ocean. Satellites falling out of orbit, space probes, space debris, pieces of space junk, man-made. Always the ocean,” he said. “Then it happened. A thing hits skimmingly.”

“Chelyabinsk,” I said.

He let the name dangle. The name itself was a justification. Such events really happen. Those who devote themselves to the occurrence of such events, whatever the scale, whatever the damage, are not dealing in make-believe.

He said, “Siberia was put there to catch these things.”

I understood that he did not see the person he was talking to. He had the drifter’s inclination to be impervious to names and faces. These were interchangeable components room to room, country to country. He did not talk so much as narrate. He traced a wavy line, his, and there was usually someone willing to be the random body that he told his stories to.

“I know there’s a hospice here. Is this where you talk to the dying?”

“They call it a hospice. They call it a safehold. I don’t know what it is. An escort takes me there every day, down in the numbered levels.”

He talked about advanced equipment, trained staff. Still, it made him think of twelfth-century Jerusalem, he said, where an order of knights cared for the pilgrims. He imagined at times that he was walking among lepers and plague victims, seeing gaunt faces from old Flemish paintings.

“I think of the bleedings, purgings and baths administered by the knights, the Templars. People from everywhere, the sick and dying, those who tend to them, those who pray for them.”

“Then you remember who and where you are.”

“I remember who I am. I am the hospitaler. Where I am, this has never mattered.”

Ross had also made a reference to pilgrims. This place may not have been intended as the new Jerusalem but people made long journeys to find a form of higher being here, or at least a scientific process that will keep their body tissue from decomposing.

“Does your room have a window?”

“I don’t want a window. What’s on the other side of a window? Pure dumb distraction.”

“But the room itself, if it’s like my room, the size of it.”

“The room is a solace, a meditation. I can raise my hand and touch the ceiling.”

“A monk’s cell, yes. And the cloak. I’m looking at the cloak you’re wearing.”

“It’s called a scapular.”

“A monk’s cloak. But so unmonklike. Aren’t such cloaks gray or brown or black or white?”

“Russian monks, Greek monks.”

“Okay.”

“Carthusian monks, Franciscan monks, Tibetan monks. Monks in Japan, monks in the Sinai desert.”

“Your cloak, this one. Where is it from?”

“I saw it draped over a chair. I still visualize the scene.”

“You took it.”

“The moment I saw it, I knew it was mine. It was predetermined.”

I could have asked a question or two. Whose chair, which room, what city, which country? But I understood that this would have been an affront to the man’s method of narration.

“What do you do when you’re not tending to people in their last hours or days?”

“This is everything I do. I talk to people, I bless them. They ask me to hold their hands, they tell me their lives. Those with strength enough left to talk or to listen.”

I watched him get to his feet, a taller man than he’d seemed at first glimpse. The cloak was knee-length and his pajama bottoms flapped as he moved toward the door. He wore high-top sneakers, black-and-white. I did not want to regard him as a comic figure. He was clearly not. I felt, in fact, reduced by his presence, his appearance, by what he said, his trail of happenstance. The cloak was a fetish, a serious one, a monk’s scapular, a shaman’s cape, carrying what he believed to be spiritual powers.

“Is this tea I’m drinking?”

“Green tea,” he said.

I waited for a word or phrase in Uzbek.

• • •

Artis said, “It was ten or twelve years ago, surgery, right eye. When it was over they gave me a protective eye shield to wear for a limited time. I sat in a chair at home wearing the shield. There was a nurse, Ross had arranged a nurse, unnecessarily. We followed all the guidelines in the instruction sheet. I slept in the chair for an hour and when I woke up I removed the shield and looked around and everything looked different. I was astonished. What was I seeing? I was seeing what is always there. The bed, the windows, the walls, the floor. But the brightness of it, the radiance. The bedspread and pillow cases, the rich color, the depths of color, something from within. Never before, ever,” she said.

Two of us, sitting as we had the day before, and I had to lean in to hear what she was saying. She let time pass before she was ready to continue.

“I’m aware that when we see something, we are getting only a measure of information, a sense, an inkling of what is really there to see. I don’t know the details or the terminology but I do know that the optic nerve is not telling the full truth. We’re seeing only intimations. The rest is our invention, our way of reconstructing what is actual, if there is any such thing, philosophically, that we can call actual. I know that research is being done here, somewhere in this complex, on future models of human vision. Experiments using robots, lab animals, who knows, people like me.”

She was looking directly at me now. She made me see myself, briefly, as the person who was standing here being looked at. Fairly tall man with thick webbed hair, prehistoric hair. This was all I could borrow from the deep probe maintained by the woman in the chair.

She replaced me now with what she’d seen that day.

“But the sight of it, the familiar room now transformed,” she said. “And the windows, what did I see? A sky of the sheerest wildest blue. I said nothing to the nurse. What would I say? And the rug, my god, Persian was only a pretty word until now. Am I exaggerating when I say there was something in the shapes and colors, the symmetry of the weave, the warmth, the blush, I don’t know what to call it. I became mesmerized by the rug and then by the window frame, white, simply white, but I had never seen white such as this and I was not taking some painkillers that might alter perception, just eyedrops four times a day. A white of enormous depth, white without contrast, I didn’t need contrast, white as it is. Am I sure I’m not overstating, inventing outright? I remember clearly what I thought. I thought, Is this the world as it truly looks? Is this the reality we haven’t learned how to see? This was not an afterthought. Is this the world that animals see? I thought of this in the first few moments, looking out the window, seeing treetops and sky. Is this the world that only animals are capable of seeing? The world that belongs to hawks, to tigers in the wild.”

She gestured throughout but only barely, a hand sifting repeatedly, sorting through the memories, the images.

“I sent the nurse home and went to bed early with the shield on my eye. This was one of the guidelines. In the morning I removed the shield and walked around the house and looked out the windows. My vision was improved but only ordinarily so. The experience was gone, the radiance in things. The nurse returned, Ross called from the airport, I followed the guidelines. It was a sunny day and I took a walk. Or the experience hadn’t drifted away and the radiance hadn’t faded — it was all simply re-suppressed. What a word. The way we see and think, what our senses will allow, this had to take precedence. What else could I expect? Am I so extraordinary? I returned to see the doctor a few days later. I tried to tell him what I’d seen. Then I looked at his face and stopped.”

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